William Surka works as a hydrogen specialist in a highly secure plant. Conditions are tense and there are constant rumors of war. The latest is that it's going to happen in the next 48 hours. Unbeknown to his wife Eve and daughter Jody, he and his friend Jerry Riden have been planning an escape of sorts for themselves and their families. Jerry is a test pilot and they plan to steal the government's latest spacecraft heading off to a planet they believe may sustain life. Their biggest challenge is Carling, a security officer who seems to be onto their plan. Written by
During the closing scene, the main characters are depicted aboard a spaceship, a reuse of the ship created for Forbidden Planet (1956); inside, the navigational globe is the same as that of the ship while the gauges shown in the background are taken from the power dials of the "mysterious machine" that Dr. Morbius (Walter Pidgeon) used to create the monsters of his id in the same film. See more »
When the Sturka car is being driven, there is engine noise but no road noise. See more »
Behind a tiny ship heading into space is a doomed planet on the verge of suicide. Ahead lies a place called Earth, the third planet from the sun. And for William Sturka and the men and women with him, it's the eve of the beginning - in the Twilight Zone.
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Engaging little episode that subtly suggests the US circa 1959 was capable of starting a nuclear holocaust. Although the script tries to soften the allegory with a twist ending, Fritz Weaver's family remain dead-ringers for wholesome American suburbanites, with Weaver as a self-described "cog" in the bomb-making machine. Though obviously on a tight budget, Director Richard Bare does an excellent job dislocating viewers with odd camera angles and well placed effects. Edward Andrews is great, as usual, as a sinister government official-- too bad he never got the recognition he merited. The episode may have lost some of its bite with the end of the Cold War and the ebbing of the nuclear "threat".. Nonetheless, it took a lot of guts for the writers to even imply that leaders of a look-alike nation might launch a millions-dead first strike against an unnamed enemy. But then, science fiction has long served, not only as a vehicle of exploration, but as an effective cover for commentary of all political stripes. This entry remains a subtly provocative one for the conformist 1950's.
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