Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
A group of young adults set up tent near the abandoned summer camp where a series of gruesome murders are said to have taken place back in 1980. The perpetrator was a grieving mother, driven insane by the drowning of her child, Jason, whom she believed was neglected by the camp counselors. As legend has it, the last survivor of the attacks beheaded the woman. But then Jason came back, and now he is a vengeful and inexorable killer, wielding crossbows, swords, axes and other sharp instruments. The legend proves horribly true, as these campers quickly discover. Six months later, the brother of one of those campers distributes posters of his missing sister. The police believe she took off with her boyfriend; but he knows better. The brother crosses paths with an uptight young rich guy who is having his girlfriend and friends over at his parents' cabin. The brother ends up at the cabin himself just before his sister's attacker sets upon them all. Written by
The first film in the series released by both New Line Cinema and Paramount Pictures. Originally, Paramount owned the rights to the series after the original was released in 1980 but sold the rights to New Line Cinema in the early 1990's after poor box office returns of Friday the 13th Part VIII: Jason Takes Manhattan (1989). New Line bought the rights to the characters of Jason Voorhees and Pamela Voorhees, the Crystal Lake name, and the trademark for the title "Friday the 13th". All footage from the first eight films and the remake rights for the first film remained the property of Paramount. New Line Cinema released Jason Goes to Hell: The Final Friday (1993), Jason X (2001) and Freddy vs. Jason (2003). When Platinum Dunes came aboard to develop the new film, they wanted the freedom to use scenarios and characters from the films still owned by Paramount. After a legal dispute, the companies decided to co-produce the 2009 film. See more »
Wade explains that GPS unit works by sending a signal to the satellites which in turn respond; in reality, GPS units only receive signals from various satellites and never transmit any signals. See more »
Look, I know F13 series was never high art. it was never really clever (except maybe part 6).. it was camp. but in general, it was fun.
This film alternated between three moods
1) nothing. I mean there is at least ONE HOUR where NOTHING HAPPENS! a bunch of moronic, profanity-laden kids TALK!!! No suspense. No horror. No humor.. NOTHING!!
2) Sex. Hey, part of the slasher genre is some sex scenes. But this felt more like soft-porn. There was one sex scene that felt like it went on for TWENTY MINUTES.. I didn't clock it, but it sure felt like it to me. These scenes went WAY beyond T&A or tease. I actually felt uncomfortable watching some of these.
3) Sadistic-torture porn. When Jason was around it felt more like a Saw movie, or maybe the remake of the Texas Chain Saw Massacre. Jason TORTURES his victims? Huh? Instead of a supernatural zombie he is more in line with a sadistic serial killer. a VERY different personality, and one that I felt was repugnant. In the original, Jason was alternately fun and scary. In this, he was just a sicko. Ugh.
This pretty much sums up the movie for me.
Oh, except one more thing. It looks like they used the lights over from AvP:Requiem. The scenes were TOO dark to see. And the Michael Bay 2-second scenes just made it worse! This wasn't some heavy cheap=CGI that had to be 'hidden' with low lit scenes and fast cutting!! I couldn't take it anymore.. And found myself fast forwarding to get through the picture.. Every time I played the movie it was one of the above 3 moods..
I never thought I would appreciate the 1980 original so much. That was truly a brilliant piece of film-making compared to this.
I have NO idea of who/why someone would like to see this. I am seeing some folks giving this high marks, so obviously it is filling a need. Just one that I don't understand.
Where was the fun?
If there are sequels to this reboot,then I will pass..
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