A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80's pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he's good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex's plants; she's a pretty good poet, quick witted, and could do it, if she'd agree. But there's some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then? Written by
At the top of the closing credits during the PoP pop-up video, one of the trivia history bubbles mentions that "Colin created a huge controversy when he declared PoP to be 'bigger than The Beatles'". This is a reference to the furor caused when Noel Gallagher of Oasis referred to the band as being "bigger than The Beatles." It can also be seen as hearkening back to the the international controversy caused by John Lennon when he declared that The Beatles were more popular than Jesus Christ. See more »
When Alex and Sophie are walking by the bookstore, you can see Sophie's hair looks like her hair color is growing out half-way down her head. Scenes after that show her hair is fully one color. See more »
I've a strange situation here.
Oh, you've got a strange situation? I'm at Beth's soccer game with my ex-wife who's here with my ex-gardener. They came on a riding mower.
See more »
During the end credits the video of 'Pop Goes My Heart' is played with pop-ups similar to VH1's 'Pop-up Video' See more »
I'm a fan of Hugh Grant and Drew Barrymore. Their personalities alone are enough to carry a movie. And such is definitely the case with Music and Lyrics. Hugh Grant's self-deprecating, dry sense of humor charms. And Drew Barrymore's slightly daffy girl-next-door shtick lights up the screen. These two could read me an economics book and I'd be entertained.
Music and Lyrics has its moments (campy '80s videos, shots at reality shows and pop divas), but overall, the story isn't as good as its stars. And while I love Grant and Barrymore separately, I'm not sure I love them together. Each of their personalities seems somewhat compromised in Music and Lyrics -- as if Grant's sarcasm and Barrymore's sweetness are both toned down. They meet somewhere in the middle, and it's very pleasant...but it's not as good as it could have been. Music and Lyrics is very much along the lines of Two Weeks Notice (both are written and directed by Marc Lawrence).
Bottom line: it's light fluff with some engaging stars, fun pop culture mockery and a song that will stick with you (like it or not!)
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