Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Will J. White
Within the course of one hour 5 stories are shown. None of these stories have any logical explanation, and some of them actually occurred. You are left to decide which of these stories, if ... See full summary »
Musician Joey Crown is down on his luck. A recovered alcoholic, he can't find work because no one trusts him. Broke, he hocks his trumpet but then steps in front of truck which knocks him onto the sidewalk. He awakens in a strange world where no one can see him and he presumes he's died. He eventually bumps into someone who can in fact see him, a fellow horn player who tells him that it's still within Joey's power to decide on life or death. Written by
As Joey goes into the pawn shop to buy back his trumpet, you can see the shadow of the mic boom on the wall to the left of the pawn shop door. And just above his head as he enters the doorway, you can just barely catch the reflection of the boom operator in the pawn shop window. See more »
Joey Crown, musician with an odd, intense face, whose life is a quest for impossible things like flowers in concrete or like trying to pluck a note of music out of the air and put it under glass to treasure.
[continued narration subsequent to extensive character dialogue]
Joey Crown, musician with an odd, intense face, who, in a moment, will try to leave the Earth and discover the middle ground - the place we call The Twilight Zone.
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While "The Twilight Zone" had many memorable episodes, few can touch this one for its subtlety and beauty. This is a prime example of what Rod Serling could do when he wasn't trying to be preachy or commercial.
An alcoholic trumpeter, sensing all of his chances are used up, attempts to kill himself, and runs into a seeming kindred soul. Within this seemingly simple plot, Serling's script comes up with some incredibly moving language (Klugman's monologue at the beginning is still one of my favorites), and the actors don't disappoint. Jack Klugman is magnificent as the lost soul, and John Anderson (as the kindred soul) is low-key but equally effective in his own way. Take these and some lovely direction (love the framing of Anderson's exit shot), and you'll find one of the series' best episodes.
If you get the chance, don't miss this one!
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