Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author ... See full summary »
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
A slice of family life: sisters, husbands, children, history, secrets, jealousies. Margot and her teen son, Claude, travel from Manhattan to her family's Long Island home, occupied by sister Pauline, Pauline's daughter, and Malcolm, the slacker Pauline will marry outdoors that week under a tree neighbors want removed. Backbiting marks family discussion, particularly between the sisters and in Margot's cutting remarks to Claude. Pauline tells Margot a secret that Margot promptly tells Claude. Margot dislikes Malcolm and undermines him. She also has marital problems and a lover nearby. People are cruel, inside and outside their families. Is there a refuge for Margot or for Pauline? Written by
When Margot secretly talks to Dick on her cell phone, at times, you can hear Nicole Kidman's Australian accent, especially when she says "Saturday." See more »
I have this theory. I think, historically, women have been held back in so many ways that when they get power like they do behind the wheel, they can't help but abuse it. It's akin to Hannah Arendt's Eichmann theory about prison guards and prisoners switching roles.
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One of the darkest, most complex films I've seen in a while
I just saw Margot at the Wedding at the Telluride Film Festival. My first reaction was that I liked it, but not as much as The Squid and the Whale. My friends and I started talking about it afterwards though and we ended up staying up nearly all night talking about it. It has some funny moments but it is DEFINITELY not a true comedy. It is one of darkest films I've seen in a while. It seems like a simple story but the more you think about it, the more you realize is there. There is definitely a Bergmaninfluence here, especially from Persona, which Noah Baumbach confirmed when I talked to him at the festival. Nicole Kidman's and Jennifer Jason Leigh's characters are sisters, but there came a point where they almost seemed to be extensions of the exact same character. The characters inhabit a very bizarre world filled with clues about doubles, pedophilia, possibly incest, and more. Baumbach didn't necessarily agree with everything I and some other students said about some of the film's meanings, but he did acknowledge that he was glad we were making our own interpretations and that any interpretation was legit. Overall the more I think about this movie and discuss it with my friends, the more I admire it for its darkness and depth. The script is really sharp with many subtle references and the performances are all very impressive. Just keep an open mind and discuss it afterwards to really get to the bottom of some of the film's rich complexities. See it!
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