Into the Wild
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8 items from 2016


Watch First Trailer for Cameron Crowe's 'Roadies' Series

15 hours ago | Rollingstone.com | See recent Rolling Stone news »

Filmmaker Cameron Crowe and producer J.J. Abrams explore the lives of the behind-the-scenes people who make concerts happen in the upcoming Showtime comedy series Roadies, which unveiled its first extended look Friday. The trailer opens up with a Tom Petty quote, "I think the general public has no idea what roadies do. Bless 'em all. I just play the songs." From there, the preview offers up glimpses of life on the road for these unsung heroes, with the series focusing in on roadies played by Imogen Poots, Carlo Gugino and Luke Wilson. »

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F&Me unveils 10 film slate at Efm

23 hours ago | ScreenDaily | See recent ScreenDaily news »

Exclusive: London-based production outfit introduces 10 films to the market, including Mariam Khatchvani’s Dede.

London-based production house Film and Music Entertainment (F&Me) has unveiled a 10-strong slate of films that it is introducing to buyers at the Efm.

Dede [pictured], the debut feature of Mariam Khatchvani, stars George Babluani and Natia Vibliani in the story of a woman who marries a man in defiance of her family’s wishes.

The Georgia-uk-Croatia-Dutch co-pro wrapped at the end of last month. Developed at the Sundance Lab, the project featured in Les Arcs’ works-in-progress strand and has support from the Doha Film Institute and the Georgian National Film Centre.

Another title the company has in Berlin is I Want To Be Like You. Written and directed by Konstantin Bojanov (Ave), the road movie follows a young artist’s journey to meet his hero. The cast includes 2015 Screen Star of Tomorrow Barry Keoghan (’71), Kim Bodnia (Pusher) and Thure Lindhardt (Into The Wild). The »

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F&Me unveils 10 picture slate at Efm

23 hours ago | ScreenDaily | See recent ScreenDaily news »

London-based production outfit introduces 10 films to the market, including Mariam Khatchvani’s Dede.

London-based production house Film and Music Entertainment (F&Me) has unveiled a 10-strong slate of films that it is introducing to buyers at the Efm.

Dede [pictured], the debut feature of Mariam Khatchvani, stars George Babluani and Natia Vibliani in the story of a woman who marries a man in defiance of her family’s wishes.

The Georgia-uk-Croatia-Dutch co-pro wrapped at the end of last month. Developed at the Sundance Lab, the project featured in Les Arcs’ works-in-progress strand and has support from the Doha Film Institute and the Georgian National Film Centre.

Another title the company has in Berlin is I Want To Be Like You. Written and directed by Konstantin Bojanov (Ave), the road movie follows a young artist’s journey to meet his hero. The cast includes 2015 Screen Star of Tomorrow Barry Keoghan (’71), Kim Bodnia (Pusher) and Thure Lindhardt (Into The Wild). The »

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‘Snowpiercer,’ ‘Adoption,’ ‘Leafie,’ ‘Chair:’ Korea, France Build Co-Production Relations

5 February 2016 6:19 AM, PST | Variety - Film News | See recent Variety - Film News news »

Paris — Paris Images Cinema/Industrie du Reve featured a round table on animation co-production, which included a screening of Jesus Castro’s documentary “Snowpiercer: From the Blank Page to the Black Screen,” about the making of the $40 million South Korean/French science fiction pic “Snowpiercer,” directed by Bong Joon-ho and written by Bong and Kelly Masterson, based on the French graphic novel “Le Transperceneige” by Jacques Lob and Jean-Marc Rochette.

Jesus Castro explained how the film became a cultural phenomenon in South Korea. The film clocked up 650,000 admissions — about  $4.6 million — in France and had a limited theatrical release in the U.S. after discussions about the final cut between Bong and the Weinstein Company, with the film finally released on VOD via TWC’s Radar channel, earning $2 million in the first week.

In South Korea, the film recorded over 10 million admissions. Castro said that the working rhythm on “Snowpiercer” was intense, »

- Martin Dale

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The Must-Read Stories of the Week: Sean Penn Interviews El Chapo, Werner Herzog Slams Vr and More

15 January 2016 1:45 PM, PST | Indiewire | See recent Indiewire news »

Why Sean Penn's El Chapo Interview Is His Best Work in Years By humanizing El Chapo, reducing a mythological super-villain to the level of a savvy businessman, Penn delivers his most perceptive storytelling achievement since "Into the Wild" — another project that peered beyond the mystique of an elusive character to find the flawed, driven personality beneath. - Eric Kohn, Criticwire Werner Herzog Has Seen the Future of Virtual Reality and Finds Nothing But Man's Futility For now, Herzog is treading lightly. He told The New Yorker that he had seen documentary-like Vr footage of "ice floes near Greenland," but the footage "tired him" very quickly. "What was more convincing was animated films," he said. "Digitally created landscapes and events made a better impression on me." - Zack Sharf Oscar Nominations 2016 Snubs and Surprises, Stats, and Winner Picks  One unfortunate narrative is 2016 Oscar voters' lily-white selections. »

- Zack Sharf

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Everest 3-D

12 January 2016 10:21 AM, PST | Trailers from Hell | See recent Trailers from Hell news »

At last, an adventure movie that does without action-epic superhero Bs. It's simply You Are There with a dozen likeable, determined climbers coping with calamity in a place that, for all the help that can be sent, 'might as well be on the moon.' The excellent depth effects all but nail us to the screen. Everest Blu-ray + DVD Universal Studios Home Entertainment 2015 / Color / 2:40 widescreen / 121 min. / Street Date January 19, 2016 / 49.98 Starring Jason Clarke, Josh Brolin, Keira Knightley, Jake Gyllenhaal, Robin Wright, Martin Henderson, John Hawkes, Naoko Mori, Michael Kelly, Emily Watson, Sam Worthington. Cinematography Salvatore Totino Film Editor Mick Audsley Original Music Dario Marianelli Written by William Nicholson, Simon Beaufroy Produced by Nicky Kentish Barnes, Tim Bevan, Eric Fellner, Baltasar Kormákur, Brian Oliver, Tyler Thompson. Directed by Baltasar Kormákur

Reviewed by Glenn Erickson

I've heard no Oscar buzz surrounding Baltasar Kormákur's Everest, which makes sense. It isn't the kind of movie that courts awards, »

- Glenn Erickson

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Alejandro G. Inarritu, Tom McCarthy, Adam McKay, George Miller, Ridley Scott Land DGA Nominations

12 January 2016 10:08 AM, PST | Variety - Film News | See recent Variety - Film News news »

The Directors Guild of America kept strong guild streaks alive for “Mad Max: Fury Road” and “The Revenant” Tuesday with nominations for filmmakers George Miller and Alejandro G. Iñárritu, respectively.

The two joined Tom McCarthy (“Spotlight”), Adam McKay (“The Big Short”) and Ridley Scott (“The Martian”) in the feature film category.

Historically, the DGA’s film nominations — decided upon by a vast body of more than 16,000 members — are a solid barometer for the best director and particularly best picture categories at the Oscars. Recent DGA-nominated directors who failed to score a nomination from the Academy’s directors branch include Clint Eastwood (“American Sniper”), Paul Greengrass (“Captain Phillips”) and, notoriously, Ben Affleck (“Argo”) and Kathryn Bigelow (“Zero Dark Thirty”).

Recent films nominated by the DGA that failed to net a best picture Oscar nomination include “The Girl With the Dragon Tattoo,” “The Dark Knight,” “The Diving Bell and the Butterfly” and “Into the Wild. »

- Kristopher Tapley

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Sean Penn Unmasks ‘The End’ of the Acting Blues (Guest Column)

6 January 2016 3:24 PM, PST | Variety - Film News | See recent Variety - Film News news »

From 500 B.C. to 300 B.C., actors of the Greek theatre wore the masks of comedy and tragedy–those that had come to be the representative symbols of the craft of acting, and the expression of the actor. Somewhere along the line, acting found its way more into a profession than expression. Today, those masks represent a union, or more accurately, a guild of actors that work to protect business with little or no focus on the protection of creative expression.

Throughout my own career as an actor, I’ve worked hard to avoid that label; to find projects that I felt I could serve well in their expression. I tried to avoid careerism.  I have had my share of transgressions. Yet overall, my care for the work was such that I sought a body of work that would, within my own limitations, express my generation’s experience.

Now, in my mid-fifties, »

- Sean Penn

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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2006

8 items from 2016


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