An old woman has fought with death a thousand times and has always won. But now she finds herself afraid to let a wounded policeman in her door for fear he is Mr. Death. Is he?

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Cast

Episode complete credited cast:
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Wanda Dunn
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Harold Beldon
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Storyline

The old Ms. Wanda Dunn is afraid of Mr. Death, and does not open the door of her room for anyone who knocks the door. When the police officer Harold Beldon is shot at her front door, the reluctant woman opens it and lets him in. She helps Harold and she tells him about her fear of Mr. Death and that her time was coming, therefore she could see him. When a contractor comes to demolish the building, he explains the "old gives space for the new" to her and she finds that her new journey has begun. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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5 January 1962 (USA)  »

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(Westrex Recording System)

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1.33 : 1
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[opening narration]
Narrator: An old woman living in a nightmare, an old woman, who has fought a thousand battles with death and always won. Now she's faced with a grim decision - whether or not to open a door. And in some strange and frightening way, she knows that this seemingly ordinary door leads to the Twilight Zone.
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User Reviews

 
A lovely and engaging episode
9 September 2007 | by (Bradenton, Florida) – See all my reviews

Okay, before I begin I should point out that this episode co-stars a very young and attractive Robert Redford--before he was a star. Most women should be very happy about this--making it reason enough to see the show! But, believe me, it's still well worth seeing regardless.

The actual star of this episode is Gladys Cooper, who plays a seemingly crazy and scared old lady who refuses to allow anyone in her basement apartment. You see, she believes that the Angel of Death is stalking her and if she never lets anyone inside, then she'll live forever. Throughout the episode, various people try to get her to open the door but with no success. Only later, when a young policeman (Redford) is shot does she struggle between her fears and her desire to aid this poor dying man.

The episode is exceptionally well written and acted, plus it is very profound in its message about death and the afterlife--and all handled in a very engaging and deft style. This is one classy and enjoyable episode I can't recommend strongly enough.


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