After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Maggie (Hathaway) is an alluring free spirit who won't let anyone - or anything - tie her down. But she meets her match in Jamie (Gyllenhaal), whose relentless and nearly infallible charm serve him well with the ladies and in the cutthroat world of pharmaceutical sales. Maggie and Jamie's evolving relationship takes them both by surprise, as they find themselves under the influence of the ultimate drug: love. Written by
Twentieth Century Fox
Lawyers for both principals prepared documents about how much nudity the film would show. In the end, though, Edward Zwick simply pledged that there would be nothing in the film with which they were not comfortable. See more »
Near the end, a video is watched from a Fisher Price PXL 2000 camcorder hooked up to the TV. Audio is heard but only the yellow video cable is connected. These camcorders had an RF modulated output so video and audio were output through a single cable and modulated so a television could tune into the signal on channel 3 or 4 when attached to the antenna connector. See more »
Sometimes the things you want the most don't happen and what you least expect happens. I don't know - you meet thousands of people and none of them really touch you. And then you meet one person and your life is changed forever.
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Slow Start, Great Finish... Anne Hathaway is Wonderful
The movie starts out as a generic and even pedestrian romantic comedy and appears to be headed in the typical cliché driven direction but, fortunately, evolves in to something more. Jake Gyllenhaal's character and his alleged "funny" fat side kick are established almost purposefully as illustrations of what's wrong with most romantic comedies. It's Anne Hathaway's character that is the catalyst for the transformation from two dimensional rom-com to something deeper and more enjoyable. As she is fleshed out (pun intended because the more Anne Hathaway nudity the better) her character forces both Gyllenhaal's character and the film itself to grow (almost Viagra like). What follows is a deep, sometimes moving and genuinely interesting film. Commentary about battling illness, life and enjoying the moment are all relevant and poignant. Even supporting characters are given moments to shine. Oliver Pratt's drug rep has a wonderful scene delivered over dinner and there's even a smart drunken ramble explaining what is wrong with being a doctor and a commentary on the state of the Hippocratic Oath. From an emotionless and even tedious start, this film surprised me and is worth the price of a ticket.
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