After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love. Written by
Twentieth Century Fox
In designing the sex scenes, Edward Zwick had the principals watch romantic comedies and sexually charged films - everything from Pillow Talk (1959) to 9 Songs (2004) to Last Tango in Paris (1972) - and talk about what turned them on. Then some of those shots and ideas were incorporated into the making of the scenes. See more »
When Maggie takes a Polaroid picture of Jamie in the parking lot, Jamie raises his hands to block the shot AFTER the camera flashes and we hear the motor crank out the picture, meaning the camera had already taken the picture. Later when we actually see the picture, the picture has him with his hands raised. See more »
Let's just say in some alternate universe, there's a couple just like us, okay? Only she's healthy and he's perfect. And their world is about how much they're going to spend on vacation or who's in a bad mood that day, or whether they feel guilty about having a cleaning lady. I don't want to be those people. I want us. You. This.
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Way Over Yonder In The Minor Key
Written by Woody Guthrie and Billy Bragg (as Stephen William Bragg)
Performed by Billy Bragg and Wilco
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Music Group Film & TV Licensing See more »
Despite what some may say, Love and Other Drugs wasn't like other romantic comedies I've seen except in the most general of senses, in that it was a romantic comedy. I hadn't seen one set in the environment of pharmaceutical sales or with a main character who had Parkinsons disease, a setting which is very interesting as there are a lot of things wrong with health care and the system today. It gives one something to chew on while watching the rest of the movie.
There's a lot to like about the relationship between Jamie and Maggie. They have a raw intensity and passion for each other that was a bit much for some viewers, but in my opinion it was there to show how connected they were both physically and mentally. I thought their banter and teasing nature was cute. Nobody got wounded or sulked when teased but just laughed and teased back. The initial attraction between them started as an understanding of each other's loneliness and vulnerability that allowed them to feel like someone else finally got them after easily charming others with nothing more than a fascade. Their relationship had passion, love, and a roller-coaster of emotions.
There was a scene midway through the movie where Maggie tells Jamie that even though she may have many other moments like the ones that she shared with him that it will never be as special or mean as much to her and my heart wanted to swell because I knew exactly what she meant and what it is like to love someone that much.
As they grew together, both characters changed and let go of their issues with commitment and love. They tore down the walls they'd built to protect themselves and just let themselves fall. It was beautiful to me and I really enjoyed Love & Other Drugs.
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