The Sopranos (1999–2007)
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Live Free or Die 

Tony seeks guidance from overseas to solve a local problem; and decides whether a top earner deserves another chance.


(as Tim Van Patten)


(created by), | 3 more credits »

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Episode cast overview, first billed only:
Junior Soprano (credit only)
Janice Soprano (credit only)
Bobby 'Bacala' Baccalieri (as Steven R. Schirripa)


The news about Vito's extracurricular activities at a gay bar in New York is spreading quickly. Christopher hears it from an acquaintance at an AA meeting and soon passes it on to the other members of the family. Most are disgusted with him but Tony isn't about to rush to judgment where a man's reputation is at stake. It all seems like it's true when Benny Fazio approaches him and Vito takes off in his car. When Meadow overhears her mother and Rosalie Aprile talking about it, she tells them - and eventually her father - what Finn saw the morning he got to work early. As for Vito, he is in hiding in a small New Hampshire town hoping to track down his cousin who lives somewhere in the state. Vito begins to notice that there are obviously other gay men living in the town. Written by garykmcd

Plot Summary | Add Synopsis


Crime | Drama


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Release Date:

16 April 2006 (USA)  »

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Sound Mix:


Aspect Ratio:

1.78 : 1
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Did You Know?


When Tony comes into the kitchen, he is singing the words "sitting on a park bench", a line from the Jethro Tull song "Aqualung" See more »


Tony walks down stairs singing but his lips aren't moving. See more »


Carlo Gervasi: [Asking Finn what he saw Vito was doing with the security guard] ,"catching" not "pitching"?
Finn Detrolio: [Nods] his not going to know I told you?
Paulie 'Walnuts' Gualtieri: You're going to have no problem from Vito, believe me
Finn Detrolio: [Nervously] what are you going to do?
Christopher Moltisanti: It'll be ok, we'll get him into therapy
Anthony 'Tony' Soprano Sr.: [Giving Finn money] why don't you go out front get yourself a sandwich and a soda, any kind you like when we're done here somebody will drive you back
[Finn takes the money and leaves]
Christopher Moltisanti: [laughing] I want to kill the fat fagot myself it'd be...
See more »


References The L Word (2004) See more »


Written by Ian Anderson and Jennie Anderson
Sung by James Gandolfini
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User Reviews

"You knew Vito was a ricchion' ?"
22 May 2008 | by (Italy) – See all my reviews

Of all the embarrassing moments the characters of this series have experienced, none can have been more shameful than the discovery that Vito Spatafore, one of Tony's most loyal men, is gay. As you might remember, the fat hoodlum was in a gay bar in the previous episode, wearing an all too obvious leather outfit, and got caught by two low-level crooks.

Now, word is out on the streets, and the reaction is practically unanimous: the poor son of a b*tch should get clipped. Tony disagrees, and with good reason: not only is it the 21st century, a period in which these things are more common every day, Vito also happens to be his top earner (much like Ralphie Cifaretto two seasons ago; that one didn't end well either). Besides, he claims, there's no actual proof, aside from the two guys' testimony, that Vito really is homosexual (Chris's response: "What, we actually have to see him take it in the ass?"). However, once Meadow's fiancé Finn, in the episode's most painfully hilarious scene, tells the crew what he saw back in Season Five (the infamous BJ on a security guard), there is no doubt anymore, and Phil Leotardo insists, with particular enthusiasm (Vito married his cousin), that the mess be settled with old-school methods.

Unfortunately, Vito is nowhere to be found: sensing the gathering storm, he has fled to New Hampshire, leaving his cell phone behind and preparing to start a new, fake life. That life will be the focus of the next few episodes, and the fact that this bloodless subplot works is all due to Gannascoli, whose careful performance is miles away from the overblown "gay gangster" caricatures seen in Guy Ritchie's films. Having stayed in the shadows since Season 2 (plus the cameo in Season 1 as a completely different character), he has been promoted to a series regular in Season Six, Part One, proving he has the same dramatic strength as the rest of the cast.

Okay, so there's pretty much no violence in the episode, or any disturbing moments. But who cares? The subtle writing and expert acting (not to mention a few merciless gay jokes) make it as worthwhile as any other story of the show.

14 of 15 people found this review helpful.  Was this review helpful to you?

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