| Eric McCormack | ... | Will Truman | |
| Debra Messing | ... | Grace Adler | |
| Megan Mullally | ... | Karen Walker | |
| Sean Hayes | ... | Jack McFarland | |
| Gary Grubbs | ... | Harlin Polk | |
| rest of cast listed alphabetically: | |||
| Ellen Idelson | ... | Will's Secretary, Ellen (voice) (uncredited) | |
| Episode Crew |
Directed by | |||
| James Burrows | |||
Writing credits | ||
| David Kohan | (creator) & | |
| Max Mutchnick | (creator) | |
| David Kohan | (written by) & | |
| Max Mutchnick | (written by) | |
Produced by | |||
| Bruce Alden | .... | associate producer | |
| Adam Barr | .... | consulting producer | |
| Tim Kaiser | .... | producer | |
| Michael Patrick King | .... | consulting producer | |
| David Kohan | .... | executive producer | |
| Jhoni Marchinko | .... | producer | |
| Max Mutchnick | .... | executive producer | |
| Dava Savel | .... | consulting producer | |
| William Lucas Walker | .... | supervising producer | |
| Tom Leopold | .... | consulting producer (uncredited) | |
Original Music by | |||
| Jonathan Wolff | |||
Cinematography by | |||
| Tony Askins | (director of photography) | ||
Film Editing by | |||
| Peter Chakos | |||
Casting by | |||
| Tracy Lilienfield | |||
Production Design by | |||
| Bruce Ryan | |||
Art Direction by | |||
| Glenda Rovello | |||
Set Decoration by | |||
| Melinda Ritz | |||
Costume Design by | |||
| Lori Eskowitz-Carter | (as Lori Eskowitz) | ||
Makeup Department | |||
| Cynthia Bachman | .... | make-up | |
| Patricia Bunch | .... | makeup artist (as Patty Bunch) | |
| Danny Goldstein | .... | hair | |
| Luke O'Connor | .... | hair | |
Production Management | |||
| Nina R. Lederman | .... | executive in charge of production (as Nina Lederman) | |
| Dale White | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Caryn Shick | .... | second assistant director (as Caryn Rae Shick) | |
| Dale White | .... | first assistant director | |
Art Department | |||
| Peter M. Gurski | .... | leadman (as Peter Gurski) | |
| Gilbert Spragg | .... | property master | |
| Rusty Spragg | .... | assistant props | |
| Doug Devine | .... | set dresser (uncredited) | |
Sound Department | |||
| Charlie McDaniel | .... | re-recording mixer (as Charles A. McDaniel III) | |
| Edward L. Moskowitz | .... | sound mixer (as Ed Moskowitz) | |
| Craig Porter | .... | re-recording mixer | |
| John Hart | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Dic Alexander | .... | key grip | |
| Carlos Arguello | .... | camera operator | |
| Gary Baum | .... | camera operator | |
| Joe Garcia | .... | best boy electric | |
| John Greene | .... | gaffer | |
| Travers Hill Jr. | .... | camera operator | |
| Jeff Richardson | .... | best boy grip | |
| Glenn K. Shimada | .... | camera operator (as Glenn Shimada) | |
| Paul Jacobsen | .... | lighting console programmer (uncredited) | |
| David Tolsky | .... | assistant camera (uncredited) | |
| Sean Tuell | .... | best boy grip (uncredited) | |
Casting Department | |||
| Paris Morra | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kim Abram | .... | wardrobe assistant | |
| Mary Walbridge | .... | wardrobe supervisor | |
| Andrea Federman | .... | key set costumer (uncredited) | |
Editorial Department | |||
| Stephen P. Arkle | .... | colorist (as Steve Arkle) | |
| Tony Teresi | .... | on-line editor | |
| Robert S. Douglas | .... | on-line editor (uncredited) | |
Music Department | |||
| Dan Rimas | .... | music licensing (uncredited) | |
Transportation Department | |||
| Richard Leung | .... | transportation | |
Other crew | |||
| Sally Bradford | .... | production assistant | |
| Steve Clark | .... | production assistant | |
| Jill Freeman | .... | assistant to executive producer | |
| Tracy Gaydos | .... | production secretary | |
| Eric L. Hurd | .... | production assistant (as Eric Hurd) | |
| Janet Kagan | .... | script supervisor | |
| Eugene Lew | .... | production accountant | |
| Brad Miller | .... | assistant to writer | |
| Michael S. Peters | .... | assistant to writer | |
| Donald Petersen | .... | production assistant | |
| Steve Sandoval | .... | production coordinator | |
| Russ Sherman | .... | technical coordinator | |
| Michael S. Peters | .... | assistant to writers (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Adam Barr | (episode 4.26 "A.I.: Artificial Insemination, Part 1") | |
| Jeff Greenstein | (episode 4.27 "A.I.: Artificial Insemination, Part 2") | |
| Alex Herschlag | (episode 4.27 "A.I.: Artificial Insemination, Part 2") | |
| David Kohan | creator | |
| David Kohan | (episode 3.24 "Sons & Lovers, Part 1") (episode 3.25 "Sons & Lovers, Part 2") | |
| Kari Lizer | story (episode 4.26 "A.I.: Artificial Insemination, Part 1") | |
| Max Mutchnick | creator | |
| Max Mutchnick | (episode 3.24 "Sons & Lovers, Part 1") (episode 3.25 "Sons & Lovers, Part 2") | |
Art Direction by | |||
| Melody Harrop | |||
Makeup Department | |||
| Arrick Anderson | .... | hair stylist | |
| Donna Marie Fischetto | .... | key hair stylist: New York | |
Production Management | |||
| Lucille Smith | .... | production manager: New York Sequence 2002 | |
Art Department | |||
| Thomas D. Krausz | .... | set dresser | |
| Christopher H. Lawrence | .... | set dresser | |
Sound Department | |||
| Greg Orrante | .... | sound recordist | |
| Valerie Stulman | .... | sound recordist (multiple episodes) | |
Visual Effects by | |||
| Adam Howard | .... | visual effects | |
| Bryan Whitaker | .... | Flame artist: MFX | |
Stunts | |||
| Jon Braver | .... | stunts | |
| David Hugghins | .... | stunt rigger | |
Camera and Electrical Department | |||
| Michael Carmine | .... | director of photography: second unit | |
| Ron Ervin | .... | grip (2000-2006) | |
| Justin M. Lubin | .... | still photographer | |
| Michael R. Marquette | .... | assistant camera | |
| Matthew Santo | .... | assistant camera: New York | |
| David Yellin | .... | lamp operator | |
Casting Department | |||
| Michele Berumen | .... | casting assistant | |
| Toni Magon | .... | casting assistant | |
| Bryan Riley | .... | casting assistant | |
Music Department | |||
| Scott Clausen | .... | composer: additional music | |
| Rich Ragsdale | .... | composer: additional music | |
Other crew | |||
| John Arbuckle | .... | marine technician | |
| Kate Burrow | .... | assistant to executive producer | |
| Jamie Fiench | .... | publicist (2005) | |
| Julie Fleischer | .... | script supervisor (2000-2003) | |
| Jamie French | .... | publicist (2003) | |
| Peter Hansen | .... | caterer: pastry chef | |
| Laura Kightlinger | .... | writing consultant (1999-) | |
| Marion Koh | .... | assistant to executive producer | |
| Roger Lundblade | .... | audience warm-up | |
| Vanessa Rojas | .... | production assistant (2005) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Comedy section |
*** This review may contain spoilers ***
This was a great follow-up episode of Will & Grace. Grace has yet to move out of her ex-fiancé's house and Will tells her that she needs to start looking at apartments. Grace just wants to move in with Will, but Will does not think that is a good idea. She finally finds an apartment that she wants and she signs a two-year lease on it. Will learns about this and does not think that she has made the right decision. He realizes that he can not be apart from Grace, and he asks her to move in with him. She declines because she wants to do something on her own for once. After she did that, she accepts Will's offer and moves in with him. This is also the episode where we see Jack and Karen meet each other for the first time. Their scene together was hilarious, and I could definitely tell that the writers were going to expand on their relationship with each other. They have such great chemistry together. As I said earlier, this was another fantastic episode of Will & Grace following to pilot.