Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Will J. White
James B.W. Bevis is, by almost any definition, eccentric. He drives a car that once was Henry Ford's dream, he likes zither music and makes model ships. He's a bookkeeper by profession and his desk at work is always cluttered. He likes to bring in children at Christmas-time to sing carols. It all leads to him being fired. While drowning his sorrows at a nearby bar, he meets none other than his guardian angel who shows him that life can be considerably different for him if he wishes it....but is he prepared to make the changes necessary to obtain that lifestyle? Written by
While Mr. Hempstead is trying to impress Mr. Bevis, one of the things he mentions is that he helped Ben-Hur win his famous chariot race. This would have been impossible since Ben-Hur is a fictional character (created by General Lew Wallace in the mid 1800s) and not an actual person from history. See more »
Mr. James B. W. Bevis, who believes in a magic all his own. The magic of a child's smile, the magic of liking and being liked, the strange and wondrous mysticism that is the simple act of living. Mr. James B. W. Bevis, species of twentieth-century male, who has his own private and special Twilight Zone.
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Eccentric young man has chance to mend errant ways when guardian angel pays a concerned visit.
The role of Bevis is pivotal to this half-hour and calls for the acting skills of someone like the late Hans Conreid, who specialized in humorous eccentrics. Unfortunately, Orson Bean's performance demonstrates all the skills of an earnest teenager placing second in a high school audition. You would think with a name like 'Bean", he could bring off a nutty character who likes 'zither music' and broken-down old cars. But he doesn't, and with him goes the episode. There are two possible redeeming features-- Henry Jones as the delightfully smug guardian angel, and the story's subtext, which appears to be an unflattering comment on businessman conformity during the button-down 1950's (a recurring concern of Serling's). With better central casting, this could have been a whimsical and revealing half-hour, instead of the flat-liner it is.
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