Christian Horn is member of an 1847 wagon train headed west. They are 1500 miles from St. Louis and are now in the New Mexico desert. Many in the wagon train are ready to turn back but Chris wants everyone to persevere. His son has had a fever for 11 days now and Chris goes off looking for water, only 100 yards or so from the others and suddenly finds himself in the present day. He can't quite bring himself to believe what he sees or where he is but those he meets believe he's a man from the past. The trip in time does have one positive outcome. Written by
Christian Horn and his family are on a wagon train headed for the New Mexico Territory in 1847. The New Mexico Territory was established in 1850, on land that Mexico ceded to the United States in 1848. See more »
The year is 1847, the place is the territory of New Mexico, the people are a tiny handful of men and women with a dream. Eleven months ago, they started out from Ohio and headed west. Someone told them about a place called California, about a warm sun and a blue sky, about rich land and fresh air, and at this moment, almost a year later, they've seen nothing but cold, heat, exhaustion, hunger, and sickness. This man's name is Christian Horn. He has a dying eight-year old son ...
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Wagon train master stumbles across time warp and into truck stop 100 years in the future. Finds out that his trip was no accident
One of the more interesting time travel episodes, though nothing special. Direction and story telling are pretty straightforward, without ornament. However, encounter between time traveler Robertson and married couple at truck stop is nicely handled, especially by John Crawford as Joe. There's a persuasive naturalness about his performance that again demonstrates the reservoir of talent behind those anonymous credit-crawl names . Robertson is also effective, while his top hat is not only distinctive, but oddly appropriate head-gear for a bygone era. Episode's main interest, of course, lies in seeing how the characters will react to contrasting time periods. There's none of the grim humor of Albert Salmi's dislocated cowboy in 1960's "Execution", for example. But there is an interesting conceptual wrinkle posed near the end. Slightly better than average.
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