Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
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A slice of family life: sisters, husbands, children, history, secrets, jealousies. Margot and her teen son, Claude, travel from Manhattan to her family's Long Island home, occupied by sister Pauline, Pauline's daughter, and Malcolm, the slacker Pauline will marry outdoors that week under a tree neighbors want removed. Backbiting marks family discussion, particularly between the sisters and in Margot's cutting remarks to Claude. Pauline tells Margot a secret that Margot promptly tells Claude. Margot dislikes Malcolm and undermines him. She also has marital problems and a lover nearby. People are cruel, inside and outside their families. Is there a refuge for Margot or for Pauline? Written by
Nicole Kidman's hair color repeatedly switches back and forth between dark brown and lighter reddish-brown. See more »
He's doing the interview with me in town on Friday. Did I tell you he and I are collaborating on a screenplay? An adaptation of one of Dick's novels.
No. I didn't even know you knew he was up here.
[while drawing with Claude and Ingrid]
Is he even a good writer? Why do people care about him?
You're competitive with everyone. It doesn't even matter if they do the same thing as you. He's competitive with Bono.
It's true. I don't subscribe to the credo that there's enough room for everyone to be ...
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Margot at the Wedding (2007), was written and directed by Noah Baumbach. The family in this film makes the family in Baumbach's "Squid and the Whale" look like the the Waltons. They are very strange people.
Margot (Nicole Kidman) and her sister Pauline (Jennifer Jason Leigh) come together before Pauline's marriage to Malcolm (Jack Black). The plot outline refers to Malcolm as "less than impressive." I would agree, although you could make the case that even though he's a loser, he's a lovable loser. (I don't see it, but maybe Pauline does.)
Margot is a destructive person. She manages to drag everyone down to her depressed level, especially her son Claude and her sister Pauline. (Claude has problems of his own, but they aren't helped by his mother, who is in turn loving and supportive and then hostile and destructive.)
Suspension of disbelief is demanded here. Pauline and Margot have a long talk about how they are no longer physically desirable, and so they'll have to settle for any man that will have them. Has Baumbach looked at Nicole Kidman? I know he's looked at Jennifer Jason Leigh, because she's his wife. Pauline and Margot may have to settle for less-than-ideal men, but not on the basis of their unattractiveness. (Neurosis, yes; unattractiveness, no.)
We saw this movie in a theater, but it should work well on DVD. It's worth seeing if you enjoy films about pathological relationships. The acting was solid, and the camera work was interesting. Just don't expect Beaver Cleaver and his family.
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