During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
After the last encounter LT Ellen Ripley crash lands on Fiorina Fury 161, a deep space maximum security prison . When a serial killer haunts the facility, Ripley realizes that she brought along an unwelcome visitor.
Charles S. Dutton,
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
In Gunnison County, a spacecraft crashes in the woods bringing a powerful hybrid Alien hosted inside the pilot Predator. A local, Buddy Benson, and his son, Sam, are hunting in the forest and witness the crash, but they are chased and killed by the Alien. Meanwhile another Predator lands on the spot seeking out the Alien and destroys evidence of their presence on Earth. The dwellers of the town find themselves in the middle of a battlefield between the two deadly extraterrestrial creatures, and the small group of survivors splits between the leadership of Sheriff Eddie Morales and the bad-boy Dallas Howard. Both have different opinions about the best means to escape from the beings. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I was psyched to go see this movie. I was not a fan of the first AvP and I like so many others, chalked its awfulness up to being rated PG 13 and focusing on the human side of the story. Once I saw that red R glistening after the AvP, I was excited. As it turns out, I was wrong. Certainly there is a good amount of gore in AvPR, melting limbs, dismemberments, even some violence against children. The Predator is once again, the most bad-ass extraterrestrial on Earth, and it was fun to see the infamous predalien. But the movie just sucks. I tried really hard to look past its gaping plot holes, inane dialogue, and vapid characters, and I pretty much succeeded in not letting those inadequacies bother me. It was the pacing and the lack of tension that killed the movie for me. There was no sense of dread in the flick, no impending doom or even a sense of diabolical hunt. It just, sort of, happened, and then was over. Some fun homages to the originals: amongst them the return of the all-time great line: "Get to the chopper!" And again, some fun blood and executions, but no tension, no dread, no guts in the otherwise bloody film.
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