Josh speaks to a psychiatrist about the events of the last three weeks: Toby hired musicians for the foyer, an Air Force pilot disobeyed orders, Yo-Yo Ma performed at the White House, and Josh managed to cut his hand quite badly.

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Cast

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Robbie Mosley (as Gregalan Williams)
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Bobby (as Gary Cervantes)
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Storyline

Leo orders Josh to speak to a trauma psychiatrist, who asks him to review the events of the last three weeks: Toby insisted on having live music in the foyer for Christmas, an Air Force pilot separated from his flight team without explanation, Yo-Yo Ma performed at the White House, and Josh managed to cut his hand quite badly. Also, C.J. looks into a report of a woman freaking out during a tour of the White House. Written by Murray Chapman

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Drama

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Release Date:

20 December 2000 (USA)  »

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1.78 : 1
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Did You Know?

Trivia

This takes place in December 2000. See more »

Goofs

(at around 15 mins) President Bartlet says, "When I was in tenth grade, me and my friends took my father's Country Squire out on a joyride to Vermont." He should have said, "...my friends and I..." A man of Bartlet's education should not have made such an elementary mistake in English grammar. See more »

Quotes

Josh Lyman: You're not going to understand it.
Stanley Keworth: I'm a fairly well-educated guy.
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Soundtracks

God Rest Ye Merry Gentlemen
(uncredited)
Traditional
Performed by We Wish You a Merry Christmas
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User Reviews

 
A dazzling episode and true masterpiece
29 February 2016 | by (Täby, Sweden) – See all my reviews

Throughout its seasons "The West Wing" delivers hours upon hours of highly imaginative and creative pieces featuring excellent writing, acting and direction.

In this company, "Noël" stands out as one of the greatest - if not THE

  • greatest episode of the entire series. Featuring Josh Lyman - so
often the comic relief of the show, the guy who has a witty comment to everything - dealing with some truly difficult issues, this episode takes us on a journey through some of the darker issues brought up on television. Remarkably well written by Aaron Sorkin and Peter Parnell with delicious direction from Thomas Schlamme and award-deserving performances from the entire cast in general and Bradley Whitford in particular, I can't tell you enough just how much in awe I am of this episode. Everything works, down to the sound design and music (not unimportant aspects of the episode).

Ingenious!


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