Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a a mess of thrashed relationships and exposed family secrets.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
Two bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with their own camera, with a budget of zero dollars.
A slice of family life: sisters, husbands, children, history, secrets, jealousies. Margot and her teen son, Claude, travel from Manhattan to her family's Long Island home, occupied by sister Pauline, Pauline's daughter, and Malcolm, the slacker Pauline will marry outdoors that week under a tree neighbors want removed. Backbiting marks family discussion, particularly between the sisters and in Margot's cutting remarks to Claude. Pauline tells Margot a secret that Margot promptly tells Claude. Margot dislikes Malcolm and undermines him. She also has marital problems and a lover nearby. People are cruel, inside and outside their families. Is there a refuge for Margot or for Pauline? Written by
Malcolm has trouble recollecting the bassist for Motley Crue, and then remembers that it's Mick Mars. The bass player for Motley Crue is actually Nikki Sixx, although this mistake could have been intentional to further convey the forgetfulness. See more »
I liked this even more than The Squid and the Whale
A box office flop, even for an independent film. It's not hard to see why. This is one of the most emotionally violent movies I've ever seen, and I'm sure many people would find it more than a little unpleasant. But for those of us who can appreciate this kind of material, Margot at the Wedding is a great movie. Even if for no other reason, Nicole Kidman delivers her very finest performance in it. She's kind of going through a Katharine Hepburn-esquire box office poison thing right now, but, as with Hepburn, she's as strong, if not stronger, than ever. Jennifer Jason Leigh and Jack Black, as well as the rest of the cast, also deliver excellent performances. There are some issues in the periphery that are kind of weird and underdeveloped, especially concerning the bizarre, half-seen activities of the neighbors. On the other hand, there are some other bits that sit perfectly in the distance, only partly explained, like the entire portrait of Margot's and Pauline's childhood. The movie leaves a lot to ponder about these beautifully written characters. It's rough around the edges, but wonderful for that.
30 of 44 people found this review helpful.
Was this review helpful to you?