Third Watch (TV Series)
Collateral Damage: Part 1 (2003)
Full Cast & Crew
Directed by
| Brooke Kennedy | ||
Writing Credits
| Edward Allen Bernero | ... | (created by) & |
| John Wells | ... | (created by) |
| Edward Allen Bernero | ... | (written by) |
| Charles Murray | ... | (staff writer) |
Cast (in credits order)
Produced by
| Grant Anderson | ... | associate producer |
| Edward Allen Bernero | ... | executive producer |
| Siobhan Byrne O'Connor | ... | co-producer |
| Charles S. Carroll | ... | producer |
| Christopher Chulack | ... | executive producer |
| Kristin Harms | ... | producer |
| Brooke Kennedy | ... | executive producer |
| Glenn Kershaw | ... | co-producer |
| Janine Sherman Barrois | ... | producer |
| Andrew Stearn | ... | producer |
| Vicki Voltarel | ... | co-producer |
| John Wells | ... | executive producer |
| Scott Williams | ... | supervising producer |
Music by
| Martin Davich | ||
Cinematography by
| Glenn Kershaw | ... | director of photography |
Editing by
| Fred Peterson | ||
| Adam Wolfe | ||
Casting By
| Beth Bowling | ... | (casting: New York) |
| John Frank Levey | ... | (casting: Los Angeles) |
| Kim Miscia | ... | (casting: New York) |
Production Design by
| Loren Weeks | ||
Art Direction by
| Henry Dunn | ||
Set Decoration by
| Andrew Baseman | ||
Costume Design by
| Daniel Lawson | ||
| Stephanie Maslansky | ||
Makeup Department
| Jenn 'Jorge' Nelson | ... | makeup department head (as Jorge Nelson) |
| James Post | ... | key hair stylist |
| Bradley Stenson | ... | makeup artist |
Production Management
| Charles S. Carroll | ... | unit production manager |
| Daniel R. Chavez | ... | executive in charge of post production |
| Joshua Levey | ... | post-production supervisor |
| Blake McCormick | ... | executive in charge of post production |
Second Unit Director or Assistant Director
| John Gallagher | ... | first assistant director |
| Aida Rodgers | ... | second assistant director |
Art Department
| Dennis Causey | ... | set dresser |
| Chris DeTitta | ... | leadman |
| Timothy Joliat | ... | on-set dresser |
| Ross La Terra | ... | set dresser |
| Jeff Mazzola | ... | property master |
| Garry Pastore | ... | props |
| John Victor Patterson | ... | scenic artist |
| Paul Robotti | ... | scenic artist |
| Patricia Walker | ... | scenic charge (as Pat Walker) |
| Patrick Campbell | ... | storyboard artist (uncredited) |
Sound Department
| Kevin B. Barron | ... | assistant sound editor (as Kevin Poor) |
| Mike Brooks | ... | re-recording mixer (as Michael Brooks) |
| Damon Cohoon | ... | assistant sound editor |
| Dave Concors | ... | re-recording mixer |
| Michael Crabtree | ... | foley artist |
| Doug Davey | ... | re-recording mixer |
| Gabrielle Gilbert Reeves | ... | dialogue editor |
| Al Gomez | ... | sound mixer |
| Eric Gotthelf | ... | adr mixer |
| Michael Jiron | ... | re-recording mixer |
| Kim Maitland | ... | b unit mixer / sound recordist |
| John McCormick | ... | sound mixer |
| Daniel McIntosh | ... | sound: additional unit |
| Eric Moss | ... | assistant sound editor |
| Walter Newman | ... | supervising sound editor |
| T.J. O'Mara | ... | sound |
| Gary Parker | ... | boom operator |
| Troy Porter | ... | adr mixer |
| Georgiana Ramsland | ... | sound editor |
| Adam Sawelson | ... | re-recording mixer |
| Timothia Sellers | ... | sound utility |
| Allen L. Stone | ... | re-recording mixer |
| Noah Timan | ... | sound mixer: B unit |
| David Werntz | ... | sound effects editor |
| Wayne O'Brien | ... | m&e re-recording mixer (uncredited) |
Stunts
| Cort Hessler | ... | stunt coordinator |
| Erik Solky | ... | stunt double |
Camera and Electrical Department
| Gregory Cahill | ... | best boy grip |
| Peter Fernberger | ... | director of photography: second unit |
| John Keating | ... | grip |
| John Krause | ... | grip |
| Derek Murphy | ... | lighting technician |
| Saade Mustafa | ... | electrician |
| Mike O'Shea Jr. | ... | steadicam operator (as Michael O'Shea) |
| Linda Phillips | ... | generator operator |
| Frank Rinato | ... | first assistant camera: "a" camera |
| Joseph Sciretta | ... | gaffer |
| Francis Spieldenner | ... | assistant camera |
| Albert Valera | ... | additional camera |
| Paul Volo | ... | key grip |
Casting Department
| Barbara Miller | ... | executive in charge of casting |
Costume and Wardrobe Department
| Carmia Marshall | ... | set costumer |
| Bryan Mathison | ... | costumer |
| Tom Soluri | ... | key costumer |
Editorial Department
| Fred Eldridge | ... | senior colorist |
Location Management
| Jason Kadlec | ... | location assistant |
| Michael Nickodem | ... | location manager |
| Elias Scoropanos | ... | location coordinator |
| Teddy Yoon | ... | assistant location manager |
Music Department
| The Crystal Method | ... | composer: theme "Keep Hope Alive" |
| Ann Kline | ... | music supervisor |
| Nicholas Viterelli | ... | music editor (as Nick Viterelli) |
Script and Continuity Department
| Bill Rinier | ... | script coordinator |
| Holly Unterberger | ... | script supervisor |
Additional Crew
| Patricia Charles | ... | accounting clerk |
| Dennis DeFrehn | ... | staff |
| Hester Farabee | ... | assistant: Brooke Kennedy |
| Paul Golding | ... | story editor (as Paul G. Golding) |
| Ned Haspel | ... | executive vice president: John Wells Productions |
| John Malakoff | ... | production travel consultant |
| Yuell Newsome | ... | film librarian |
| Amy D'Alessandro | ... | titles (uncredited) |
| Brad Marro | ... | production assistant (uncredited) |
| Chester A. Sims II | ... | stand-in (uncredited) |
