Twin Peaks: Season 1, Episode 5

Episode #1.5 (3 May 1990)

TV Episode  |  TV-14  |   |  Drama, Mystery, Thriller
8.4
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Cooper and Truman track down the one-armed man and some strange new evidence in Laura Palmer's murder. Norma Jennings goes to a parole board hearing for her husband. Audrey Horne decides to begin her own investigation.

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Title: Episode #1.5 (03 May 1990)

Episode #1.5 (03 May 1990) on IMDb 8.4/10

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Cast

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Shelly Johnson (as Madchen Amick)
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Big Ed Hurley (credit only)
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Storyline

Cooper and Truman track down the one-armed man and some strange new evidence in Laura Palmer's murder. Norma Jennings goes to a parole board hearing for her husband. Audrey Horne decides to begin her own investigation.

Plot Summary | Plot Synopsis


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TV-14 | See all certifications »
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3 May 1990 (USA)  »

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1.33 : 1
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Did You Know?

Trivia

Madeleine Ferguson is from Missoula, Montana, hometown of series creator David Lynch. See more »

Goofs

At the party at the Great Northern for the Icelandic investors, Ben Horne calls his brother over and orders him to remove Leland Palmer when he begins dancing. When the camera cuts back to Leland, after the Horne brothers talk, Ben can be seen calling his brother over again and having the same conversation again. See more »

Quotes

[Lucy is watching "Invitation To Love"]
Sheriff Truman: Morning Lucy, what's going on?
Lucy Moran: Er... thanks to Jade, Jared decided not to kill himself, and he's changed his will leaving the Towers to Jade instead of Emerald, but Emerald found out about it, and now she's trying to seduce Chet to give her the new will so that she can destroy it; Montana's planning to kill Jared at midnight so the Towers will belong to Emerald and Montana, but I think she's going to double-cross him and he doesn't know it yet. Poor Chet.
Sheriff Truman: ...
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Connections

References One-Eyed Jacks (1961) See more »

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User Reviews

 
"How is laura? How is Laura?" Ah, Ah, Ah, Ah.... (DVD)
7 November 2007 | by (PariS) – See all my reviews

I choose this specific episode to review Season 1 of Twin Peaks, because it illustrates brilliantly the "twin peaks" of this show:

First, the character of Dale Cooper (and surely, the actor behind, Kyle MacLachlan): As few movies (Spiderman), Twin Peaks makes me feel good, with clear mind, happiness, and joy for life. Being open to Zen spirit (Phil Jackson, Pirsig,...), it's great find to see its teachings practiced in full flesh: Words can be helpful but human is the ultimate experience.

With Dale Cooper, I have a unique character in television: he shows openness towards everyone, enthusiasm for nature, honesty and courage with himself as he feels pain or fear but without being incapacitated. A good example to follow.

Second, the creative writing: The authors had an original vision but haven't really planned all the ramifications. So, they were scripting the details on the moment. And the more they write, the more they could tied themselves unless they could find deeper and deeper meaning to their inspiration. What's powerful in that show is that the two authors were opposite: Frost likes logic, words, whereas Lynch prefers feelings, moods.

So, this episode marks how a Lynch idea (the red room segment) evolves into a Frost one, where every clue of the dream gets his real counterpart: the red drape, always music in the air, ....


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