Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
A re-imagining of the horror icon Freddy Krueger, a serial-killer who wields a glove with four blades embedded in the fingers and kills people in their dreams, resulting in their actual death in reality.
Still haunted by his gruesome past, Tommy Jarvis - the boy who killed Jason Voorhees - wonders if somehow he is connected to brutal slayings occurring in and around the secluded halfway house where he now lives.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
A group of young adults set up tent near the abandoned summer camp where a series of gruesome murders are said to have taken place back in 1980. The perpetrator was a grieving mother, driven insane by the drowning of her child, Jason, whom she believed was neglected by the camp counselors. As legend has it, the last survivor of the attacks beheaded the woman. But then Jason came back, and now he is a vengeful and inexorable killer, wielding crossbows, swords, axes and other sharp instruments. The legend proves horribly true, as these campers quickly discover. Six months later, the brother of one of those campers distributes posters of his missing sister. The police believe she took off with her boyfriend; but he knows better. The brother crosses paths with an uptight young rich guy who is having his girlfriend and friends over at his parents' cabin. The brother ends up at the cabin himself just before his sister's attacker sets upon them all. Written by
The title card of the movie isn't displayed until the end of the opening segment, nearly 25 minutes into the film. See more »
The black man is hit in the back with an axe, wounding him. After that, Jason forces the axe straight throught the man's body, killing him. Later on, we see the man lying facedown in water, with the axe in his back again. See more »
I Like It, I Love It
Written by Theodore Dudley, Uriah Duffy, Gregory Allen Greene, Albert Hudson, Glenda Joyce Hudson, Jonathan Meadows, Terry Wayne Morgan, Dave Roberson Jr., B'nai Rebelfront, and Lyrics Born (as Tom William Shimura)
Performed by Lyrics Born See more »
It stands for "Classic Horror In, Re-imagined Garbage Out". You can substitute "Camp" or "Crap" for the C, depending upon how you feel about the original "Friday the 13th" - the rest of the acronym remains the same.
The re-imagined "Friday the 13th" isn't scary. It isn't creepy. It isn't suspenseful. It isn't funny at any point, and it's only the slightest bit sexy. It doesn't add anything to the Jason mystique or, for that matter, to the "unstoppable boogeyman" archetype in cinematic horror.
The characters in this flick are so one-dimensional they make all the throwaway performances from previous installments of the series look positively Oscar-worthy. And that includes episodes 5-9, which are hard to beat on the Unwatchable Meter.
As many have noted, the lighting in a lot of scenes is bad. This is probably done for realism, but frankly it doesn't detract too much because you never feel like there's much to see anyway. Likewise for the relatively sparing use of shakycam.
Considering all the things they might have updated 29 years later, there really seems to have been little thought put into this movie. Yeah, there's more sex and nudity than in the original installments, but it doesn't seem that over the top and it definitely isn't titillating. Most of it is accompanied by insanely annoying dialogue.
There are plenty of scenes that will make you cringe and groan for their stupidity, but I don't want to include any spoilers, so I'll skip them.
Instead, I'll just mention the two most memorable non-spoilers:
1) There is gratuitous use of sudden loud noises to create shock or suspense when none would otherwise exist. Lots of movies do this when they can't be scary - I can't think of another one that does it so often or so loudly.
2) There is also a major preoccupation with weed. Was "Pineapple Express" that big a hit?
If there is any horror in this movie at all, it is that Amanda Righetti and Willa Ford felt it necessary to star in it to advance their careers.
This movie does to the "Friday the 13th" franchise what "Quantum of Solace" did to James Bond. I hope Bond can be revived somehow. I no longer have the slightest interest in the goings-on at Camp Crystal Lake.
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