The Twilight Zone (1959–1964)
24 user 6 critic

One for the Angels 

A pitchman is visited by Death and is forced to get his priorities in order.




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Episode complete credited cast:
Narrator (voice)
Dana Dillaway ...
Jay Overholts ...
Truck Driver


Lou Bookman is a street vendor; a pitchman, making a living selling what he can from his valise - radios, toys, ties and the like. After a long day, he returns to his shabby apartment to find someone waiting for him, someone he saw near where he had been selling that day. That person turns out to be Mr. Death who is there to tell Lou that his time on Earth has come to an end and that his "departure" will be at midnight. Lou tries to forestall his death by asking for a delay until he's able to make a big sales pitch. It's all a ruse however and Mr. Death shows him that his actions have consequences. As a result, Lou makes the pitch of his life. Written by garykmcd

Plot Summary | Plot Synopsis






Release Date:

9 October 1959 (USA)  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.33 : 1
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Did You Know?


This episode takes place from July 19 to July 20, 1960. See more »


Lou Bookman: FYI. That means "For Your Information".
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User Reviews

Is Serling Taking a Shot At Madison Avenue
28 November 2016 | by See all my reviews

An angel of death, looking like a corporate executive, notifies an elderly pitchman that his time has come, unless, that is, he can qualify for an extension. In the salesman's case, the extension involves making a career topping big pitch.

Slightly whimsical entry. Perhaps that's to lighten a storyline that deals with the possible death of a sweet little girl. Of course, there are no laughs, but Wynn plays sidewalk pitchman Bookman in somewhat whimsical style, while even Mr. Death (Hamilton) softens up toward the end. My guess is the producers wanted to follow up the white-knuckle first episode "Where Is Everybody" with a softer second entry. Note too, the implied references to heaven and hell, which suggests a respect for standard Christian theology, a not irrelevant concern given the series concentration on metaphysical themes. Anyway, Wynn's charming, Hamilton's well-dressed, and little Dillaway is cute.

On the whole, the script is well thought out, with a good ironical ending. And though the 30-minutes may have helped build an audience, it's not particularly memorable, at least in my book.

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