Anthology type science fiction program with a different cast each week. Tending toward the hard science, space travel, time travel, and human evolution it tries to examine in each show some... See full summary »
Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Will J. White
Within the course of one hour 5 stories are shown. None of these stories have any logical explanation, and some of them actually occurred. You are left to decide which of these stories, if ... See full summary »
Theater critic Fitzgerald Fortune is looking to buy a different sort of gift for his wife's birthday. In a curio shop, he buys an old player piano. It's delivered to his home and when he starts it up it has a strange on his manservant, a normally dour man who breaks into mirthful laughter. When he plays another song, this time for a guest, the man breaks down and admits he's in love with Fortune's wife Esther. He decides to have fun with his party guests that evening but Esther decides to turn the tables on him. Written by
In the opening scene, the lively song played by the player piano is "I'm In The Mood For Love"; however, the music roll reads, "Three O'Clock In The Morning", which is a slow waltz with music written by Julián Robledo. See more »
Mr. Fitzgerald Fortune, theater critic and cynic at large, on his way to a birthday party. If he knew what is in store for him, he probably wouldn't go, because before this evening is over, that cranky old piano is going to play 'Those Piano Roll Blues' - with some effects that could happen only in the Twilight Zone.
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This is one of two excellent TZ "inanimate objects that control us" plots (stopwatches, cameras, used cars, etc). A marvelous set of six vignettes, with each character's true personality revealed by a different tune played on a mechanical piano. Wonderfully imaginative direction by David Greene with more tight close-ups than any other TV episode in history, and remarkably subtle performances by Barry Morse (a rarity!) and the lovely, understated Joan Hackett. The three "odd-ball" characters are the true highlights of the show with Phil Coolidge, Muriel Landers and an all-star, tour-de-force knockout romp by the cadaverous Cyril Delevanti dominating the proceedings. A great "chamber-morality" play,expertly rendered. (The only tiny blemish is that lame,dufus party-goer who waves the present in his hand as he enters the room; he should have been fired).
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