Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
The director, Richard Schenkman, has always appeared in a cameo in his previous movies. He wanted to appear as a mover but due to the need to choreograph the cast for the moving scene, he reluctantly decided to fore-go his cameo and instead hired another person to be the 2nd mover. See more »
When the doctor hands his revolver to John, you can clearly see the red paint on the end of the barrel, a sign that it's a prop gun, and not a real-world working pistol. See more »
Hey buddy, you don't waste time, do you?
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One of the most thoughtful and well written scripts put to film in ages.
I cannot speak about the depth and art put forth in this film without giving away details that will rob enjoyment from you if you have not seen this film. Suffice it to say that I highly recommend this film for anyone who enjoys a film that reaches to the stars and does not depend on CGI.
This is a film without pretense or smoke and mirrors.
It is so nice to see a film that depends solely on story and dialogue. I highly recommend this to SF readers before viewers.
A true masterpiece.
A true shame this film never got any publicity to speak of. All though it did not cost tens of millions to put to film, it is a winner in any category.
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