Twilight Zone: Season 1, Episode 32

A Passage for Trumpet (20 May 1960)
"The Twilight Zone" A Passage for Trumpet (original title)

TV Episode  -   -  Fantasy | Horror | Mystery
7.4
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Ratings: 7.4/10 from 720 users  
Reviews: 7 user | 4 critic

A suicidally despondent trumpet player finds himself in a bizarre world where he seems to be the only moving being, except for one helpful other musician.

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Cast

Episode complete credited cast:
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Narrator (voice)
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Joey Crown
...
Gabriel
Frank Wolff ...
Baron
Mary Webster ...
Nan
James Flavin ...
Truck Driver
...
Pawnshop Man
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Storyline

Musician Joey Crown is down on his luck. A recovered alcoholic, he can't find work because no one trusts him. Broke, he hocks his trumpet but then steps in front of truck which knocks him onto the sidewalk. He awakens in a strange world where no one can see him and he presumes he's died. He eventually bumps into someone who can in fact see him, a fellow horn player who tells him that it's still within Joey's power to decide on life or death. Written by garykmcd

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20 May 1960 (USA)  »

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(Westrex Recording System)

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1.33 : 1
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Trivia

This is the first of four episodes starring Jack Klugman. He starred in more episodes than any other actor. See more »

Goofs

When Joey steps in front of the truck, a lady screams and it shows a close-up of her face. It pans out to a wider shot and for a moment, you can still hear the scream, but the woman's mouth is closed. See more »

Quotes

Narrator: [Opening Narration] Joey Crown, musician with an odd, intense face, whose life is a quest for impossible things like flowers in concrete or like trying to pluck a note of music out of the air and put it under glass to treasure.
Narrator: [continued narration subsequent to extensive character dialogue] Joey Crown, musician with an odd, intense face, who, in a moment, will try to leave the Earth and discover the middle ground - the place we call The Twilight Zone.
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User Reviews

 
Come Blow Your Horn
14 June 2006 | by (Claremont,USA) – See all my reviews

Entry is really more of a human interest story than anything else, although occult does play a role. Actually, the episode is distinguished by a truly exquisite performance from Klugman, whose down-and-out jazz musician remains a beautifully shaded study in urban despair. It's a low-key masterpiece. Lordly John Anderson also adds strong presence as mysterious goateed stranger. Message is uncharacteristically uplifting one for series, but not inconsistent with Klugman's desperate effort to express himself in jazz riffs. Episode also includes strong series feature: the use of stylized urban sets to heighten prevailing mood, especially nighttime mood. However, it's the human interest dimension that carries this delicately wrought entry.


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