Lawman Conny Miller rides into a small dusty town not long after the townsfolk have gunned down the man he's been tracking for four months. He feels like he's wasted that four months and someone bets him $20 he hasn't the nerve to visit the dead man's grave. He takes that bet and has little difficulty going to the grave. Leaving it however proves to be another matter however. Written by
When Conny Miller first enters the saloon, and it shows him entering from the inside, you can plainly see a set wall directly behind him, instead of what should be the open space of the street. See more »
Normally, the old man would be correct: this would be the end of the story. We've had the traditional shoot-out on the street and the badman will soon be dead. But some men of legend and folk tale have been known to continue having their way even after death. The outlaw and killer Pinto Sykes was such a person, and shortly we'll see how he introduces the town, and a man named Conny Miller in particular, to the Twilight Zone.
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Written and directed by Montgomery Pittman and starring Lee Marvin, Strother Martin, James Best, Lee Van Cleef, Stafford Rep and Ellen Willard.
The best of the Western themed Twilight Zone episodes finds Conny Miller (Marvin) returning to his local town after famed outlaw Pinto Sykes (Richard Geary) has been shot and killed by the townsfolk. Conny had been hired to track Pinto and kill him himself, but surprisingly he never got close to him, something Pinto took great delight in letting folk know that Conny was afraid of him and purposely kept his distance. A deathbed vow from Pinto is relayed to Conny, resulting in a challenge for him to go up to Pinto's grave at midnight and stick a dagger in the earth
A ghostly Zone episode that begins in a blaze of gunfire frenzy but the settles into a moody slow build before revealing its wonderfully ambiguous finale. The cast list is a Western fan's dream, the crisp photography by George T. Clemens accentuates the feeling that there might be supernatural forces at work, and Pittman's unhurried direction proves to be a masterstroke. 9/10
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