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Tales from the Crypt: Season 5, Episode 2As Ye Sow (2 Oct. 1993)Wealthy and successful middle-aged businessman Leo Burns suspects that his much younger wife Bridget is having an extramarital affair. Leo hires sleazy private investigator G.G. Devoe to find out the identity of Bridget's lover. Director:Kyle MacLachlanWriter:Ron Finley (screenplay) |
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Title: As Ye Sow (02 Oct 1993)
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Cast
| Episode cast overview: | |||
| Hector Elizondo | ... |
Leo Burns
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| Patsy Kensit | ... |
Bridget
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| John Shea | ... |
Father John Sejac
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| Adam West | ... |
Chapman
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| Sam Waterston | ... |
G.G. Devoe
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| John Kassir | ... |
Crypt Keeper
(voice)
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Storyline
Wealthy and successful middle-aged businessman Leo Burns suspects that his much younger wife Bridget is having an extramarital affair. Leo hires sleazy private investigator G.G. Devoe to find out the identity of Bridget's lover.
Plot Keywords:
shot in the ear | pistol | older man younger woman relationship | suspicion | shot in the chest |Parents Guide:
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Details
Country:
USALanguage:
EnglishRelease Date:
2 October 1993 (USA) See more »Company Credits
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Wealthy and successful middle-aged businessman Leo Burns (an excellent and convincing performance by Hector Elizondo) suspects that his much younger wife Bridget (a fine portrayal by the gorgeous Patsy Kensit) is having an extramarital affair. Leo hires sleazy private investigator G.G. Devoe (adroitly played to the slimy hilt by Sam Waterston) to find out the identity of Bridget's lover. Director Kyle MacLachlan, working from a tight script by Ron Finley, relates the involving story at a steady pace and gives this episode a stylish film noirish look. The sound acting from the able cast keeps it humming: Elizondo astutely nails the paranoia and insecurity of his character, Waterston positively oozes from every scuzzy pore, and John Shea contributes a charming turn as hip'n'handsome radical young priest Father John Sejac. Popping up in cool bits are Adam West as private eye Chapman and an uncredited Miguel Ferror as a creepy hit-man. The grimly ironic surprise twist ending packs a pretty startling punch. John R. Leonetti's polished cinematography and the jazzy score by Branford Marsalis are both up to speed. A worthwhile show.