Tales from the Crypt: Season 4, Episode 8

Showdown (1 Aug. 1992)

TV Episode  -   -  Comedy | Crime | Horror
6.6
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A gunfighter confronts his past.

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Title: Showdown (01 Aug 1992)

Showdown (01 Aug 1992) on IMDb 6.6/10

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Cast

Episode complete credited cast:
...
Tom McMurdo
...
Billy Quintaine (as Neil Gray Giuntoli)
Roderick Cook ...
Cornelius Bosch
...
Deputy Wilson
...
Crypt Keeper (voice)
Monty Bass ...
Grant Gelt ...
Little Boy
...
Harley
Tommy Townsend ...
Big Bart
Mel Coleman ...
Blacksmith
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Storyline

A gunfighter confronts his past.

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Not Rated | See all certifications »

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Release Date:

1 August 1992 (USA)  »

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1.33 : 1
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Did You Know?

Trivia

Frank Darabont:  the writer shows up as a dead cowboy. See more »

Connections

Edited from Two-Fisted Tales (1992) See more »

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User Reviews

 
Spooky horror-Western episode
21 July 2011 | by (The Last New Jersey Drive-In on the Left) – See all my reviews

Cocky young outlaw Billy Quintaine (an excellent performance by Neil Giuntoli) stops off at a rundown one-horse town that's populated by the ghosts of his victims. Director Richard Donner, working from a compelling script by Frank Darabont, relates the absorbing story at a steady pace, stages the bloody and exciting shoot-outs with real flair and panache, and does an expert job of creating and sustaining a brooding, gritty, and grimly serious tone that becomes more increasingly bleak and unsettling as the plot unfolds towards a violent downbeat conclusion. The uniformly sound acting from the bang-up cast helps a whole lot: Giuntoli excels in the lead, David Morse brings a quiet intensity and conviction as determined Texas Ranger Tom McMurdo, Roderick Cook does well as wily Irish carpetbagger Cornelius Bosch, and Tommy Townsend contributes a lively turn as hearty tour guide Big Bart. Moreover, there's a strong and provocative central message about how it's impossible for a desperado to run away from his own dark past. Hiro Narita's sun-burnt golden-hued cinematography provides an appropriately dusty'n'desolate look while Michael Kamen's twangy and harmonic score hits the melodic spot. An eerie and effective episode.


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