Strange images begin appearing throughout the ship's decks and holodecks. Data and the rest of the crew begin to investigate only to discover that the ship's computer itself is exhibiting ... See full summary »

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The Conductor
Vinny Argiro ...
The Hitman
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The Engineer
Arlee Reed ...
The Hayseed
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Strange images begin appearing throughout the ship's decks and holodecks. Data and the rest of the crew begin to investigate only to discover that the ship's computer itself is exhibiting the strange behavior as it begins to become self-aware. Written by Good2Go

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7 May 1994 (USA)  »

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1.33 : 1
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Did You Know?

Trivia

This is the 25th TNG episode directed by Cliff Bole, making him the show's most prolific director. See more »

Goofs

When Data is depolarising the power grid while holding the cab back with his left arm, the scene cuts to a view from over his right shoulder. There is a brief moment when his right arm is moved back to show his left hand. Since his left arm is no longer holding the cab, it should be in motion running him over. Even so, the wheels are still heard burning on the road as if still being held back. See more »

Quotes

The Conductor: Tickets please!
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Connections

Referenced in Star Trek: Deep Space Nine: The Adversary (1995) See more »

Soundtracks

Star Trek: The Next Generation Main Title
Composed by Jerry Goldsmith and Alexander Courage
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User Reviews

 
Another Semi-Surreal Plot
17 October 2014 | by (United States) – See all my reviews

While this is certainly interesting, it's another episode where one needs to strain one's sense of order. What exactly is the enemy and what is it doing. Apparently, the ship's computer has become sentient and is trying to gain control of its being. This leads to a hodgepodge of stuff going on on the holodeck. There are a group of characters that seem to be part of a dream the ship is having. Whatever is going on appears to be a metaphor for correcting the problem. The ship isn't a true adversary; it is trying to find its way. Data and the gang must figure out what is going on. There is a kind of display that keeps repeating itself all around the ship that may be the clue to its intentions. As is often the case, things make sense to everyone but the audience. There are parallels her between Shakespeare's "The Tempest" and Prospero the wizard. I admit, though, that I never quite got it.


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