On August 6, 1945 - the last day of World War II - a forward platoon acting as artillery spotters get an eager and aggressive Lieutenant Katell. The artillery has been unable to dislodge a Japanese unit from a cave and Katell decides that the unit is going to attack. He suddenly finds himself in 1942 however, leading a Japanese unit that is about to attack Americans who are holed up in a cave. He looks into a mirror of sorts when his Japanese superior orders destroy the American stronghold. When he flashes back to 1945, he has second thoughts about the attack. Written by
Shortly after the perspective shifts to the Japanese one, the camera zooms in on an ammunition box. The casings around it are blanks. You can tell by the crimped ends with no projectile. See more »
It's August 1945, the last grimy pages of a dirty, torn book of war. The place is the Philippine Islands. The men are what's left of a platoon of American Infantry, whose dulled and tired eyes set deep in dulled and tired faces can now look toward a miracle, that moment when the nightmare appears to be coming to an end. But they've got one more battle to fight, and in a moment, we'll observe that battle. August 1945, Philippine Islands - but in reality, it's high noon - in ...
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An anti-war message from WW2 hero Rod Serling. Set in the Philippines where he served comes a drama of two halves about an ambitious young Lieutenant called Katell (Dean Stockwell). In the first half Katell takes over a platoon in August 1945 and clashes with his Sergeant (Albert Salmi). The war experienced Sergeant Causarano hopes his weary soldiers will not have to attack a cave where the enemy is holed up. Katell is lacks the Sergeant's battle experience and 'hasn't been shot at yet'. He wants to prove his manhood by leading an attack in the last throes of war. Sergeant Causarano hopes the necessary job of war is done without many more men having to die-on either side.
There is a 'Quantum Leap' for Dean Stockwell as he gets to see war from another perspective. If that's not TZ enough, well, Leonard Nimoy is one of the soldiers.
I think Serling is suggesting we would be better off if the whole world could see each other as humans and not see some others as a hated entity that has to die just to satisfy the ambitions of leaders. See what you think?
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