A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80's pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he's good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex's plants; she's a pretty good poet, quick witted, and could do it, if she'd agree. But there's some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then? Written by
When Alex and Sophie are recording the second take of the song they wrote, Alex starts the computer playing and recording, but when it cuts to a shot from behind them towards the computer, the track is not even playing, let alone recording. See more »
Sloan, even though Sally Michaels only lives on paper, I live in the real world. And I can never forgive you for using me as raw material to create a fictional monster. Sally Michaels is my own personal ghost, a shadow hanging over each phone call, a cup of tea. And one cold day when age has robbed your mind of its fertile phrases and your hand of its dexterity all the success won't be able to shield you from the pain you've caused and the shame you deserve. Or something like that.
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During the end credits the video of 'Pop Goes My Heart' is played with pop-ups similar to VH1's 'Pop-up Video' See more »
There are already 222 reviews of this movie, so the chances of anyone ever reading this are slim. However, I'm a sucker for a longshot. (so if you read this review, please give it a thumbs up or a thumbs down...I'm curious to know if anyone will ever read this, buried under more than 200 other reviews)
When a friend suggested we rent this movie, my initial reaction was, "NO!! It's a chick flick. And besides, it's got Hugh Grant in it. Those are two really big strikes against it." However, and remember my fondness for longshots, the movie also casts Drew Barrymore in the other lead role. I couldn't resist.
To my complete surprise, both actors were excellent, and Hugh Grant doesn't have a bad singing voice. To be honest, if he and Drew Barrymore wanted to record an album of pop songs, I think it could do quite well. Her strength is that she is perky and funny, and that compensates for lack of trained vocal talent. Sometimes you DON'T want to hear Barbra Streisand.
Here's the quickie plot summary: Hugh Grant was in a popular band of the 1980s, and now he's reduced to playing for embarrassing venues like shopping malls, amusement parks, and High School reunions. When a Britney Spears-type singer wants him to write her new single, his life changes completely, but only due to Drew Barrymore's help.
I now judge movies in part by how my European friends would react to them. I have to admit that some American movies are a little corny, but this movie passed the test with flying colors. A friend from Slovakia not only loved the movie, he insisted on watching the trailers and special scenes.... twice! It was a welcome relief to actually be proud of a Hollywood movie.
I now have new-found respect for Hugh Grant, and my admiration for Drew Barrymore is higher than ever. She sure has a lot of talent for playing someone with pluck and a little bit of endearing wackiness.
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