Anthology type science fiction program with a different cast each week. Tending toward the hard science, space travel, time travel, and human evolution it tries to examine in each show some... See full summary »
Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Will J. White
Within the course of one hour 5 stories are shown. None of these stories have any logical explanation, and some of them actually occurred. You are left to decide which of these stories, if ... See full summary »
When Nan, in her car, escapes the oncoming train, the locomotive is clearly marked "SP" on the nose. The Southern Pacific RR did not serve the part of the US she was supposed to be in. It is obviously footage shot in California, where the SP did run. See more »
Shabby hitch-hiker keeps reappearing as young woman drives cross-country.
Great episode. Perhaps the most haunting of all the entries. Serling's adaptation of the Louise Fletcher radio play is first rate, one of the best of the series. Everything entertaining and artistic comes together as Inger Stevens' cross-country trip descends from bright sunlight into the depths of midnight. There's suspense (the railroad crossing), humor (the sailor thinking it's his lucky day), mystery (what is this with the hitch-hiker), and finally pathos ( in a rear-view mirror). I particularly like the subtle way the final scene is handled with the superb camera work and expert use of half light and shadow. Notice how the camera shots become progressively tighter as the tension inside the car mounts. Also, there's the well-timed blinking neon in the final scene to convey a subtle transition. And for those who care-- there's a taste of radio drama in the voice-over sequences where Stevens is riding alone. Radio drama, of course, could not allow dead air time, so script writers such as Fletcher had to become skilled at verbalizing what the character is thinking. It still shows in these traveling sequences. (A half-facetious observation-- strange how so much of cross-country America looks like the scrub lands of southern Cal. But then, as good as the best shows are, TZ was never a big-budget series.) Anyhow, this is one of those haunting episodes that stays with you. So don't miss it.
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