| Episode Crew |
Directed by | |||
| Allen Coulter | |||
Writing credits | ||
| David Chase | (creator) | |
| David Chase | (written by) and | |
| Matthew Weiner | (written by) | |
Produced by | |||
| Henry Bronchtein | .... | co-executive producer (as Henry J. Bronchtein) | |
| Martin Bruestle | .... | producer | |
| Mitchell Burgess | .... | executive producer | |
| David Chase | .... | executive producer | |
| Robin Green | .... | executive producer | |
| Brad Grey | .... | executive producer | |
| Scott Hornbacher | .... | co-producer | |
| Ilene S. Landress | .... | executive producer | |
| April Lawrence | .... | associate producer | |
| Gianna Maria Smart | .... | co-producer | |
| Matthew Weiner | .... | supervising producer | |
| Terence Winter | .... | executive producer | |
Cinematography by | |||
| Phil Abraham | |||
Film Editing by | |||
| Conrad M. Gonzalez | (as Conrad Gonzalez) | ||
Casting by | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
Production Design by | |||
| Bob Shaw | |||
Art Direction by | |||
| Scott P. Murphy | |||
Set Decoration by | |||
| Janet Shaw | |||
Costume Design by | |||
| Juliet Polcsa | |||
Makeup Department | |||
| Kymbra Callaghan | .... | key makeup artist | |
| Stephen Kelley | .... | makeup artist | |
| Darren Mills | .... | hair stylist | |
| Dennis Parker | .... | hair stylist | |
| Karen Reuter Fabbo | .... | makeup artist | |
| Marie Salandra | .... | nails | |
| Frank Vazquez | .... | hair stylist | |
| Anthony Veader | .... | key hair stylist (as Anthony F. Veader) | |
Production Management | |||
| Henry Bronchtein | .... | unit production manager (as Henry J. Bronchtein) | |
| Hans Graffunder | .... | production supervisor | |
| Scott Hornbacher | .... | unit production manager | |
| Mark Kamine | .... | assistant unit production manager | |
Sound Department | |||
| Tim Boggs | .... | adr supervisor | |
| Zane D. Bruce | .... | foley artist (as Zane Bruce) | |
| Kevin Patrick Burns | .... | sound re-recording mixer (as Kevin Burns) | |
| Alfonso Calvo | .... | dubbing mixer | |
| Jed M. Dodge | .... | dialogue editor | |
| Jason George | .... | supervising sound editor | |
| Don Givens | .... | foley mixer | |
| Chato Hill | .... | assistant sound editor | |
| Paul Koronkiewicz | .... | boom operator | |
| Carrie Lisonbee | .... | assistant sound editor | |
| Jan McLaughlin | .... | sound utility | |
| Hugh Murphy | .... | assistant sound editor | |
| Todd Orr | .... | sound re-recording mixer | |
| Dan Paikin | .... | sound utility (as Daniel M. Paikin) | |
| Mathew Price | .... | production sound mixer | |
| Alex Raspa | .... | adr recordist | |
| Brian Risner | .... | sound effects editor | |
| Joseph T. Sabella | .... | foley artist (as Joe Sabella) | |
| Greg Steele | .... | adr mixer | |
| Tami Treadwell | .... | adr recordist | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
Special Effects by | |||
| Connie Brink | .... | special effects (as Conrad F. Brink) | |
Visual Effects by | |||
| Lesley Robson-Foster | .... | visual effects supervisor: post production, RIOT | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator (as Pete Bucossi) | |
| Vic Bucossi | .... | stunts (as Victor Bucossi) | |
| Norman Douglass | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Ralph Ferrara | .... | stunts | |
| Tim Gallin | .... | stunts | |
| Matthew Gordon | .... | stunt sniper | |
| Don Hewitt | .... | stunts | |
| Mick O'Rourke | .... | stunts | |
| Charles Santy | .... | stunt double | |
| Joanna Shelmidine | .... | stunts | |
Casting Department | |||
| Kathleen Backel | .... | casting assistant | |
| Anna Maniscalco | .... | background casting | |
| Meredith Tucker | .... | casting associate | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Arlynn Abseck | .... | costumer | |
| Lorraine Calvert | .... | assistant costume designer (as Lorraine Z. Calvert) | |
| Mildred Del Rio | .... | tailor | |
| Elizabeth Feldbauer | .... | wardrobe supervisor | |
| Irene Feldbauer | .... | costumer | |
| Jennifer Ingram | .... | costumer | |
| Joseph La Corte | .... | wardrobe supervisor | |
| Jesse Lello | .... | wardrobe production assistant | |
| Lauren Press | .... | assistant costume designer | |
Editorial Department | |||
| Sam Claypool | .... | post-production assistant (as Samuel Evan Claypool) | |
| Joe Guzman | .... | post-production assistant | |
| Scott Klein | .... | colorist | |
| Peter Phillips | .... | post-production coordinator | |
| Keith Ponschock | .... | telecine assistant | |
| Pattye Rogers | .... | assistant editor | |
Music Department | |||
| Kathryn Dayak | .... | music editor | |
| Jennifer C. Harper | .... | music clearance | |
Transportation Department | |||
| Patrick Hogan | .... | driver | |
| James Leavey | .... | transportation coordinator (as Jim Leavey) | |
Other crew | |||
| Jessica Archer | .... | location coordinator | |
| Susan Aston | .... | dialogue coach: James Gandolfini | |
| Tony Carey | .... | production executive | |
| Salvatore Carino | .... | production controller | |
| Cheyanne M. Casey | .... | assistant location coordinator | |
| David Chambers | .... | location assistant | |
| Chris Collins | .... | assistant production coordinator | |
| Jennifer G. Fistere | .... | assistant to executive producer | |
| Christine Gee | .... | script supervisor (as Christine Gee-Lowrey) | |
| Matthew Gordon | .... | production assistant | |
| Regina Heyman | .... | location manager | |
| Jesse Hove | .... | location assistant | |
| Todd Judson | .... | production assistant | |
| David Koch | .... | location assistant | |
| Steve Kornacki | .... | production coordinator | |
| Jason Minter | .... | assistant: David Chase (as Jason L. Minter) | |
| Lisa Molinaro | .... | script supervisor | |
| David Occhino | .... | location assistant | |
| Leslie E.A. Rider | .... | script coordinator | |
| Carmen Rodríguez | .... | second assistant auditor | |
| Deidre Schrowang | .... | first assistant auditor | |
| April Taylor | .... | assistant location manager | |
| Rebecca Thornell | .... | script clearance | |
| Ryder Washburn | .... | armorer (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| David Chase | creator | |
Produced by | |||
| Dan Kaplow | .... | producer: LA segment 2001 | |
| Omneya 'Nini' Mazen | .... | post-production producer (2000) | |
Original Music by | |||
| Ashen Keilyn | |||
Makeup Department | |||
| Joseph Farulla | .... | special makeup effects artist (season 1) | |
| Julie Kristy | .... | key makeup artist | |
Production Management | |||
| Charles Miller | .... | unit manager | |
| Linette Forbes Shorr | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Marcy Patterson | .... | dga trainee (season 6) | |
Art Department | |||
| Robert Castillo | .... | storyboard artist (season 5) | |
| David Cooney | .... | storyboard artist | |
| Molly Mikula | .... | assistant art director | |
Sound Department | |||
| David Barbee | .... | sound effects editor (multiple episodes) | |
| Mark DeSimone | .... | adr engineer (season 1) | |
| Shawn Holden | .... | sound mixer: Los Angeles | |
| Brian Miksis | .... | sound mixer: additional photography (season 3-5) | |
| Michael Miller | .... | adr mixer | |
| Kelly Neese | .... | boom operator: second unit | |
| Cindy Rabideau | .... | sound editor | |
| John Rotondi | .... | sound engineer: Y4 | |
| Raymond E. Spiess III | .... | adr editor | |
| Raymond E. Spiess III | .... | dialogue editor | |
| Noah Timan | .... | sound mixer: second unit | |
| Karl Wasserman | .... | additional boom operator | |
| Ben Wilkins | .... | sound editor (final season) | |
Visual Effects by | |||
| Will Barker | .... | digital artist | |
| Kristen Branan | .... | head of production | |
| Tom Slovick | .... | visual effects producer | |
Stunts | |||
| Cort Hessler | .... | stunt coordinator (2005) | |
Camera and Electrical Department | |||
| Jan Burgess | .... | assistant camera: secont unit (season 5) | |
| Rachelle Fankhauser | .... | electrician | |
| Matthew Haskins | .... | second assistant camera: "a" and "b" camera | |
| Cara Howe | .... | assistant camera | |
| Saiyiu. Li | .... | additional camera loader | |
| Joe Mellon | .... | grip (seasons 1-2) | |
| Jason Micallef | .... | electrician | |
| Anna Novick | .... | grip | |
| Felix Teitlebaum | .... | additional second assistant camera | |
| Joshua Van Praag | .... | electrician | |
| Tom Vulliez | .... | additional dolly grip | |
Casting Department | |||
| Chris Bustard | .... | extras casting: Los Angeles | |
| Leah Kaplan | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Jennifer James | .... | wardrobe production assistant | |
| Lucia Lettini | .... | costumer | |
Editorial Department | |||
| Jonathan Brayley | .... | supervising editor | |
| Meghan Robertson | .... | post-production assistant | |
| Matthew John Smith | .... | post-production assistant | |
Music Department | |||
| Marilyn D'Amato | .... | music coach | |
| Geoff Levin | .... | composer: additional music | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Crime section |
| IMDb USA section |
The Test Dream is beautiful, mysterious, entrancing, filled with hidden meanings. It's one of the best Sopranos episodes ever, and constitutes the first third of Season Five's finale.
The whole fifth series dealt with the return of two ex-cons, Tony's cousin Tony Blundetto (Steve Buscemi) and Johnny Sack's henchman Phil Leotardo (Frank Vincent), and it is these two figures who determine most of the actions in these three concluding episodes. The story starts with Phil brutally murdering a friend of Blundetto's as retribution for what the latter did to his brother (juicy detail for Scorsese fans: the guy Phil kills dies in the exact same way Vincent did in Goodfellas). Upon receiving the news, Tony tries to contact his cousin, but in vain: Tony B. is nowhere to be found, hiding away from everyone in his quest for revenge.
But that's merely the prologue, in a way: as the title suggests, the core of this show is a dream, and a test dream at that. Occupying more screen-time than anyone's ever granted a fantasy sequence, Tony's visions lead him to one logical conclusion: to avoid a full-scale war between New York and New Jersey, he will have to kill Cousin Tony.
Dream sequences have always played an important part in the Sopranos mythology, never more so than in this episode: aside from Annette Bening's presence, open for interpretation, the truly intriguing thing about The Test Dream is the fact that the characters guiding Tony towards "the light" are all people who died, in one way or another, through their association with him - Pussy Bonpensiero, Ralph Cifaretto, Mikey Palmice, Carmine Lupertazzi, heck, even Pie-o-My the horse shows up. They all died because of Tony, and their point is, in order to preserve peace, he must kill another person, and one he truly cares for at that. Now, who said the series glamorizes the mob?