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"Twin Peaks" Episode #2.7 (1990)
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| Videos (see all 2) |
,2,76,14,118,arialbd,7,255,255,255,1_.jpg "Twin Peaks: Season 2: Episode 7 -- Cooper and the One-Armed Man inspect guests at the Great Northern. Hawk finds Harold Smith dead by his own hand…with a mysterious suicide note and the diary torn to shreds. Leo speaks to Bobby about \"new shoes.\"")
|
Overview
User Rating:
Your Rating:
Director:
Writers:
TV Series:
Original Air Date:
10 November 1990
(Season 2, Episode 7)
Plot:
Cooper, Truman, and Cole take the one-armed man to the Great Northern Hotel which is hosting a USO stop-over...
See more »
| Full synopsis »
Plot Keywords:
User Reviews:
Surreal, brilliant, terrifying
See more (4 total) »
Cast
(Episode Cast) (in credits order)
| Episode Crew |
Directed by | |||
| David Lynch | |||
Writing credits | ||
| Mark Frost | (creator) & | |
| David Lynch | (creator) | |
| Mark Frost | (written by) | |
Produced by | |||
| Robert Engels | .... | co-producer | |
| Gregg Fienberg | .... | supervising producer | |
| Mark Frost | .... | executive producer | |
| Tim Harbert | .... | coordinating producer | |
| David Lynch | .... | executive producer | |
| Philip Carr Neel | .... | associate producer (as Philip Neel) | |
| Harley Peyton | .... | producer | |
| Robert D. Simon | .... | co-producer | |
Original Music by | |||
| Angelo Badalamenti | (music composed by) | ||
Cinematography by | |||
| Frank Byers | (director of photography) | ||
Film Editing by | |||
| Mary Sweeney | |||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Richard Hoover | |||
Art Direction by | |||
| Okowita | |||
Set Decoration by | |||
| Kerry Oaksmith | |||
Costume Design by | |||
| Sara Markowitz | |||
Makeup Department | |||
| Annette E. Fabrizi | .... | hair stylist | |
| Carla Rosetto Fabrizi | .... | makeup artist (as Carla Roseto Fabrizi) | |
| Linda Vallejo | .... | hair assistant (as Linda A. Vallejo) | |
| Linda Vallejo | .... | makeup assistant (as Linda A. Vallejo) | |
Production Management | |||
| Gregg Fienberg | .... | production manager | |
| Robert D. Simon | .... | unit production manager | |
| John Wentworth | .... | post-production supervisor | |
Art Department | |||
| Jula Bell | .... | art department coordinator | |
| Dort Clark | .... | carpenter | |
| Keith Cox | .... | construction coordinator | |
| Stephen Gibson | .... | props | |
| Mike Malone | .... | on-set dresser | |
| Jeffrey Moore | .... | property master | |
| David E. Robinson | .... | lead painter (as Dave Robinson) | |
| Richard Robinson | .... | property assistant | |
Sound Department | |||
| Gary Alexander | .... | sound re-recording mixer | |
| Richard F.W. Davis | .... | sound editor (as Richard F. Davis) | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Pat McCormick | .... | sound editor (as Patrick McCormick) | |
| Don Summer | .... | sound mixer | |
| Richard Taylor | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Steve Alessi | .... | grip | |
| Bill Brao | .... | first assistant camera (as Billy Brao) | |
| Chris Byers | .... | best boy | |
| Michael K. Davis | .... | best boy electrician | |
| Jeffrey De La Rosa | .... | lighting technician | |
| Rick Drapkin | .... | second assistant camera | |
| Lex DuPont | .... | camera operator (as Lex Du Pont) | |
| Robert Ferrara | .... | gaffer | |
| Irv Katz | .... | key grip | |
| Dan Kneece | .... | Steadicam operator | |
Casting Department | |||
| Elaine J. Huzzar | .... | casting associate | |
| Johanna Ray | .... | original casting | |
Costume and Wardrobe Department | |||
| Laurie Hudson | .... | costume supervisor (as Laurie L. Hudson) | |
Editorial Department | |||
| Bob Allen | .... | apprentice film editor | |
| Chris Brown | .... | post-production associate | |
| Elizabeth Fox | .... | post-production coordinator | |
| Deborah Gavlak | .... | assistant film editor (as Debra Gavlak) | |
| Drew Marsh | .... | telecine colorist | |
| Bambi Sickafoose | .... | apprentice film editor | |
Music Department | |||
| Angelo Badalamenti | .... | conductor | |
| Angelo Badalamenti | .... | orchestrations | |
| Lori L. Eschler | .... | music editor | |
| Kinny Landrum | .... | synthesizer | |
| Rickio Woods | .... | assistant music editor (as Rick Woods) | |
Transportation Department | |||
| Steve Boyd | .... | transportation coordinator | |
| Greg Van Dyke | .... | transportation captain | |
Other crew | |||
| Desdemona Bandini | .... | production assistant | |
| Connie Dolph | .... | production accountant | |
| Emily Fincher | .... | assistant: Gregg Fienberg | |
| Cori Glazer | .... | script supervisor | |
| Barry Gremillion | .... | location liaison | |
| Nowell Grossman | .... | production controller (as Nowell B. Grossman) | |
| Lauren McAuliffe | .... | production secretary | |
| Joe Montrone | .... | supervising coordinator (as Joseph Montrone) | |
| John Sclimenti | .... | production assistant | |
| Paula K. Shimatsu-u | .... | unit publicist (as Paula K. Shimatsu-U.) | |
| Sabrina S. Sutherland | .... | production coordinator (as Sabrina S. Nathanson) | |
| Debby Trutnik | .... | assistant: David Lynch | |
| Lori Tulli-Mitchell | .... | assistant to writers | |
| Kim L. Wilson | .... | assistant: Mark Frost | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Mark Frost | creator | |
| David Lynch | creator | |
Original Music by | |||
| David Slusser | |||
Makeup Department | |||
| Andy Schoneberg | .... | age makeup artist: Kyle Maclachlan | |
| Heba Thorisdottir | .... | assistant makeup artist | |
Art Department | |||
| Jon Danniells | .... | lead man | |
| Thomas C. James | .... | construction foreman | |
Sound Department | |||
| Tom Caton | .... | boom operator | |
| Christopher Harvengt | .... | sound designer | |
| Christopher Harvengt | .... | sound editor | |
| Clive Taylor | .... | sound re-recording mixer | |
Visual Effects by | |||
| Helena Packer | .... | digital compositor: Encore | |
Stunts | |||
| Roydon Clark | .... | stunt coordinator | |
| Hannah Kozak | .... | utility stunts: episode 22 | |
| A. Michael Lerner | .... | stunt double: episode 12 (as Michael Allen Lerner) | |
| A. Michael Lerner | .... | stunts: episodes 6 & 8 (as Michael Allen Lerner) | |
| A. Michael Lerner | .... | utility stunts: episode 16 (as Michael Allen Lerner) | |
Camera and Electrical Department | |||
| Ron Bahara | .... | assistant camera | |
Other crew | |||
| Jay Shapiro | .... | production assistant | |
| D. Gunther Tarampi | .... | production assistant | |
- Greif Companies provided by: assorted wardrobe (as The Greif Companies)
- Steve Martin's Working Wildlife animals by
- Superior Casting extras casting
- Whit-Log Trailers provided by: logging vehicles
- White GMC Trucks provided by: logging vehicles (as WHITEGMC Trucks)
Additional Details
Parents Guide:
Runtime:
47 min
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Certification:
Did You Know?
Trivia:
Maddy Ferguson's murder sequence in the Palmer living room was shot three different ways, once with Killer Bob (Frank Silva), once with Leland (Ray Wise), and once with Ben Horne (Richard Beymer). As David Lynch explains in a 1997 interview with Chris Rodley, this was done to "keep the answer from getting out to the public; it would have leaked out in two seconds. Richard Beymer was really a great sport, because he knew it wasn't him."See more »
Goofs:
Factual errors: Agent Cooper reads Harold Smith's suicide note: "J'ai une âme solitaire", translating as: "I am a lonely soul", while it actually means: "I have a lonely soul".See more »
Movie Connections:
References The King and I (1956)See more »
Soundtrack:
The World SpinsSee more »
FAQ
This FAQ is empty. Add the first question.See more (4 total) »
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The conclusion and solution of one of the greatest and best known fictional mysteries in history deserved a great episode to surround it, and it didn't just get that, it got what was possibly the greatest television episode of all time. Mark Frost's perfect script, David Lynch's truly extraordinary abilities as a director, and Angelo Badalamenti's greatest musical score make this possibly the greatest forty five minutes ever made for television. I have rarely seen such capable use of color, imagery, or music on television or in movies, even by David Lynch. As for the conclusion itself, I won't reveal it for anyone on earth fortunate enough to watch this series without knowing the identity of the killer, it is more than satisfying, it is shocking, dramatic, and brilliantly executed.
No television episode is quite like this. I applaud David Lynch and Mark Frost not just for this sublime episode, but also for the creation of a story and characters who deserved something like this to finish off the show's earliest main storyline. Truly one of the greatest things ever committed to celluloid, although there was one more episode of this show to follow which could be considered as good or better than this.
Letter Grade: A++