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Todd Davis (screenplay)
Phil LaMarche (short story)
Family scars.
Billy wants a better scar than the one his father gave him. | add synopsis
7 wins more
A great short film. more (1 total)
| Paul Kmiec | ... | Billy | |
| Rachel Harker | ... | The Mother | |
| Jim Loutzenhiser | ... | Benjamin | |
| Jason Ferriter | ... | Billy at 21 | |
| Kippy Goldfarb | ... | Aunt Elize | |
| Mick Hoegen | ... | Uncle Aldus | |
| Joanna Herrington | ... | Aunt Tina | |
| Chris Conte | ... | Uncle Jess | |
| Chuck Brinig | ... | The Grandfather | |
| K.C. Bornkesell | ... | Cousin Eldridge (as KC Christian) | |
| John Rebello | ... | Cousin Jeremy | |
| Stephanie Simonoff | ... | Cousin Kate | |
| Richard Rogers | ... | Cousin Charles | |
| Alexia Rogers | ... | Cousin Martha |
Directed by | |||
| Todd Davis | |||
Writing credits(in alphabetical order) | ||
| Todd Davis | screenplay | |
| Phil LaMarche | short story | |
Produced by | |||
| Cody Baker | .... | producer | |
| Patty Davis | .... | executive producer | |
| Todd Davis | .... | producer | |
Original Music by | |||
| David Grimes | |||
Cinematography by | |||
| Austin De Besche | |||
Film Editing by | |||
| Michael Berenbaum | |||
Casting by | |||
| Angela Peri | |||
Production Design by | |||
| Jenny E. McCracken | (as Jenny McCracken) | ||
Art Direction by | |||
| Marleen Bos | |||
Set Decoration by | |||
| Marleen Bos | |||
| Patty Davis | |||
| Jenny E. McCracken | (as Jenny McCracken) | ||
Costume Design by | |||
| Rosa Colón | (as Rosa J. Colón) | ||
Makeup Department | |||
| Jeremy O'Neail | .... | special makeup effects artist (as Jeremy Oneail) | |
| Patricia Smart | .... | hair stylist | |
| Patricia Smart | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Ban Ali | .... | second assistant director | |
| Jamie Companeschi | .... | first assistant director | |
| Christopher Plummer | .... | second assistant director | |
Art Department | |||
| Marleen Bos | .... | property master | |
| Tom Pinchuk | .... | storyboard artist | |
Sound Department | |||
| Stewart Adam | .... | sound mixer | |
| Chris Anderson | .... | sound re-recording mixer | |
| Mario Cardenas | .... | sound mixer | |
| G. John Garrett | .... | sound mixer | |
| Andrea Schuster | .... | boom operator | |
| John Weston | .... | post-production sound mixer | |
Camera and Electrical Department | |||
| Richard J. Block | .... | production still photographer (as Rich Block) | |
| Joseph Catalfano | .... | electrician | |
| Joseph Catalfano | .... | grip | |
| Phil Darrell | .... | gaffer (as Philip Darrell) | |
| Michael Timothy Kennedy | .... | best boy electric (as Michael Kennedy) | |
| Michael Timothy Kennedy | .... | best boy grip (as Michael Kennedy) | |
| Benjamin Liu | .... | first assistant camera (as Ben Liu) | |
| Chris Messina | .... | second assistant camera | |
| Christopher Plummer | .... | production still photographer | |
| Geoffrey Rockwell | .... | key grip | |
| Tim Saari | .... | crane operator | |
| Nick Zwinggi | .... | production still photographer | |
Editorial Department | |||
| Stephen Baldwin | .... | telecine colorist | |
| Todd Davis | .... | first assistant editor | |
| Jason Wong | .... | dailies editor | |
Other crew | |||
| Patty Davis | .... | legal advisor (as Patty Davis, Esq.) | |
| Patty Davis | .... | location manager | |
| Erin Francis | .... | production assistant | |
| Chad Kellenberger | .... | title artwork | |
| Ashley Kennedy | .... | script supervisor | |
| Marla Komocki | .... | press kit and PR | |
| Philip K. LaMarche Sr. | .... | weapons handler (as Philip LaMarche Sr.) | |
| Charles Merzbacher | .... | advisor | |
Through Line (USA) (working title)
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USA:15 min
1.78 : 1 more
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb USA section | Add this title to MyMovies |
*** This comment may contain spoilers ***
I recently saw this film at Boston University's Redstone Film Festival and must say that I highly enjoyed it. From the creative opening credits to the compelling and quirky story, I felt as a whole the film was very engaging and thoroughly entertaining.
The story of this family's odd tradition was so well executed that you were completely felt for the protagonist. The fact that the tradition of shooting your son at the age of 13 is so absurd is completely forgotten and made entirely believable through every aspect of the film, including the overall look and feel, the presence of the actors, and even the timbre of the voice-over.
Having also screened it in a screen writing course, I have to say that it is one of the best short films I have seen, and enjoyed it just as much the second time I watched it. I would have liked to see it place higher in the film festival (unfortunately, as a spectator, it was out of my control). If anyone has the chance to view this short work, I highly encourage it.