A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80's pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he's good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex's plants; she's a pretty good poet, quick witted, and could do it, if she'd agree. But there's some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then? Written by
The film's director/producer/writer Marc Lawrence offered "Dance With Me Tonight" to Hugh Grant while he was trying to find the right song to sing during one scene. What he didn't tell him was that Marc's 13-year-old son, Clyde Lawrence, wrote it. On the soundtrack, Clyde actually plays the piano. See more »
During the scene where Sophie and Alex are in the café and he sings "I've got sunshine on a cloudy day..." When it cuts to the camera viewing Sophie, you can see that his lips are not synced with his vocals. See more »
It doesn't have to be perfect. Just spit it out. They're just lyrics.
Lyrics are important. They're just not as important as melody.
I really don't think you get it.
Oh. You look angry. Click your pen.
A melody is like seeing someone for the first time. The physical attraction. Sex.
I so get that.
But then, as you get to know the person, that's the lyrics. Their story. Who they are underneath. It's the combination of the two that makes it magical.
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During the end credits the video of 'Pop Goes My Heart' is played with pop-ups similar to VH1's 'Pop-up Video' See more »
I'm a fan of Hugh Grant and Drew Barrymore. Their personalities alone are enough to carry a movie. And such is definitely the case with Music and Lyrics. Hugh Grant's self-deprecating, dry sense of humor charms. And Drew Barrymore's slightly daffy girl-next-door shtick lights up the screen. These two could read me an economics book and I'd be entertained.
Music and Lyrics has its moments (campy '80s videos, shots at reality shows and pop divas), but overall, the story isn't as good as its stars. And while I love Grant and Barrymore separately, I'm not sure I love them together. Each of their personalities seems somewhat compromised in Music and Lyrics -- as if Grant's sarcasm and Barrymore's sweetness are both toned down. They meet somewhere in the middle, and it's very pleasant...but it's not as good as it could have been. Music and Lyrics is very much along the lines of Two Weeks Notice (both are written and directed by Marc Lawrence).
Bottom line: it's light fluff with some engaging stars, fun pop culture mockery and a song that will stick with you (like it or not!)
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