On his way home, Dave sees two women pushing a cart with a badly wounded man inside. Dave helps protect the trio from the bounty hunters after the $2000 reward out for the man's capture.

Director:

(as Elliott Silverstein)

Writers:

, (creator)
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Cast

Episode cast overview:
...
...
Sabetha
...
Rigdon
John Brinkley ...
Bick
Michael T. Mikler ...
Muncie
Rudy Dolan ...
Sliger
Jimmy Lee Cook ...
Max
Mary Murphy ...
Suzy
Spike ...
Brown (uncredited)
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Storyline

On his way home, Dave sees two women pushing a cart with a badly wounded man inside. Dave helps protect the trio from the bounty hunters after the $2000 reward out for the man's capture.

Plot Summary | Add Synopsis

Plot Keywords:

cart | shot in the stomach | posse | See All (3) »

Genres:

Action | Western

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Details

Language:

Release Date:

16 December 1960 (USA)  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Bick: I caught a couple of slugs in my appetite - and I ain't quite as sound as I used to be when we was bustin' broncs up in Montana.
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User Reviews

 
Nighttime on Mars
20 May 2006 | by (Claremont,USA) – See all my reviews

Most memorable part of this goofy episode is the nighttime lighting on the set which appears to shift inexplicably between dark to daylight and back again all within the same scene? Somebody somewhere screwed up. Continuity aside, this is an inferior episode, much too talky, with some foolish poetical dialog about the cosmic meaning of life. But it sure gives Mary Murphy a chance to show her histrionic skills which are nevertheless pretty much out of place in this series. Oh yeah, there's also some silliness about a bounty-hunter who pursues his quarry in a surrey with fringe on top! Notable for authoritative presence of that fine actress Virginia Gregg, largely wasted as the mother-- too bad she never got an Emmy for her many fine turns on TV. Best line, " I believe in purty widows, too...", Dave's manly response to Murphy as he looks down the front of her blouse. Still, we're never told why a woman crossing the desert would choose to dress like a hooker on the prowl. Fortunately, this kind of stagey nonsense was not typical of the series as a whole.


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