Twilight Zone: Season 1, Episode 23

A World of Difference (11 Mar. 1960)
"The Twilight Zone" A World of Difference (original title)

TV Episode  -   -  Fantasy | Horror | Mystery
7.8
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Ratings: 7.8/10 from 603 users  
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A businessman sitting in his office inexplicably finds that he is on a production set and in a world where he is a movie star. Uninterested in the newfound fame, he fights to get back to his home and family.

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Cast

Episode complete credited cast:
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Frank Maxwell ...
Marty Fisher
...
Gail Kobe ...
Sally
Peter Walker ...
Sam
Susan Dorn ...
Bill Idelson ...
Kelly (as William Idelson)
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Storyline

A businessman sitting in his office inexplicably finds that he is on a production set and in a world where he is a movie star. Uninterested in the newfound fame, he fights to get back to his home and family.

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Release Date:

11 March 1960 (USA)  »

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(Westrex Recording System)

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1.33 : 1
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Did You Know?

Goofs

When Arthur Curtis first sees his wife in his office at the very end of the shot, the film goes in reverse for less than a second. You can see Arthur Curtis move backward and Mrs. Curtis' handbag swing back abruptly - both in the exact same motion as when going forward. See more »

Quotes

[first lines]
Narrator: [Opening Narration] You're looking at a tableau of reality, things of substance, of physical material: a desk, a window, a light. These things exist and have dimension. Now this is Arthur Curtis, age thirty-six, who also is real. He has flesh and blood, muscle and mind. But in just a moment we will see how thin a line separates that which we assume to be real with that manufactured inside of a mind.
See more »

Connections

Remade as The Twilight Zone: Special Service (1989) See more »

Frequently Asked Questions

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User Reviews

 
Truman Show Redux
1 October 2008 | by (United States) – See all my reviews

What if all the world is, indeed, a stage? That's what this episode is all about. Howard Duff is playing two parts. One is a fading actor and the other a businessman with a family. He comes to realize he is part of a movie. He must battle against an overzealous director who knows his inconsistent past and the demands of his business. He strives for normalcy but is circumvented at every turn. The set/office becomes the haven but as with most sets, it gets torn down. There is such a hope for reclamation. The man moves toward the inevitable. Yet, in the end, he decides, and sets up the Serling epitaph. How are we to see the ending. That is if do or don't accept free will. It's an intriguing idea which has been done again many times.


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