The Sopranos: Season 1, Episode 1

Pilot (10 Jan. 1999)

TV Episode  -   -  Crime | Drama
8.7
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 8.7/10 from 2,014 users  
Reviews: 8 user | 3 critic

A mobster passes out at a family barbecue and seeks therapy to understand why.

Director:

Writers:

(created by),
0Check in
0Share...

Editors' Spotlight

IMDb at Comic-Con 2014

Follow our coverage of Comic-Con 2014, direct from San Diego July 23-27 in our Comic-Con section.


User Lists

Related lists from IMDb users

a list of 46 titles
created 06 Jan 2012
 
a list of 100 titles
created 04 Jun 2013
 
a list of 30 images
created 26 Jun 2013
 
a list of 23 titles
created 11 months ago
 

Related Items

Search for "Pilot" on Amazon.com

Connect with IMDb


Share this Rating

Title: Pilot (10 Jan 1999)

Pilot (10 Jan 1999) on IMDb 8.7/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of The Sopranos.

User Polls

1 of 86 Episodes | Next Episode »

Videos

Photos

Edit

Cast

Episode cast overview, first billed only:
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Edit

Storyline

Tony Soprano is a New Jersey mobster with a complicated life. He's recently passed out as a result of an anxiety attack and begins to see a psychiatrist, Dr. Jennifer Melfi. Tony's mother is at an age where she should be in a retirement home but she flatly refuses, obviously preferring to nag at her son. His father's brother, Uncle Junior, is planning a hit at a restaurant owned by his high school buddy Artie Bocco. A rival company is edging in on his trash removal business. At home, his teenager daughter Meadow is rebelling against parental authority, especially her mother's. Finally, a family of wild ducks that had taken to living in his backyard pool and who he fed regularly has flown away. Written by garykmcd

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

10 January 1999 (USA)  »

Company Credits

Show detailed on  »

Technical Specs

Color:

See  »
Edit

Did You Know?

Trivia

Tony's complaint to Dr. Melfi about the loss of the Gary Cooper "strong silent type" in American culture becomes an oft-repeated regret in the series. See more »

Goofs

Whenever the ducks are swimming in Tony's pool they begin to flap their wings as if trying to fly. Just as Tony yells for his kids to come witness it, someone can be seen slamming their foot down near the edge of the pool where the ducks are swimming in order to scare them into flapping their wings and flying away. See more »

Quotes

Corrado 'Junior' Soprano: [to Tony] You may run North Jersey but you don't run your Uncle Junior! How many fuckin' hours did I spend playing catch with you?
See more »

Connections

References Goodfellas (1990) See more »

Soundtracks

I'm So Happy I Can't Stop Crying
(uncredited)
Composed and Performed by Sting
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The beginning of excellence
31 December 2007 | by (Italy) – See all my reviews

When this pilot aired in early 1999, few could predict a cultural phenomenon was born: after all, how many people would be willing to watch a cable drama about an Italian-American family (the gun-shaped "r" in the title was added to make sure no one wrongfully assumed the show revolved around opera singers), written by an unknown (David Chase) and starring a guy with weight issues, best known for playing Christopher Walken's henchman in True Romance (James Gandolfini)? In the end, though, quality prevailed over prejudice, and for nearly a decade The Sopranos kept seducing audiences all over the world with its clever writing, superb cast and medium-stretching complexity, deservedly earning the moniker "best TV show ever made". And it all started with this episode...

Borrowing the premise from mob comedy Analyze This, the show opens with Tony Soprano (Gandolfini) waiting outside a psychiatrist's office. The reason he is there is he allegedly had a panic attack. "They said it was a panic attack.", he quickly points out, believing a man in his position is incapable of having such problems. And what exactly does he do, asks Dr. Melfi (Lorraine Bracco)? He works in waste management, comes the quick-fire answer. The truth, however, is entirely different: Tony Soprano is torn between two radically conflicting worlds. On the one hand, he has to provide for his family, which comprises wife Carmela (Edie Falco), daughter Meadow (Jamie-Lynn Sigler) and son Anthony Jr. (Robert Iler); on the other, he is a captain in the New Jersey mafia, working preferably with his nephew Christopher Moltisanti (Michael Imperioli), his uncle Junior (Dominic Chianese) and old friends Silvio Dante (Steven van Zandt), Paulie "Walnuts" Gualtieri (Tony Sirico) and Salvatore "Pussy" Bonpensiero (Vincent Pastore). Throw in an oppressive mother (Nancy Marchand), a Russian mistress and other problems, and it's no wonder poor Tony needs to see a shrink.

The whole "boss in therapy" thing might have seemed like a too far-fetched idea, but Chase gets away with it, so to speak, by crafting a complex but realistic universe in which to move his players and making sure every single character comes off as a three-dimensional person instead of a pale gangster caricature. Take Paulie, Silvio and Chris, for instance: we don't see much of them in this first show, but great lines and nuanced acting make sure there's more to them than just snazzy suits and foul mouths, as later episodes proved brilliantly. Naturally, the most impressive of these people is Tony, to whom Gandolfini lends a contradictory charm: how many family men are able to be endlessly tender when left alone with their wives and, five minutes later, beat the crap out of a man yelling: "Where's my f*cking money, you pr*ck?", and conquer the audience's sympathy with the latter behavior? Contradiction lies at the show's heart and is perhaps what viewers responded to the most: love and vulgarity, poetry and violence, laughter and death all went hand in hand throughout the series' 86-episode run, often in the same scene, leaving a blueprint for other HBO masterworks (Six Feet Under, Deadwood) to follow.

Speaking of blueprints, The Sopranos might initially sound like a small-screen version of The Godfather, and there are in fact several references to the mafia masterpiece in the show, not least Tony's tendency to compare himself to Marlon Brando. In reality, though, the series is closer to Goodfellas, as has been admitted by Chase himself, and not just in the casting (Bracco, Imperioli and Sirico all appeared in Scorsese's magnum opus): the family/crime contrast, the stress and paranoia, the profanity (Tony and his affiliates swear more in one season than Joe Pesci has in his entire career), the shocking violence (there's a quite brutal murder at the end of this episode, and more would follow) all belong to either product, and they all prove the same thing: organized crime isn't as fun as it has looked in the past. It's an ugly, uncompromisingly bleak life. And it makes for essential television.


31 of 33 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
so who ordered the hit JohnnyAces
How would you have liked to seen The Sopranos end. old-skool101
Kevin Finnerty dream sequence Mr--White
Tree symbolism Jennifer-kraut
So after Tonys death, who'd take over wazzza14
How Could They End The Show Like That?!?! ers1989-1
Discuss Pilot (1999) on the IMDb message boards »

Contribute to This Page