| Avery Brooks | ... | Commander Sisko | |
| Rene Auberjonois | ... | Odo | |
| Alexander Siddig | ... | Doctor Bashir (as Siddig El Fadil) | |
| Terry Farrell | ... | Lieutenant Jadzia Dax | |
| Cirroc Lofton | ... | Jake Sisko (credit only) | |
| Colm Meaney | ... | Chief O'Brien | |
| Armin Shimerman | ... | Quark (credit only) | |
| Nana Visitor | ... | Major Kira | |
| Andrew Robinson | ... | Garak | |
| Carlos Lacamara | ... | Retaya (as Carlos LaCamara) | |
| Joseph Ruskin | ... | Informant | |
| Darwyn Carson | ... | Romulan | |
| Julianna McCarthy | ... | Mila | |
| Paul Dooley | ... | Enabran Tain |
| Episode Crew |
Directed by | |||
| Avery Brooks | |||
Writing credits | ||
| Gene Roddenberry | (creator: "Star Trek") | |
| Rick Berman | (creator) & | |
| Michael Piller | (creator) | |
| René Echevarria | (teleplay) | |
| Robert Lederman | (story) & | |
| David R. Long | (story) | |
Produced by | |||
| Ira Steven Behr | .... | co-executive producer | |
| Rick Berman | .... | executive producer | |
| Robert Della Santina | .... | line producer | |
| René Echevarria | .... | producer | |
| Peter Lauritson | .... | producer | |
| David Livingston | .... | supervising producer | |
| Ronald D. Moore | .... | supervising producer | |
| Steve Oster | .... | co-producer | |
| Michael Piller | .... | executive producer | |
| Terri Potts | .... | associate producer | |
Original Music by | |||
| David Bell | |||
Cinematography by | |||
| Jonathan West | (director of photography) | ||
Makeup Department | |||
| Norma Lee | .... | hair stylist | |
Production Management | |||
| Robert Della Santina | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brian Whitley | .... | first assistant director | |
Art Department | |||
| Frank Leasure | .... | propmaker foreman | |
| Joe Longo | .... | property master | |
| Denise Okuda | .... | scenic artist | |
| Michael Okuda | .... | scenic art supervisor | |
| Ed Miarecki | .... | props (uncredited) | |
Sound Department | |||
| Ashley Harvey | .... | sound editor | |
| Daryl Lathrop | .... | adr recordist | |
| Mace Matiosian | .... | supervising sound editor | |
| Chris Trent | .... | foley mixer | |
| Jerry Trent | .... | foley artist | |
Camera and Electrical Department | |||
| Steve Gausche | .... | first company grip | |
Editorial Department | |||
| Larry Field | .... | telecine colorist | |
Other crew | |||
| Michael Okuda | .... | technical consultant | |
| Robert Hewitt Wolfe | .... | executive story editor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Rick Berman | creator | |
| Michael Piller | creator | |
Original Music by | |||
| John Debney | |||
Production Management | |||
| April Nocifora | .... | post-production supervisor (1996-1998) (as April Rossi) | |
Second Unit Director or Assistant Director | |||
| Bea Ellen Cameron | .... | first assistant director (1993-1999) | |
| Bea Ellen Cameron | .... | first assistant director: second unit (1993) | |
| Bea Ellen Cameron | .... | key second assistant director (1993) | |
| Ron Dempsey | .... | second second assistant director | |
| Tony Eng | .... | dga trainee | |
| Rusty Mahmood | .... | second second assistant director | |
| Karen Reinhart | .... | second second assistant director | |
Art Department | |||
| Gary Clark | .... | lead paint foreman | |
| David Galvan | .... | lead paint foreman | |
| Penny Smartt-Juday | .... | set buyer | |
| Tom Talley | .... | general foreman | |
| James Van Over | .... | scenic artist (1996-1999) | |
Sound Department | |||
| Marty Church | .... | foley mixer | |
| Wilson Dyer | .... | sound editor | |
| Chris Elam | .... | sound recordist | |
| Dennis Petersen | .... | sound recordist | |
| Dean St. John | .... | adr mixer (season 7) | |
Special Effects by | |||
| Edward J. Franklin | .... | special effects | |
| Matt Kutcher | .... | special effects | |
Visual Effects by | |||
| Eric Alba | .... | visual effects associate (as Frederick G. Alba) | |
| Les Bernstien | .... | motion control | |
| Kevin Bouchez | .... | visual effects animator (as Kevin P. Bouchez) | |
| Steve Bowen | .... | visual effects compositor | |
| Kristen Branan | .... | visual effects producer | |
| Bruce Branit | .... | supervising digital artist | |
| John Campuzano | .... | tape operator | |
| Steve Carpenter | .... | digital artist | |
| Arthur J. Codron | .... | visual effects coordinator | |
| Richard J. Cook | .... | digital effects producer: VisonArt | |
| Joshua Cushner | .... | visual effects cameraman (as Josh Cushner) | |
| John 'JD' Daniel | .... | digital artist | |
| Ted Fay | .... | morphing supervisor/artist | |
| Brian Fisher | .... | digital effects artist | |
| Steve Fong | .... | visual effects compositor | |
| Don Greenberg | .... | digital compositor | |
| John F. Gross | .... | CGI supervisor | |
| Royce Hager | .... | motion control rigger | |
| Paul Hill | .... | visual effects compositor | |
| Sherry Hitch | .... | digital compositor | |
| Dennis Hoerter | .... | prop maker | |
| Simon Holden | .... | digital compositor | |
| Jeremy Hunt | .... | digital effects artist | |
| Adrian Hurley | .... | visual effects cameraman | |
| Gregory Jein | .... | model maker | |
| Bruce Jones | .... | visual effects producer | |
| Oded Kassirer | .... | digital artist | |
| Mark Kochinski | .... | 3D artist | |
| Mike Leben | .... | motion control operator | |
| Don Lee | .... | visual effects compositor | |
| Paul Maples | .... | motion control operator | |
| Gray Marshall | .... | motion control operator | |
| Karl J. Martin | .... | digital artist | |
| Fredric Meininger | .... | model maker | |
| Enrique Munoz | .... | digital artist: series finale | |
| Erik Nash | .... | motion control programmer | |
| Davy Nethercutt | .... | visual effects compositor (as Davy T. Nethercutt) | |
| Glenn Neufeld | .... | visual effects supervisor | |
| Kevin Quattro | .... | digital artist | |
| Scott Rader | .... | visual effects compositor | |
| Gregory Rainoff | .... | visual effects animator (as Greg Rainoff) | |
| Laurie Resnick | .... | visual effects artist | |
| Jim Rider | .... | motion control cameraman | |
| Steven Joseph Rogers | .... | digital artist: series finale | |
| Joshua D. Rose | .... | model maker (as Joshua Rose) | |
| Barry Safley | .... | digital effects artist: VisionArt (multiple episodes) | |
| Steven J. Scott | .... | digital compositor | |
| Ka Yaw Tan | .... | visual effects | |
| Aristomenis Tsirbas | .... | digital artist | |
| Elliot Worman | .... | modeler | |
| Larry Younger | .... | visual effects artist | |
| Bethany Berndt-Shackelford | .... | digital artist (uncredited) | |
| Rob Bonchune | .... | digital effects supervisor: Foundation Imaging (uncredited) | |
| Rob Bredow | .... | digital artist (uncredited) | |
| Koji Kuramura | .... | digital artist: Foundation Imaging (uncredited) | |
| Rodney J. McFall | .... | digital artist (uncredited) | |
Stunts | |||
| Elle Alexander | .... | stunts | |
| Ed Anders | .... | stunts | |
| Brian Avery | .... | stunts | |
| Chris Blackwood | .... | stunts | |
| Chuck Borden | .... | stunts | |
| Jay Caputo | .... | stunts | |
| Jennifer Caputo | .... | stunts | |
| Ken Clark | .... | stunt performer | |
| BJ Davis | .... | stunt coordinator (as B.J. Davis) | |
| Brennan Dyson | .... | stunt double (1992-1998) | |
| Anita Hart | .... | stunt double: Terri Ferrell | |
| Leslie Hoffman | .... | stunt double | |
| Ben Jensen | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts | |
| Scott Leva | .... | stunts | |
| Dyanna Lynn | .... | stunts | |
| Johnny Martin | .... | stunts (8 episodes) | |
| Phil O'Dell | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Steve Rizzo | .... | stunts | |
| Rick Sawaya | .... | stunt double | |
| Paul E. Short | .... | stunts | |
| Lou Simon | .... | stunts | |
Camera and Electrical Department | |||
| Joe Chess | .... | steadicam operator (1993-1995) | |
| Wren Maloney | .... | still photographer | |
| Alvin Simmons | .... | dolly grip (season 6) | |
Casting Department | |||
| Mark Scott | .... | casting associate (1998-1999) | |
Costume and Wardrobe Department | |||
| Brian Cotton | .... | costumer (1997-1999) | |
| Lois DeArmond | .... | costume illustrator | |
Editorial Department | |||
| April Nocifora | .... | post-production coordinator (1993-1996) (as April Rossi) | |
Music Department | |||
| Tim Boyle | .... | score mixer | |
| John Debney | .... | conductor | |
| Brad Dechter | .... | orchestrator | |
| John Rodd | .... | orchestral scoring recordist | |
| John Rotondi | .... | scoring engineer: Y4 | |
| Rick Winquest | .... | music scoring engineer | |
Other crew | |||
| Jeff Coopwood | .... | adr voice | |
| Hala Gabriel | .... | production accountant (1995-1996) | |
| Bob Gillan | .... | assistant script coordinator | |
| Mark Allen Shepherd | .... | artwork provider | |
| Ryan Van Riper | .... | production assistant | |
| Chad Zimmerman | .... | assistant to producers | |
| Main series | Episode guide | Full cast and crew |
| IMDb TV section | IMDb Action section | Add this title to MyMovies |
Paired with "The Die is Cast," "Improbable Cause" offers Trek fans two of its finest hours, in terms of acting, story, and special effects. The episode allows more development of the space station's Cardassian tailor, brilliantly underplayed by Andrew J. Robinson, revealing that he has more up his sleeve than threads and needles.
Responding to a request from his mentor, Enabran Tain, superbly performed by stage and film veteran Paul Dooley, Garek is forced to interrogate a captured Odo in order to find out information that can quell the movements of "The Founders," the shape-shifting race to which Odo belongs. As the story develops, Garek pulls out all the stops in his questioning of security chief Odo, prohibiting Odo from reverting to his liquid state. This makes for some intense banter between the two.
Also in the cast are Juliana McCarthy, late of "Sisters", as Garek's housekeeper who is more to him than just a former employee of his parents.
Besides the expert acting from all concerned, the two episodes provide the first glimpse of major space battles to be seen on the series. It is obvious that the budget for this episode, along with "The Die is Cast," was significantly higher than previous ones.
These two are must-sees for fans of great science fiction drama.