Anthology type science fiction program with a different cast each week. Tending toward the hard science, space travel, time travel, and human evolution it tries to examine in each show some... See full summary »
Produced at the same time as the more well-known Twilight Zone, this series fed the nation's growing interest in paranormal suspense in a different way. Rather than creating fictional ... See full summary »
Will J. White
Within the course of one hour 5 stories are shown. None of these stories have any logical explanation, and some of them actually occurred. You are left to decide which of these stories, if ... See full summary »
Musician Joey Crown is down on his luck. A recovered alcoholic, he can't find work because no one trusts him. Broke, he hocks his trumpet but then steps in front of truck which knocks him onto the sidewalk. He awakens in a strange world where no one can see him and he presumes he's died. He eventually bumps into someone who can in fact see him, a fellow horn player who tells him that it's still within Joey's power to decide on life or death. Written by
When Joey steps in front of the truck, a lady screams and it shows a close-up of her face. It pans out to a wider shot and for a moment, you can still hear the scream, but the woman's mouth is closed. See more »
Joey Crown, who makes music, and who discovered something about life; that it can be rich and rewarding and full of beauty, just like the music he played, if a person would only pause to look and to listen. Joey Crown, who got his clue in the Twilight Zone.
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While "The Twilight Zone" had many memorable episodes, few can touch this one for its subtlety and beauty. This is a prime example of what Rod Serling could do when he wasn't trying to be preachy or commercial.
An alcoholic trumpeter, sensing all of his chances are used up, attempts to kill himself, and runs into a seeming kindred soul. Within this seemingly simple plot, Serling's script comes up with some incredibly moving language (Klugman's monologue at the beginning is still one of my favorites), and the actors don't disappoint. Jack Klugman is magnificent as the lost soul, and John Anderson (as the kindred soul) is low-key but equally effective in his own way. Take these and some lovely direction (love the framing of Anderson's exit shot), and you'll find one of the series' best episodes.
If you get the chance, don't miss this one!
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