| Morgan Weisser | ... | Lt. Nathan West | |
| Kristen Cloke | ... | Lt. Shane Vansen | |
| Rodney Rowland | ... | Lt. Cooper Hawkes | |
| Joel de la Fuente | ... | Lt. Paul Wang | |
| Lanei Chapman | ... | Lt. Vanessa Damphousse | |
| James Morrison | ... | Lt. Col. Tyrus Cassius 'T.C.' McQueen | |
| Steve Rankin | ... | Lt. Col. Raymond Thomas Butts | |
| Tucker Smallwood | ... | Commodore Ross | |
| Lar Park-Lincoln | ... | Bowman | |
| John Voldstad | ... | Sailor | |
| David Prudhomme | ... | Cochran | |
| John L. Bennett | ... | Master of Arms |
| Episode Crew |
Directed by | |||
| Charles Martin Smith | |||
Writing credits | ||
| Glen Morgan | (creator) and | |
| James Wong | (creator) | |
| Glen Morgan | (written by) & | |
| James Wong | (written by) | |
Produced by | |||
| Herb Adelman | .... | co-producer | |
| Ken Dennis | .... | associate producer | |
| Dan Dugan | .... | coordinating producer | |
| D. Howard Grigsby | .... | producer (as Howard Grigsby) | |
| Tim McHugh | .... | producer | |
| Glen Morgan | .... | executive producer | |
| Tom Towler | .... | supervising producer | |
| James Wong | .... | executive producer | |
| Stephen Zito | .... | co-executive producer | |
Original Music by | |||
| Shirley Walker | |||
Cinematography by | |||
| Anthony R. Palmieri | |||
Film Editing by | |||
| James Coblentz | |||
Casting by | |||
| Lisa Miller Katz | (as Lisa Miller) | ||
Production Design by | |||
| Bernard Hides | |||
Art Direction by | |||
| Thomas P. Wilkins | (as Tom Wilkins) | ||
Set Decoration by | |||
| Lynn Wolverton-Parker | |||
Costume Design by | |||
| Giovanna Ottobre-Melton | |||
Makeup Department | |||
| Linda De Andrea | .... | hair stylist (as Linda DeAndrea) | |
| Angela Levin | .... | makeup artist | |
Production Management | |||
| Herb Adelman | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Kelly A. Manners | .... | second assistant director (as Kelly Manners) | |
| Venita Ozols | .... | first assistant director (as Ventia Ozols-Graham) | |
Art Department | |||
| David E. Duncan | .... | illustrator (as David Duncan) | |
| William 'W' Gilpin | .... | construction coordinator | |
| Scott Herbertson | .... | assistant art director | |
| Joseph A. Hodges | .... | set designer (as Joseph Hodges) | |
| Allan Johnson | .... | gang boss | |
| Geoffrey Mandel | .... | graphic artist | |
| Jim Millett | .... | assistant art director | |
| Ian Scheibel | .... | property master | |
| Theodore Sharps | .... | set designer | |
| George Denes Suhayda | .... | illustrator (as George Suhayda) | |
Sound Department | |||
| Mark R. Crookston | .... | supervising sound editor | |
| Gregg Harris | .... | second boom operator | |
| Maury Harris | .... | sound recordist | |
| Jerry Jacobson | .... | sound effects editor | |
| Don MacDougall | .... | sound re-recording mixer | |
| Todd Orr | .... | re-recording mixer | |
| James G. Williams | .... | re-recording mixer | |
Special Effects by | |||
| Kim Bailey | .... | playback effects supervisor | |
| Gary F. Bentley | .... | special effects (as Gary Bently) | |
| John Eggett | .... | special effects | |
| Edward J. Franklin | .... | department coordinator for electronic effects (uncredited) | |
| Christine Onesky | .... | special effects (uncredited) | |
Visual Effects by | |||
| Glenn Campbell | .... | visual effects supervisor | |
| Karl Denham | .... | computer animator | |
| David Jones | .... | computer animator | |
Stunts | |||
| Bobby Burns | .... | stunts | |
| Jeff Cadiente | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James J. Gilson | .... | chief lighting technician (as Jim Gilson) | |
| Jason D. Hodges | .... | key grip (as Jason Hodges) | |
| Adam Kane | .... | camera operator (as Adam M. Kane) | |
| Greg Mayer | .... | lighting technician | |
| Arianne Peckham Palmieri | .... | second assistant camera | |
| John Scott | .... | assistant camera | |
Casting Department | |||
| Randy Stone | .... | original casting | |
Costume and Wardrobe Department | |||
| Joseph A. Kerezman | .... | costumes | |
| Renee Alaina Sacks | .... | costume supervisor (as Renée Alaina Sacks) | |
Editorial Department | |||
| Jennifer Vejar | .... | assistant editor | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Mark Green | .... | music editor | |
Transportation Department | |||
| Bill Myers | .... | transportation coordinator | |
| Gina August | .... | driver (uncredited) | |
Other crew | |||
| Robert Boyle | .... | location manager | |
| Ann Christman | .... | production assistant | |
| Susan Ellis | .... | production office coordinator | |
| Marilyn Osborn | .... | executive story editor | |
| Hope Williams | .... | script supervisor | |
| Laurie Morgenthal | .... | crane/remote head technician (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Glen Morgan | creator | |
| James Wong | creator | |
Special Effects by | |||
| Greg C. Jensen II | .... | special effects assistant (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
*** This review may contain spoilers ***
A spoiler doesn't really follow, but I've outlined the plot a little. To me, "Ray Butts" marks the point where this series gained its legs. A viewer can see in the pilot episode and the first couple after the show debuted, that the actors were getting to know each other and the writers were kind of figuring out how the military works. By "Ray Butts," the production had settled in pretty well. "Ray Butts" is about one Lt. Col. Raymond T. Butts. He's a hard charging, hard drinking and well, just hard, person and Marine who spouts off funny sayings like "Easy as eating pancakes." A lifer who holds some sort of Recon or special forces "black" (meaning he doesn't exist) position within some command or other, Butts comes along and spirits off the 58th on a special mission. The mission is pretty standard fare. Recover some "Hammerheads," the show's spacecraft/aircraft combo that they use to fight the "Chigs" (insect type bad guys the Earth is at war with). Butts has his own ideas and his own mission. Of course, those wiley "Chigs" are out there trying to stop them. Throw in a black hole that could pull everybody apart in space during a dogfight, and you've got some pretty good tension and drama. Mostly the plots of Space Above and Beyond are World War II driven. It's pretty much the Pacific in space. That's cool. Lot's of interesting drama and heroism happened in the Pacific theater. So it's a rich vein to mine. "Ray Butts" isn't entertaining or classic television because of the plot, though. It's the performances and the characters that drives this episode. Vansen comes to Butts cabin after a pretty bad day of Butts' specialized training and confronts him about his intentions with the 58th. Butts is tired, drinking and sitting in his cabin like a man who doesn't care who lives or dies (something Lt Col. McQueen has just told him a scene or two before). Vansen: (With Johnny Cash's "So Doggone Lonesome" in the background) What do you think about in the dark? Butts: (Swallows his shot of whiskey and breathes a tired sigh) I think about the first man I ever killed. Vansen: What about him? Butts: I wonder what he's doing now (looks at his whiskey he just poured) . . . and if he got the better end of the deal. Now that's good writing anyway you slice and dice them pancakes. The special effects of the 58th fighting the "Chig" fighters is pretty good. Still holds up today more than a decade after this episode was created. For a television show that says something, to me. The DVD's of Space Above and Beyond are out now, and this episode, along with the two about "Chigi" Von Richtofen are worth the price of the set. These war dramas are mini-movies and marks a time when Fox programmed good television. I wish this production team (actors, writers, producers) would reunite and produce a television mini series or show about World War II in the Pacific.