| Richard Dean Anderson | ... | Brigadier General Jack O'Neill | |
| Amanda Tapping | ... | Lt. Col. Samantha Carter (credit only) | |
| Christopher Judge | ... | Teal'c (credit only) | |
| Michael Shanks | ... | Dr. Daniel Jackson | |
| Claudia Black | ... | Vala Mal Doran | |
| Don S. Davis | ... | Lieutenant General George Hammond | |
| Ellie Harvie | ... | Dr. Lindsey Novak | |
| Gary Jones | ... | Sgt. Walter Harriman | |
| Eric Breker | ... | Colonel Reynolds | |
| Morris Chapdelaine | ... | Tenat | |
| Christopher Pearce | ... | Bosworth (as Christopher Pierce) | |
| Geoff Redknap | ... | Alien #2 | |
| Dan Payne | ... | Kull Warrior |
| Episode Crew |
Directed by | |||
| Andy Mikita | |||
Writing credits | ||
| Brad Wright | (developed for television by) & | |
| Jonathan Glassner | (developed for television by) | |
| Damian Kindler | (written by) | |
Produced by | |||
| Richard Dean Anderson | .... | executive producer | |
| Robert C. Cooper | .... | executive producer | |
| Peter DeLuise | .... | supervising producer | |
| Michael Greenburg | .... | executive producer | |
| Jennifer Johnson | .... | associate producer | |
| Damian Kindler | .... | supervising producer | |
| John G. Lenic | .... | producer | |
| Joseph Mallozzi | .... | executive producer | |
| Andy Mikita | .... | co-producer | |
| Paul Mullie | .... | executive producer | |
| N. John Smith | .... | co-executive producer | |
| Brad Wright | .... | executive producer | |
Original Music by | |||
| Joel Goldsmith | |||
Cinematography by | |||
| Andrew D. Wilson | (director of photography) | ||
Film Editing by | |||
| Stein Myhrstad | |||
Casting by | |||
| Paul Weber | |||
Production Design by | |||
| Bridget McGuire | |||
Art Direction by | |||
| Peter Bodnarus | |||
| James Robbins | |||
| Thom Wells | (supervising art director) | ||
Set Decoration by | |||
| Mark Davidson | |||
| Robert Davidson | |||
Costume Design by | |||
| Christine Mooney | |||
Makeup Department | |||
| Marisa Cappellaro | .... | hairstylist | |
| Dorothee Deichmann | .... | makeup artist | |
Production Management | |||
| John G. Lenic | .... | production manager | |
| Michael S. McLean | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ryan Kosmynka | .... | first assistant director | |
| Kate Weiss | .... | second assistant director | |
Art Department | |||
| Dean Goodine | .... | property master | |
| John Hamilton | .... | head painter | |
| Gordon Bellamy | .... | supervisor: prop makers, sculptors, model makers (uncredited) | |
| Ina Brooks | .... | assistant property master (uncredited) | |
| Kenny Gibbs | .... | assistant property master (uncredited) | |
| Joe May | .... | assistant art director (uncredited) | |
| Rodrigo Segovia | .... | assistant art director (uncredited) | |
| David Paul Hewitt White | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Kelly Cole | .... | re-recording mixer | |
| David M. Cyr | .... | sound mixer (as David Cyr) | |
| Dave Hibbert | .... | re-recording mixer | |
| Devan Kraushar | .... | sound supervisor | |
| James Wallace | .... | sound editor | |
| Kevin Konarzewski | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Wray J. Douglas | .... | special effects coordinator (as Wray Douglas) | |
| Bill Pankiw | .... | special effects | |
| Dan Rebert | .... | creature effects supervisor: Masters FX LA (uncredited) | |
| Dan Rebert | .... | prosthetic supervisor: Masters FX LA (uncredited) | |
Visual Effects by | |||
| Greg Behrens | .... | visual effects coordinator: SPIN West VFX | |
| Michelle Comens | .... | visual effects producer | |
| Janice Groom | .... | visual effects operations supervisor | |
| Krista McLean | .... | playback supervisor, matte paintings | |
| James Rorick | .... | visual effects coordinator | |
| Robin Hackl | .... | compositing lead: Image Engine (uncredited) | |
| Robin Hackl | .... | visual effects supervisor: Image Engine (uncredited) | |
| Greg Hansen | .... | visual effects artist (uncredited) | |
| Fredrik Höglin | .... | digital compositor (uncredited) | |
| Christopher Mossman | .... | executive producer: Image Engine (uncredited) | |
| Joseph Ngo | .... | visual effects (uncredited) | |
| Scott Paquin | .... | key animator (uncredited) | |
| Michael Ranalletta | .... | digital compositing artist (uncredited) | |
| Lisa Turner | .... | visual effects coordinator: Image Engine (uncredited) | |
| Karen Watson | .... | digital compositor (uncredited) | |
Stunts | |||
| Dan Shea | .... | stunt coordinator | |
| Dan Shea | .... | stunt double: Richard Dean Anderson (uncredited) | |
Camera and Electrical Department | |||
| Fraser Boyle | .... | key grip | |
| Greg Fox | .... | camera operator | |
| Jay Stroburg | .... | rigging gaffer | |
| Vince Uytdehaag | .... | chief lighting technician (as Vincent A. Uytdehaag) | |
| Jean Chiasson | .... | dolly grip: 2nd unit (uncredited) | |
| Alexander Glua | .... | camera assistant (uncredited) | |
Casting Department | |||
| Stuart Aikins | .... | casting: Canada | |
| Sean Cossey | .... | casting: Canada | |
| Sandra Couldwell | .... | extras casting | |
| Ivy Isenberg | .... | casting associate: USA (uncredited) | |
| Lance Peverley | .... | extras wrangler (uncredited) | |
Costume and Wardrobe Department | |||
| Barry Peters | .... | costume set supervisor (uncredited) | |
Editorial Department | |||
| Michael Eliot | .... | post-production consultant | |
| Kerry McDowall | .... | post-production coordinator | |
| Doug Oke | .... | assistant editor | |
| Lana Gudlaugson | .... | post-production facility coordinator (uncredited) | |
| Steve McLeod | .... | second assistant editor (uncredited) | |
Music Department | |||
| David Arnold | .... | composer: original themes | |
| Rick Chadock | .... | music editor | |
Transportation Department | |||
| Lennard H. Chan | .... | transportation coordinator | |
Other crew | |||
| Amanda Alexander | .... | script supervisor (as Amanda Alexander-McLean) | |
| Gregory Diamond Almas | .... | assistant to executive producer (as Gregory Almas) | |
| Ivon R. Bartok | .... | script coordinator | |
| Heenan Blaikie | .... | legal services | |
| Nicole Forest | .... | production accountant | |
| Jonathan Glassner | .... | executive consultant | |
| Carol Horn | .... | legal counsel | |
| Jamie Lake | .... | location manager | |
| Alex Levine | .... | assistant to executive producer | |
| Kaayla Ryane | .... | production coordinator (as Kayla Ryane-Valleau) | |
| Paul Gendreau | .... | publicist (uncredited) | |
| Robert M. Malachowski Jr. | .... | title designer: main titles (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Original Music by | |||
| Peter Bernstein | |||
| Ken Harrison | |||
Casting by | |||
| Stuart Aikins | |||
| Sean Cossey | |||
Art Direction by | |||
| Barbara Wilson | |||
Makeup Department | |||
| Ken Culver | .... | prosthetic technician | |
| Mike Fields | .... | special makeup effects artist | |
| Lee Joyner | .... | makeup effects crew | |
| Shauna Magrath | .... | assistant makeup artist | |
| Ryan Nicholson | .... | prosthetic effects designer (season 3) | |
| Christopher Mark Pinhey | .... | assistant makeup artist | |
| Geoff Redknap | .... | special makeup effects artist | |
| Sean Sansom | .... | special makeup effects artist | |
| Christ Stanley | .... | assistant alien production: airbrushing | |
Second Unit Director or Assistant Director | |||
| Trevor Brokop | .... | third assistant director | |
| Janice Genn | .... | second assistant director (2001, 2002, 2003) | |
| Janice Genn | .... | third assistant director (2000, 2001) | |
| Ted Rae | .... | second unit director (two episodes) | |
| Gisela Schulte | .... | third assistant director | |
Art Department | |||
| Douglas W. Beard | .... | model maker | |
| Dallas Bittner | .... | model maker | |
| Peter Bodnarus | .... | set designer (season 6) | |
| Lubor Cencak | .... | scenic artist | |
| Richard Cummins | .... | props | |
| Tim Dagley | .... | on-set dresser | |
| Salmon Harris | .... | storyboard artist | |
| G. Andrew Hussey | .... | set dresser | |
| John B. Keys | .... | scenic artist | |
| Colin Matthews | .... | assistant property master | |
| Ken Rabehl | .... | illustrator | |
| Jim Ramsay | .... | assistant art director (season 6) | |
| Francisco Rosa | .... | painter | |
| Ross Walshe | .... | scenic carpenter | |
Sound Department | |||
| Adam Boyd | .... | sound effects editor | |
| Lisa Doyle | .... | sound editor | |
| Adam Gejdos | .... | sound effects editor | |
| Talvinder Gill | .... | assistant sound editor | |
| Chris Glyn-Jones | .... | alternate boom operator (1999-2000) | |
| Jeff Hamon | .... | adr mixer | |
| Brad Hillman | .... | sound re-recording mixer | |
| Graeme Hughes | .... | sound re-recording mixer | |
| Philip Hunter | .... | dialogue editor | |
| Jim Lacamel | .... | boom operator | |
| Michael Miller | .... | adr mixer | |
| Rory O'Neill | .... | boom operator: second unit | |
| Rory O'Neill | .... | sound assistant: day call | |
| Jean Raymond | .... | foley mixer | |
| Adam Sharpe | .... | sound re-recording mixer | |
Special Effects by | |||
| Claude Bouchard | .... | special effects rigger | |
| Steve Fink | .... | technician: Steve Johnson's XFX | |
| Matthew Jorgensen | .... | special effects makeup artist: Todd Masters FX | |
| Michael O'Brien | .... | mold department: Masters FX Inc. (2003) | |
| Ted Rae | .... | miniature photography (2 episodes) | |
Visual Effects by | |||
| Philip Edward Alexy | .... | 3D lead digital artist: GVFX | |
| Vishal Anand | .... | visual effects | |
| Dave Axford | .... | model shop supervisor | |
| Louise Barkholt | .... | visual effects producer: GVFX (season 6) | |
| Barb Benoit | .... | digital compositing artist | |
| Nadine Blackler | .... | digital compositor | |
| Neill Blomkamp | .... | 3D animator | |
| Kathryn Bolt | .... | digital compositing artist (seasons 3-6) | |
| Landon Bootsma | .... | digital effects artist | |
| Eric Chauvin | .... | digital matte painter (multiple episodes) (1997) | |
| Billy D. Choi | .... | visual effects supervisor (1999) | |
| Dug Claxton | .... | digital compositing artist | |
| Richard J. Cook | .... | digital effects producer: VisonArt | |
| John D.B. Cox | .... | motion control operator | |
| Jayne Craig | .... | visual effects coordinator | |
| Kristin Dearholt | .... | rotoscope artist | |
| Theo Diamantis | .... | visual effects | |
| Jean-Luc Dinsdale | .... | visual effects coordinator | |
| Jean-Luc Dinsdale | .... | visual effects supervisor | |
| Keegan Douglas | .... | digital effects artist | |
| Leif Einarsson | .... | computer graphics lead animator: Digital Magic | |
| Joe Farrell | .... | digital compositing artist (2000) | |
| Ted Fay | .... | director of technology: VisionArt | |
| Haskell Friedman | .... | technical director (1998-1999) | |
| Haskell Friedman | .... | visual effects digital artist (1998-1999) | |
| Paul Furminger | .... | visual effects editor | |
| Kevin Genzel | .... | digital compositor | |
| Martin Halle | .... | digital effects artist | |
| Hamish Hamilton | .... | digital artist: rotoscope artist | |
| Hamish Hamilton | .... | visual effects assistant | |
| Ivan Hayden | .... | visual effects assistant | |
| Gudrun Heinze | .... | digital compositing artist | |
| Shawn Hillier | .... | digital compositing artist | |
| Sylvain Huard | .... | 3D animator | |
| Jody Jessop | .... | visual effects assistant coordinator | |
| Andrew Karr | .... | digital artist | |
| Jeremy Kehler | .... | digital compositor | |
| John Kennedy | .... | digital artist | |
| Jaye Krebs | .... | digital compositor | |
| James Lau | .... | digital artist | |
| Tony Lawrence | .... | digital effects artist | |
| Rosano Lepri | .... | digital compositing artist | |
| May Leung | .... | 3D animator | |
| Kimberley Liptrap | .... | 3D animator | |
| Dan Mayer | .... | 3D animator | |
| Jennifer McEachern | .... | visual effects assistant | |
| Brian Moylan | .... | digital compositing artist | |
| Brian Moylan | .... | matte painter | |
| Marianne O'Reilly | .... | visual effects producer: Rainmaker (2000-2003) | |
| Eric Petey | .... | digital artist: Lost Boys Studios | |
| Carmen Pollard | .... | digital compositing artist | |
| Ted Rae | .... | visual effects supervisor (2 episodes) | |
| Betty Shaw | .... | systems administrator: GVFX (1998-2001) | |
| Rik Shorten | .... | visual effects coordinator: GVFX | |
| Elaine Sipos | .... | digital compositing artist | |
| Jessica Sjoblom | .... | rotoscope artist | |
| Joel Skeete | .... | senior digital compositing artist | |
| Jason Snea | .... | compositor (season 1) | |
| Linda Tremblay | .... | digital compositing artist | |
| Bruce Turner | .... | visual effects supervisor | |
| Simon van de Lagemaat | .... | 3D animator | |
| Chris Van Dyck | .... | digital compositing artist | |
| Steven Wendland | .... | visual effects coordinator | |
| Wendy Whaley | .... | digital compositing artist | |
| Arnold Yuki | .... | rotoscope artist | |
| Charlene Eberle Douglas | .... | visual effects assistant (uncredited) | |
| Daniel Osaki | .... | visual effects (uncredited) | |
| Paolo G. Venturi | .... | digital artist: Gekko/double secret productions animated logos (uncredited) | |
Camera and Electrical Department | |||
| Geoff Baker | .... | grip (1997) | |
| Ryan Gillard | .... | first assistant camera (1999-2001) | |
| David Gray | .... | still photographer | |
| Aaron Haesler | .... | camera trainee (season 9) | |
| Oliver Hajdu | .... | rigging best boy | |
| Mark Lunn | .... | assistant camera (seasons 9-10) | |
| Chris McMullin | .... | camera operator | |
| W. James Meagher | .... | camera trainee | |
| W. James Meagher | .... | daily second assistant camera | |
| Brett Peterson | .... | rigging grip | |
| George Ramage | .... | rigging best boy | |
| Joe Waistell | .... | first assistant camera: second unit | |
| Darek Wyszynski | .... | first assistant camera | |
Animation Department | |||
| Patrick Kalyn | .... | animator | |
Casting Department | |||
| Mary Jo Slater | .... | casting: USA | |
| Paul Weber | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Sheila White | .... | costumer: special effects costumes | |
Editorial Department | |||
| Mark Hornish | .... | editor: main titles | |
| Anne Marie McGinn | .... | assistant post-production coordinator (2 seasons) | |
| Holly Amber Proulx | .... | post-production assistant coordinator | |
| Kevin Willis | .... | assistant editor (1997-2000) | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| Vladimir Horunzhy | .... | composer: additional music | |
| Dennis McCarthy | .... | conductor | |
| Chris Neel | .... | soundtrack album producer | |
| Marc S. Perlman | .... | music editor | |
| Shawn Pierce | .... | music editor | |
Transportation Department | |||
| Chris J. Clayton | .... | driver | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Action section |
*** This review may contain spoilers ***
I've just spent 40mn in stitches, so I really wish I could give this episode a full 10. The only think that stops me is that it really doesn't deserve the title "SG1", as Daniel is the only member of the whole SGC to feature in it (O'Neill only appears in the intro). According to the Trivia section, there is an explanation to this, but I still do not think it's right to split the team.
Apart from this, the episode is great from beginning to end. Daniel has been trying to go to Atlantis for some time, and thanks to Hammond's surprise comeback (cheers!) he now gets the assignment... but trouble is a-brewing in the galaxy, and he will never set foot on Atlantis.
Action-wise, there is everything you might ask for, as usual when spaceships are involved: races, battles, emergency repairs, perilous rescues, last-minute twists, Goau'ld threats and new worlds -with transport rings adding to the overall confusion. Nice. Especially as most of it focuses on Daniel, who tends to be a man of words rather than a fighter, but he gets some very heated (should I say hot?) fighting scenes here. (Oh, and thanks to whomever thought of putting him in a Kull armor. That was niice. Just sayin'.)
There is also a fantastic new character. Even though she is on the "good" side, Vala is ruthless and unscrupulous, and she can kick some butt. Daniel's butt, that is. I really hope she will be back because those two are just fabulous together: you can literally see the sparks flying around, which is a surprise when you consider how tame SG1's love lives usually are. ...Besides, Vala has been a Goa'uld host, which makes her the perfect girlfriend for Daniel(sorry, but it's true)
Mixed in with all the action are some hilarious sequences, worthy of Window of Opportunity. They work because they are not separate from the rest and do not rely on grimaces and silliness, but on adding an unexpected twist to familiar situations: Daniel's lecture gets interrupted by a hiccuping scientist; Reynolds is willing to risk his life to save Hammond, but blanches at the prospect of giving him mouth-to-mouth. Or --my absolute favorite--, Daniel's show of bravery in front of his Kull captor is cut short by the Kull's unexpected response.
So while Prometheus Unbound is not a turning point in the series, it is really entertaining and leaves you wishing for more.