| Richard Dean Anderson | ... | Colonel Jack O'Neill | |
| Amanda Tapping | ... | Major Samantha Carter | |
| Christopher Judge | ... | Teal'c | |
| Don S. Davis | ... | Major General George Hammond | |
| Michael Shanks | ... | Dr. Daniel Jackson | |
| Christopher Heyerdahl | ... | Pallan | |
| Peter LaCroix | ... | Kendrick (as Peter Lacroix) | |
| Tiffany Lyndall-Knight | ... | Evalla (as Tiffany Knight) | |
| Liam Ranger | ... | Nevin | |
| Gary Jones | ... | Sgt. Walter Harriman | |
| Wendy Noel | ... | Councilwoman | |
| Michael Robinson | ... | Councilman #1 | |
| Patrick Keating | ... | Councilman #2 | |
| Finn Michael | ... | Councilman #3 |
| Episode Crew |
Directed by | |||
| Martin Wood | |||
Writing credits | ||
| Brad Wright | (developed for television by) & | |
| Jonathan Glassner | (developed for television by) | |
| Joseph Mallozzi | (written by) & | |
| Paul Mullie | (written by) | |
Produced by | |||
| Richard Dean Anderson | .... | executive producer | |
| Robert C. Cooper | .... | executive producer | |
| Peter DeLuise | .... | producer | |
| Michael Greenburg | .... | executive producer | |
| Damian Kindler | .... | supervising producer | |
| Joseph Mallozzi | .... | co-executive producer | |
| Andy Mikita | .... | producer | |
| Paul Mullie | .... | co-executive producer | |
| N. John Smith | .... | co-executive producer | |
| Martin Wood | .... | co-producer | |
| Brad Wright | .... | consulting producer | |
Original Music by | |||
| Joel Goldsmith | |||
Cinematography by | |||
| James Alfred Menard | (director of photography) (as Jim Menard) | ||
Film Editing by | |||
| Rick Martin | |||
Casting by | |||
| Paul Weber | |||
Production Design by | |||
| Bridget McGuire | |||
Art Direction by | |||
| Peter Bodnarus | |||
| James Robbins | |||
Set Decoration by | |||
| Mark Davidson | |||
| Robert Davidson | |||
Costume Design by | |||
| Christina McQuarrie | |||
Makeup Department | |||
| Jan Newman | .... | makeup artist | |
| Patrick O'Brien | .... | hair stylist | |
Production Management | |||
| John G. Lenic | .... | production manager | |
| Michael S. McLean | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Janice Genn | .... | second assistant director | |
| Alex Pappas | .... | first assistant director | |
Art Department | |||
| John Hamilton | .... | head painter | |
| Derick McLeod | .... | construction coordinator | |
| David Sinclair | .... | property master (as David W. Sinclair) | |
| Gordon Bellamy | .... | supervisor: prop makers, sculptors, model makers (uncredited) | |
| Kenny Gibbs | .... | assistant property master (uncredited) | |
| Sabrina Karine | .... | property assistant (uncredited) | |
| Joe May | .... | set designer (uncredited) | |
| Rodrigo Segovia | .... | assistant art director (uncredited) | |
| David Paul Hewitt White | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Wayne Finucan | .... | sound mixer | |
| Dave Hibbert | .... | re-recording mixer | |
| Kirby Jinnah | .... | sound editor | |
| Devan Kraushar | .... | sound supervisor | |
| Sina Oroomchi | .... | re-recording mixer | |
Special Effects by | |||
| Wray J. Douglas | .... | special effects coordinator (as Wray Douglas) | |
| Bill Pankiw | .... | special effects | |
| Dan Rebert | .... | creature effects supervisor: Masters FX LA (uncredited) | |
| Dan Rebert | .... | prosthetic supervisor: Masters FX LA (uncredited) | |
Visual Effects by | |||
| Janice Groom | .... | visual effects operations supervisor | |
| Shannon Gurney | .... | visual effects coordinator | |
| Krista McLean | .... | digital effects | |
| Matthew Talbot-Kelly | .... | matte paintings | |
| James Tichenor | .... | visual effects producer | |
Stunts | |||
| Dan Shea | .... | stunt coordinator | |
| Dan Shea | .... | stunt double: Richard Dean Anderson (uncredited) | |
Camera and Electrical Department | |||
| Rick Dean | .... | chief lighting technician | |
| Shawn Montgomery | .... | key grip | |
| Jay Stroburg | .... | rigging gaffer | |
| William Waring | .... | camera operator | |
| Amie Gibbins | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Sandra Couldwell | .... | extras casting | |
| Carol Kelsay | .... | casting: Canada | |
| Ivy Isenberg | .... | casting associate: USA (uncredited) | |
Costume and Wardrobe Department | |||
| Barry Peters | .... | costume set supervisor (uncredited) | |
Editorial Department | |||
| Michael Eliot | .... | post-production consultant | |
| Jennifer Johnson | .... | post-production coordinator | |
| Doug Oke | .... | assistant editor | |
| Kerry McDowall | .... | assistant post-production coordinator (uncredited) | |
| Kye Meechan | .... | second assistant editor (uncredited) | |
Music Department | |||
| David Arnold | .... | composer: original themes | |
| Rick Chadock | .... | music editor | |
Transportation Department | |||
| Lennard H. Chan | .... | transportation coordinator | |
Other crew | |||
| Cath-Anne Ambrose | .... | production associate | |
| Ivon R. Bartok | .... | assistant to executive producer | |
| Heenan Blaikie | .... | legal services | |
| Candice Field | .... | script supervisor | |
| Nicole Forest | .... | production accountant | |
| Jonathan Glassner | .... | executive consultant | |
| Carol Horn | .... | legal counsel | |
| Kaayla Ryane | .... | production coordinator (as Kayla Ryane-Valleau) | |
| Lynn Smith | .... | location manager | |
| Paul Gendreau | .... | publicist (uncredited) | |
| Tom Giannazzo | .... | military advisor (uncredited) | |
| Robert M. Malachowski Jr. | .... | title designer: main titles (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Original Music by | |||
| Peter Bernstein | |||
| Ken Harrison | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
Art Direction by | |||
| Barbara Wilson | |||
Makeup Department | |||
| Ken Culver | .... | prosthetic technician | |
| Mike Fields | .... | special makeup effects artist | |
| Lee Joyner | .... | makeup effects crew | |
| Shauna Magrath | .... | assistant makeup artist | |
| Ryan Nicholson | .... | prosthetic effects designer (season 3) | |
| Christopher Mark Pinhey | .... | assistant makeup artist | |
| Geoff Redknap | .... | special makeup effects artist | |
| Sean Sansom | .... | special makeup effects artist | |
| Christ Stanley | .... | assistant alien production: airbrushing | |
Second Unit Director or Assistant Director | |||
| Trevor Brokop | .... | third assistant director | |
| Janice Genn | .... | second assistant director (2001, 2002, 2003) | |
| Janice Genn | .... | third assistant director (2000, 2001) | |
| Ted Rae | .... | second unit director (two episodes) | |
| Gisela Schulte | .... | third assistant director | |
Art Department | |||
| Douglas W. Beard | .... | model maker | |
| Dallas Bittner | .... | model maker | |
| Peter Bodnarus | .... | set designer (season 6) | |
| Lubor Cencak | .... | scenic artist | |
| Richard Cummins | .... | props | |
| Tim Dagley | .... | on-set dresser | |
| Salmon Harris | .... | storyboard artist | |
| G. Andrew Hussey | .... | set dresser | |
| John B. Keys | .... | scenic artist | |
| Colin Matthews | .... | assistant property master | |
| Ken Rabehl | .... | illustrator | |
| Jim Ramsay | .... | assistant art director (season 6) | |
| Francisco Rosa | .... | painter | |
| Ross Walshe | .... | scenic carpenter | |
Sound Department | |||
| Adam Boyd | .... | sound effects editor | |
| Lisa Doyle | .... | sound editor | |
| Adam Gejdos | .... | sound effects editor | |
| Talvinder Gill | .... | assistant sound editor | |
| Chris Glyn-Jones | .... | alternate boom operator (1999-2000) | |
| Jeff Hamon | .... | adr mixer | |
| Brad Hillman | .... | sound re-recording mixer | |
| Graeme Hughes | .... | sound re-recording mixer | |
| Philip Hunter | .... | dialogue editor | |
| Jim Lacamel | .... | boom operator | |
| Michael Miller | .... | adr mixer | |
| Rory O'Neill | .... | boom operator: second unit | |
| Rory O'Neill | .... | sound assistant: day call | |
| Jean Raymond | .... | foley mixer | |
| Adam Sharpe | .... | sound re-recording mixer | |
Special Effects by | |||
| Claude Bouchard | .... | special effects rigger | |
| Steve Fink | .... | technician: Steve Johnson's XFX | |
| Matthew Jorgensen | .... | special effects makeup artist: Todd Masters FX | |
| Michael O'Brien | .... | mold department: Masters FX Inc. (2003) | |
| Ted Rae | .... | miniature photography (2 episodes) | |
Visual Effects by | |||
| Philip Edward Alexy | .... | 3D lead digital artist: GVFX | |
| Vishal Anand | .... | visual effects | |
| Dave Axford | .... | model shop supervisor | |
| Louise Barkholt | .... | visual effects producer: GVFX (season 6) | |
| Barb Benoit | .... | digital compositing artist | |
| Nadine Blackler | .... | digital compositor | |
| Neill Blomkamp | .... | 3D animator | |
| Kathryn Bolt | .... | digital compositing artist (seasons 3-6) | |
| Landon Bootsma | .... | digital effects artist | |
| Eric Chauvin | .... | digital matte painter (multiple episodes) (1997) | |
| Billy D. Choi | .... | visual effects supervisor (1999) | |
| Dug Claxton | .... | digital compositing artist | |
| Richard J. Cook | .... | digital effects producer: VisonArt | |
| John D.B. Cox | .... | motion control operator | |
| Jayne Craig | .... | visual effects coordinator | |
| Kristin Dearholt | .... | rotoscope artist | |
| Theo Diamantis | .... | visual effects | |
| Jean-Luc Dinsdale | .... | visual effects coordinator | |
| Jean-Luc Dinsdale | .... | visual effects supervisor | |
| Keegan Douglas | .... | digital effects artist | |
| Leif Einarsson | .... | computer graphics lead animator: Digital Magic | |
| Joe Farrell | .... | digital compositing artist (2000) | |
| Ted Fay | .... | director of technology: VisionArt | |
| Haskell Friedman | .... | technical director (1998-1999) | |
| Haskell Friedman | .... | visual effects digital artist (1998-1999) | |
| Paul Furminger | .... | visual effects editor | |
| Kevin Genzel | .... | digital compositor | |
| Martin Halle | .... | digital effects artist | |
| Hamish Hamilton | .... | digital artist: rotoscope artist | |
| Hamish Hamilton | .... | visual effects assistant | |
| Ivan Hayden | .... | visual effects assistant | |
| Gudrun Heinze | .... | digital compositing artist | |
| Shawn Hillier | .... | digital compositing artist | |
| Sylvain Huard | .... | 3D animator | |
| Jody Jessop | .... | visual effects assistant coordinator | |
| Andrew Karr | .... | digital artist | |
| Jeremy Kehler | .... | digital compositor | |
| John Kennedy | .... | digital artist | |
| Jaye Krebs | .... | digital compositor | |
| James Lau | .... | digital artist | |
| Tony Lawrence | .... | digital effects artist | |
| Rosano Lepri | .... | digital compositing artist | |
| May Leung | .... | 3D animator | |
| Kimberley Liptrap | .... | 3D animator | |
| Dan Mayer | .... | 3D animator | |
| Jennifer McEachern | .... | visual effects assistant | |
| Brian Moylan | .... | digital compositing artist | |
| Brian Moylan | .... | matte painter | |
| Marianne O'Reilly | .... | visual effects producer: Rainmaker (2000-2003) | |
| Eric Petey | .... | digital artist: Lost Boys Studios | |
| Carmen Pollard | .... | digital compositing artist | |
| Ted Rae | .... | visual effects supervisor (2 episodes) | |
| Betty Shaw | .... | systems administrator: GVFX (1998-2001) | |
| Rik Shorten | .... | visual effects coordinator: GVFX | |
| Elaine Sipos | .... | digital compositing artist | |
| Jessica Sjoblom | .... | rotoscope artist | |
| Joel Skeete | .... | senior digital compositing artist | |
| Jason Snea | .... | compositor (season 1) | |
| Linda Tremblay | .... | digital compositing artist | |
| Bruce Turner | .... | visual effects supervisor | |
| Simon van de Lagemaat | .... | 3D animator | |
| Chris Van Dyck | .... | digital compositing artist | |
| Steven Wendland | .... | visual effects coordinator | |
| Wendy Whaley | .... | digital compositing artist | |
| Arnold Yuki | .... | rotoscope artist | |
| Charlene Eberle Douglas | .... | visual effects assistant (uncredited) | |
| Daniel Osaki | .... | visual effects (uncredited) | |
| Paolo G. Venturi | .... | digital artist: Gekko/double secret productions animated logos (uncredited) | |
Camera and Electrical Department | |||
| Geoff Baker | .... | grip (1997) | |
| Ryan Gillard | .... | first assistant camera (1999-2001) | |
| David Gray | .... | still photographer | |
| Aaron Haesler | .... | camera trainee (season 9) | |
| Oliver Hajdu | .... | rigging best boy | |
| Mark Lunn | .... | assistant camera (seasons 9-10) | |
| Chris McMullin | .... | camera operator | |
| W. James Meagher | .... | camera trainee | |
| W. James Meagher | .... | daily second assistant camera | |
| Brett Peterson | .... | rigging grip | |
| George Ramage | .... | rigging best boy | |
| Joe Waistell | .... | first assistant camera: second unit | |
| Darek Wyszynski | .... | first assistant camera | |
Animation Department | |||
| Patrick Kalyn | .... | animator | |
Casting Department | |||
| Mary Jo Slater | .... | casting: USA | |
| Paul Weber | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Sheila White | .... | costumer: special effects costumes | |
Editorial Department | |||
| Mark Hornish | .... | editor: main titles | |
| Anne Marie McGinn | .... | assistant post-production coordinator (2 seasons) | |
| Holly Amber Proulx | .... | post-production assistant coordinator | |
| Kevin Willis | .... | assistant editor (1997-2000) | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Vladimir Horunzhy | .... | composer: additional music | |
| Dennis McCarthy | .... | conductor | |
| Chris Neel | .... | soundtrack album producer | |
| Marc S. Perlman | .... | music editor | |
| Shawn Pierce | .... | music editor | |
Transportation Department | |||
| Chris J. Clayton | .... | driver | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Action section |
*** This review may contain spoilers ***
A very good episode with a rather original plot... not that its main elements are new: actually, it's their odd combination that makes it interesting. This new world is a perfect garden set in a toxic wasteland, and it is so advanced that it has gone back to using candlelight instead of electricity.
The episode is nicely paced, taking a lot of time to introduce this world and its people while slowly revealing the main plot. And I like it that for once, the manipulative super-computer has NOT developed an evil self-awareness. It is not trying to destroy the world but, in a way, to save what it can of it --and unobtrusively at that: subtly adapting "data" to match the current situation... except that the "data" in question is actually thousands of human lives.
So, while there is nothing boring about it, "Revisions" contains a lot more reflection than action, but this makes it even more chilling when you consider the points it makes regarding the destruction (or control) of the environment, as well as our use (and abuse) of the Internet.