According to David Crosthwait of DC Video, the company that restored this video tape, this specific episode of "Showtime" was taped at the then-NBC studio in Brooklyn, NY and hand-edited. Color video tape was in its infancy; only about a year previous to this [1959] the first color videotapes were recorded at NBC. The copy was a dub found at NBC. The tapes used proprietary electronics unique to NBC, which is one reason why restoration took time. The tape was missing part of its audio. The Lewis family donated a kinescope film copy of the show, along with a 1/4" audio tape of much of the show's soundtrack to finish the restoration.
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When I read that Jerry Lewis appeared in a television version of "The Jazz Singer", I couldn't wait to see it. I had to wait years. Finally I was able to get a bootleg copy of the show. I expected Jerry to be doing his best Jolson impression, singing those famous Jolson songs and mugging for the camera. However, Jerry does very little singing and plays his role straight. The title is a misnomer. It's not really "The Jazz Singer", but "The Night Club Comic". Like the original story, Jerry is torn between becoming a cantor, like his father, or going into show business. The script for this version is unexciting and Jerry is completely unlikeable. Anna Maria Alberghetti shows up as Jerry's love interest and Alan "Fred Flintstone" Reed is on hand showing us both his dramatic and comic skills.
Of all of the versions of "The Jazz Singer", I believe the Michael Curtiz version with Danny Thomas and Peggy Lee is the best. The Jolson version was groundbreaking, but the acting is over the top. The Neil Diamond version is a complete waste of time. The Jerry Lewis version is only interesting for seeing Jerry in a rare dramatic role.