Into the Wild
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The Must-Read Stories of the Week: Sean Penn Interviews El Chapo, Werner Herzog Slams Vr and More

15 January 2016 1:45 PM, PST | Indiewire | See recent Indiewire news »

Why Sean Penn's El Chapo Interview Is His Best Work in Years By humanizing El Chapo, reducing a mythological super-villain to the level of a savvy businessman, Penn delivers his most perceptive storytelling achievement since "Into the Wild" — another project that peered beyond the mystique of an elusive character to find the flawed, driven personality beneath. - Eric Kohn, Criticwire Werner Herzog Has Seen the Future of Virtual Reality and Finds Nothing But Man's Futility For now, Herzog is treading lightly. He told The New Yorker that he had seen documentary-like Vr footage of "ice floes near Greenland," but the footage "tired him" very quickly. "What was more convincing was animated films," he said. "Digitally created landscapes and events made a better impression on me." - Zack Sharf Oscar Nominations 2016 Snubs and Surprises, Stats, and Winner Picks  One unfortunate narrative is 2016 Oscar voters' lily-white selections. »

- Zack Sharf

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Everest 3-D

12 January 2016 10:21 AM, PST | Trailers from Hell | See recent Trailers from Hell news »

At last, an adventure movie that does without action-epic superhero Bs. It's simply You Are There with a dozen likeable, determined climbers coping with calamity in a place that, for all the help that can be sent, 'might as well be on the moon.' The excellent depth effects all but nail us to the screen. Everest Blu-ray + DVD Universal Studios Home Entertainment 2015 / Color / 2:40 widescreen / 121 min. / Street Date January 19, 2016 / 49.98 Starring Jason Clarke, Josh Brolin, Keira Knightley, Jake Gyllenhaal, Robin Wright, Martin Henderson, John Hawkes, Naoko Mori, Michael Kelly, Emily Watson, Sam Worthington. Cinematography Salvatore Totino Film Editor Mick Audsley Original Music Dario Marianelli Written by William Nicholson, Simon Beaufroy Produced by Nicky Kentish Barnes, Tim Bevan, Eric Fellner, Baltasar Kormákur, Brian Oliver, Tyler Thompson. Directed by Baltasar Kormákur

Reviewed by Glenn Erickson

I've heard no Oscar buzz surrounding Baltasar Kormákur's Everest, which makes sense. It isn't the kind of movie that courts awards, »

- Glenn Erickson

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Alejandro G. Inarritu, Tom McCarthy, Adam McKay, George Miller, Ridley Scott Land DGA Nominations

12 January 2016 10:08 AM, PST | Variety - Film News | See recent Variety - Film News news »

The Directors Guild of America kept strong guild streaks alive for “Mad Max: Fury Road” and “The Revenant” Tuesday with nominations for filmmakers George Miller and Alejandro G. Iñárritu, respectively.

The two joined Tom McCarthy (“Spotlight”), Adam McKay (“The Big Short”) and Ridley Scott (“The Martian”) in the feature film category.

Historically, the DGA’s film nominations — decided upon by a vast body of more than 16,000 members — are a solid barometer for the best director and particularly best picture categories at the Oscars. Recent DGA-nominated directors who failed to score a nomination from the Academy’s directors branch include Clint Eastwood (“American Sniper”), Paul Greengrass (“Captain Phillips”) and, notoriously, Ben Affleck (“Argo”) and Kathryn Bigelow (“Zero Dark Thirty”).

Recent films nominated by the DGA that failed to net a best picture Oscar nomination include “The Girl With the Dragon Tattoo,” “The Dark Knight,” “The Diving Bell and the Butterfly” and “Into the Wild. »

- Kristopher Tapley

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Sean Penn Unmasks ‘The End’ of the Acting Blues (Guest Column)

6 January 2016 3:24 PM, PST | Variety - Film News | See recent Variety - Film News news »

From 500 B.C. to 300 B.C., actors of the Greek theatre wore the masks of comedy and tragedy–those that had come to be the representative symbols of the craft of acting, and the expression of the actor. Somewhere along the line, acting found its way more into a profession than expression. Today, those masks represent a union, or more accurately, a guild of actors that work to protect business with little or no focus on the protection of creative expression.

Throughout my own career as an actor, I’ve worked hard to avoid that label; to find projects that I felt I could serve well in their expression. I tried to avoid careerism.  I have had my share of transgressions. Yet overall, my care for the work was such that I sought a body of work that would, within my own limitations, express my generation’s experience.

Now, in my mid-fifties, »

- Sean Penn

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