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Directed by | |||
| Theodore Gershuny | (as Ted Gershuny) | ||
Writing credits(in alphabetical order) | ||
| Theodore Gershuny | teleplay (as Ted Gershuny) | |
| John D. MacDonald | story | |
| John Heard | ... | Billy Malone | |
| Penelope Ann Miller | ... | Keena (as Penelope Miller) | |
| Caris Corfman | ... | Adele | |
| Greg Thornton | ... | Jimbo | |
| John Snyder | ... | Guard | |
| Paul Sparer | ... | Narrator (voice) |
| Episode Crew |
Cinematography by | |||
| Jon Fauer | |||
Film Editing by | |||
| Jeffrey Wolf | |||
Casting by | |||
| Leonard Finger | |||
Set Decoration by | |||
| Carla Gerona | |||
Costume Design by | |||
| Jeanette Oleksa | (as Oleksa) | ||
Makeup Department | |||
| Joanna Robinson | .... | makeup artist | |
Production Management | |||
| Doon Allen | .... | unit manager | |
| Oren Rudavsky | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Julia Cort | .... | second assistant director | |
| Katarina Wittich | .... | assistant director | |
Art Department | |||
| John Griffith | .... | construction coordinator | |
| James Guld | .... | second props | |
| Peggy Parker | .... | property master | |
| Barbara Robins | .... | set dresser | |
| Rosaria Sinisi | .... | visual consultant | |
| Anne Stuhler | .... | second scenic | |
| Charles Williams | .... | first scenic artist | |
Sound Department | |||
| Robert Cardelli | .... | supervising sound editor | |
| Dolores Elliott | .... | sound editor | |
| Tommy Louie | .... | boom operator | |
| Rick Waddell | .... | sound mixer | |
Camera and Electrical Department | |||
| Phil Abraham | .... | assistant camera | |
| John F. Cassidy | .... | key grip | |
| Evan Estern | .... | second assistant camera | |
| Gary Hildebrand | .... | best boy | |
| Katherine Kolbert | .... | still photographer | |
| Steven Ross | .... | gaffer (as Steve Ross) | |
| Steve Schwalbe | .... | grip | |
Costume and Wardrobe Department | |||
| Margaret Yule | .... | wardrobe assistant (as Maggie Yule) | |
Editorial Department | |||
| Diana Dru Botsford | .... | post-production coordinator | |
| Edmund Ferrell | .... | assistant editor | |
| Dee Balson Mollett | .... | apprentice editor (as Dee Balson) | |
Music Department | |||
| Michael Gibbs | .... | composer: original music | |
| Erica Lindsay | .... | composer: title music | |
| Donald Rubinstein | .... | composer: title music | |
Other crew | |||
| Jessica Abrams | .... | assistant production accountant | |
| Tom Allen | .... | creative consultant | |
| Donna Amos | .... | assistant to producer | |
| Tina Carbonell | .... | production coordinator | |
| Charles S. Carroll | .... | production accountant | |
| Anne Nevin | .... | production office coordinator | |
| Elizabeth J. Nevin | .... | assistant production office coordinator | |
| Cosmo Ohms | .... | studio manager | |
| Jackie Pine | .... | script supervisor | |
| Paul Sparer | .... | narrator | |
| Series Crew These people are regular crew members. Were they in this episode? |
Directed by | |||
| Bob Balaban | (episode "Trick or Treat") | ||
| Timna Ranon | (episode "Bigalow's Last Smoke, " "Mookie and Pookie, " "Dream Girl") | ||
Writing credits(in alphabetical order) | ||
| Franco Amurri | (episode "Trick or Treat") | |
| Scott D. Jackson | writer | |
| George A. Romero | (episode "Trick or Treat") (episode "Devil's Advocate, The") (episode "Baker's Dozen") (episode "Circus") | |
Original Music by | |||
| Ken Mazur | |||
Makeup Department | |||
| Tyler Smith | .... | special makeup effects artist | |
Production Management | |||
| Diana Dru Botsford | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Neil Kinsella | .... | second assistant director (1984) | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Scott D. Jackson | .... | foley editor | |
| Scott D. Jackson | .... | foley walker | |
Special Effects by | |||
| Joe LaPenna | .... | special effects | |
| Company credits | Technical specifications | Crazy credits |
| Main details |