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Directed by | |||
| Salvatore Stabile | |||
Writing credits(WGA) | ||
| Salvatore Stabile | (written by) | |
Produced by | |||
| Jody Allen | .... | executive producer (as Jody Patton) | |
| Paul G. Allen | .... | executive producer | |
| Michael Caldwell | .... | producer | |
| Rebecca Donaghe | .... | co-producer | |
| Daniel Edelman | .... | producer | |
| Petra Hoebel | .... | executive producer | |
| Richard Hutton | .... | producer | |
| Rosanne Korenberg | .... | executive producer | |
| Salvatore Stabile | .... | producer | |
Original Music by | |||
| Jeff Beal | |||
Cinematography by | |||
| Vanja Cernjul | (director of photography) | ||
Film Editing by | |||
| Chris Monte | |||
Casting by | |||
| Sig De Miguel | |||
Production Design by | |||
| Ernesto Solo | |||
Art Direction by | |||
| Matteo De Cosmo | |||
Set Decoration by | |||
| Adam Kurland | |||
Costume Design by | |||
| Mikaela Wohl | |||
Makeup Department | |||
| Linda Kaufman | .... | makeup artist | |
| Joanna McCarthy | .... | key makeup artist | |
| Leo Won | .... | key makeup artist: pickups | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Michael Hastings-Black | .... | production manager: second unit | |
| Susan T. Parsons | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David Blazina | .... | second assistant director | |
| Jason Graham | .... | additional second assistant director | |
| Urs Hirschbiegel | .... | first assistant director | |
| Patrick Huber | .... | second second assistant director | |
Art Department | |||
| Maura Anderson | .... | art intern | |
| Victoria Dearing | .... | art department coordinator | |
| Hannah Newman | .... | assistant to props master | |
| Lupita Nyong'o | .... | art intern | |
| Marko Orso | .... | property master | |
| Maia Rose | .... | art department intern | |
Sound Department | |||
| Joshua Anderson | .... | additional production sound mixer | |
| Shaun Brennan | .... | foley artist | |
| Tom Efinger | .... | sound re-recording mixer | |
| Tom Efinger | .... | sound supervisor | |
| David Ellinwood | .... | dialog editor | |
| Michael Gassert | .... | additional boom operator | |
| Eric Gitelson | .... | assistant sound editor | |
| Judy Karp | .... | production sound mixer | |
| John Moros | .... | foley engineer | |
| Jaime Reyes | .... | boom operator | |
| Adam Sanchez | .... | boom operator | |
| Abigail Savage | .... | sound designer | |
| Abigail Savage | .... | sound effects editor | |
| Nicholas Schenck | .... | assistant sound editor (as Nicholas J. Schenck) | |
| Kevin Seaman | .... | production sound mixer | |
| Mike Urdaneta | .... | boom swinger | |
Visual Effects by | |||
| Ricardo Guzman | .... | scanner operator | |
Stunts | |||
| Manny Siverio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nathaniel Bates | .... | electrician | |
| Sung Rae Cho | .... | first assistant camera | |
| Pierre Colonna | .... | camera operator: "b" camera | |
| Joseph Dell'Olio | .... | still photographer | |
| John Frisbie | .... | gaffer | |
| Ryan Gibeau | .... | third electrician | |
| Kevin Hayden | .... | camera loader | |
| Brian Rigney Hubbard | .... | camera operator: "b" camera | |
| Kurt Hyman | .... | key grip | |
| Michael Kenney | .... | first assistant camera | |
| Denny Klakamp | .... | grip | |
| Megan Nole | .... | second assistant camera | |
| Aaron Randall | .... | best boy electric | |
| Dawn Rider | .... | best boy grip | |
| Agnes Rodriguez | .... | first assistant camera: "b" camera | |
| Liz Sales | .... | additional second assistant camera | |
| Jennifer Scarlata | .... | first assistant camera: "b" camera | |
Casting Department | |||
| Danielle Pretsfelder | .... | extras casting coordinator | |
| Kyle Stephen | .... | casting associate | |
Costume and Wardrobe Department | |||
| P.J. Chu | .... | wardrobe supervisor | |
| Chrissy Kuhn | .... | additional wardrobe supervisor | |
Editorial Department | |||
| George Bunce | .... | on-line editor | |
| Ron Gordon | .... | assistant editor | |
| David B. Hastings | .... | on-line assistant editor | |
| Scot Olive | .... | colorist | |
| Matthew Reedy | .... | digital intermediate producer | |
Music Department | |||
| Budd Carr | .... | executive music producer | |
| Nora Felder | .... | executive music producer | |
| Craig Spencer | .... | music editor | |
Other crew | |||
| Ronald Arceneaux | .... | production assistant | |
| Greg Bernstein | .... | legal services | |
| Kimberly Bigsby | .... | tutor | |
| Pilar Binyon | .... | production coordinator: Vulcan Productions | |
| Carol A. Compton | .... | script clearance | |
| George Edelman | .... | production assistant | |
| Drew Ernst | .... | production assistant | |
| Jason Fesel | .... | production assistant | |
| Dan Gloeckner | .... | production assistant | |
| Trish Gray | .... | location scout | |
| Raquel Gutiérrez | .... | production assistant | |
| Matthew Kreiner | .... | production coordinator | |
| Ronnie Kupferwasser | .... | location manager | |
| Geof Miller | .... | development consultant | |
| Michael Nank | .... | publicity: Vulcan Productions | |
| Brendan O'Rourke | .... | assistant location manager | |
| John Perez | .... | additional location scout | |
| John Perez | .... | location manager: additional photography | |
| Karen Robles | .... | script supervisor | |
| Patrick Sheedy | .... | production accountant | |
| Samantha Stabile | .... | assistant to director/producer | |
| Greg Staley | .... | key production assistant | |
| Kathy Castro | .... | child acting coach (uncredited) | |
Thanks | |||
| Rosemary Lombard | .... | thanks | |
| Elias Scoropanos | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
It had all the makings of a horrible Christmas tale and yet by the end there is much more to this than meets the eye.
Rather than opting more saccharine and tears this hits just hard enough and tough enough and has more relevance now than the film-makers could imagine.
Dealing in the main with the utter desperation of a family who find themselves living in shelter and hoping for more the pacing could be tighter and the ideas more fluid but the relationship between the father and stepson is very good indeed.
If you're patient and don't want a quick fix you will love this - but it is slightly askew in its overall tone - it struggles here and there to keep your attention - but overall I was surprised and pleasantly so.
A different take on Christmas and a different take on values...