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"The Sopranos" Calling All Cars (2002)
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Overview
User Rating:
Your Rating:
Director:
Writers:
TV Series:
Original Air Date:
24 November 2002
(Season 4, Episode 11)
Plot:
Tony's dreams seem to tell him where his life is headed, but he still feels as though he's out of control. Full summary » | Add synopsis »
Plot Keywords:
Gangster
|
New Jersey
|
Violence
|
Mafia
|
Psychiatrist
See more »
User Reviews:
Dream on, Tony...
See more (2 total) »
Cast
(Episode Cast) (in credits order)
| Episode Crew |
Directed by | |||
| Timothy Van Patten | (as Tim Van Patten) | ||
Writing credits | ||
| David Chase | (creator) | |
| David Chase | (teleplay) & | |
| Robin Green | (teleplay) & | |
| Mitchell Burgess | (teleplay) and | |
| David Flebotte | (teleplay) | |
| David Chase | (story) & | |
| Robin Green | (story) & | |
| Mitchell Burgess | (story) & | |
| Terence Winter | (story) | |
Produced by | |||
| Henry Bronchtein | .... | producer (as Henry J. Bronchstein) | |
| Martin Bruestle | .... | producer | |
| Mitchell Burgess | .... | executive producer | |
| David Chase | .... | executive producer | |
| Robin Green | .... | executive producer | |
| Brad Grey | .... | executive producer | |
| Ann Holm | .... | co-producer | |
| Scott Hornbacher | .... | associate producer | |
| Ilene S. Landress | .... | executive producer | |
| Julie Ross | .... | associate producer | |
| Gianna Maria Smart | .... | co-producer | |
| Terence Winter | .... | co-executive producer | |
Cinematography by | |||
| Phil Abraham | |||
Film Editing by | |||
| Conrad M. Gonzalez | (as Conrad Gonzalez) | ||
| Sidney Wolinsky | |||
Production Design by | |||
| Bob Shaw | |||
Art Direction by | |||
| Scott P. Murphy | (as Scott Murphy) | ||
Set Decoration by | |||
| Janet Shaw | |||
Costume Design by | |||
| Juliet Polcsa | |||
Makeup Department | |||
| Dale Brownell | .... | hair stylist | |
| Victor DeNicola | .... | key hair stylist (as Victor De Nicola Jr.) | |
| Stephen Kelley | .... | key makeup artist (as Stephen M. Kelley) | |
| Diane Maurno | .... | key makeup artist: Miami | |
| Karen Reuter Fabbo | .... | makeup artist (as Karen Reuter) | |
| Gary Walker | .... | key hair stylist: Miami | |
Production Management | |||
| Henry Bronchtein | .... | unit production manager (as Henry J. Bronchtein) | |
| Hans Graffunder | .... | production supervisor | |
| Scott Hornbacher | .... | unit production manager | |
| April Lawrence | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Kristin Bernstein | .... | second assistant director | |
| Michael DeCasper | .... | first assistant director | |
| Daniel Lowe | .... | dga trainee (as Daniel Hamilton-Lowe) | |
| John Silvestri | .... | second second assistant director | |
Sound Department | |||
| Zane D. Bruce | .... | foley artist (as Zane Bruce) | |
| Kevin Patrick Burns | .... | sound re-recording mixer (as Kevin Burns) | |
| Alfonso Calvo | .... | dubbing mixer | |
| Zack Davis | .... | adr supervisor | |
| Dino Dimuro | .... | sound effects editor (as Dino DiMuro) | |
| Mark Gordon | .... | dialogue editor | |
| Laura Graham | .... | adr editor | |
| Dan Hegeman | .... | sound effects editor (as Danny Hegeman) | |
| Paul Koronkiewicz | .... | boom operator | |
| Toussaint Kotright | .... | sound utilities | |
| Carrie Lisonbee | .... | assistant sound editor | |
| Anna MacKenzie | .... | supervising sound editor | |
| Douglas Martines | .... | sound utilities (as Doug Martines) | |
| Hugh Murphy | .... | assistant sound editor | |
| Todd Orr | .... | sound re-recording mixer | |
| Michelle Pazer | .... | adr editor | |
| Mathew Price | .... | production sound mixer | |
| Joseph T. Sabella | .... | foley artist (as Joe Sabella) | |
| Greg Steele | .... | adr mixer | |
| Paul J. Zydel | .... | adr mixer (as Paul Zydel) | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator (as Pete Bucossi) | |
| Tim Gallin | .... | stunts | |
| Dino Muccio | .... | stunt double | |
| Dino Muccio | .... | stunts | |
| Michael Russo | .... | stunt coordinator (as Mike Russo) | |
Casting Department | |||
| Kathleen Backel | .... | casting assistant | |
| Anna Maniscalco | .... | background casting | |
| Meredith Tucker | .... | casting associate | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Lorraine Calvert | .... | assistant costume designer (as Lorraine Z. Calvert) | |
| Mildred Del Rio | .... | tailor | |
| Elizabeth Feldbauer | .... | wardrobe supervisor | |
| Gail A. Fitzgibbons | .... | wardrobe supervisor (as Gail Fitzgibbons) | |
| Joseph La Corte | .... | costumer | |
| Jesse Lello | .... | wardrobe production assistant | |
| Lauren Press | .... | assistant costume designer | |
| Susan Salzano | .... | wardrobe supervisor: Miami | |
Editorial Department | |||
| Joe Guzman | .... | post-production assistant | |
| Timothy Hill | .... | post-production assistant | |
| William Marrinson | .... | assistant editor | |
| Linda Olague | .... | colorist | |
| Richard J. Rossi | .... | assistant editor | |
| Rebecca Simon | .... | post-production coordinator | |
Music Department | |||
| Kathryn Dayak | .... | music editor | |
| Jennifer C. Harper | .... | music clearance | |
Transportation Department | |||
| Patrick Hogan | .... | driver | |
| Harry J. Leavey | .... | transportation co-captain | |
| James Leavey | .... | transportation captain (as Jim Leavey) | |
| Don Reinzo | .... | transportation captain: Miami (as Donald Renzo) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| David Chase | creator | |
Produced by | |||
| Dan Kaplow | .... | producer: LA segment 2001 | |
| Omneya 'Nini' Mazen | .... | post-production producer (2000) | |
Original Music by | |||
| Ashen Keilyn | |||
Makeup Department | |||
| Joseph Farulla | .... | special makeup effects artist (season 1) | |
| Julie Kristy | .... | key makeup artist | |
Production Management | |||
| Charles Miller | .... | unit manager | |
| Linette Forbes Shorr | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Marcy Patterson | .... | dga trainee (season 6) | |
Art Department | |||
| Robert Castillo | .... | storyboard artist (season 5) | |
| David Cooney | .... | storyboard artist | |
| Molly Mikula | .... | assistant art director | |
Sound Department | |||
| David Barbee | .... | sound effects editor (multiple episodes) | |
| Mark DeSimone | .... | adr engineer (season 1) | |
| Shawn Holden | .... | sound mixer: Los Angeles | |
| Brian Miksis | .... | sound mixer: additional photography (season 3-5) | |
| Michael Miller | .... | adr mixer | |
| Kelly Neese | .... | boom operator: second unit | |
| Cindy Rabideau | .... | sound editor | |
| John Rotondi | .... | sound engineer: Y4 | |
| Raymond E. Spiess III | .... | adr editor | |
| Raymond E. Spiess III | .... | dialogue editor | |
| Noah Timan | .... | sound mixer: second unit | |
| Karl Wasserman | .... | additional boom operator | |
| Ben Wilkins | .... | sound editor (final season) | |
Visual Effects by | |||
| Will Barker | .... | digital artist | |
| Kristen Branan | .... | head of production | |
| Tom Slovick | .... | visual effects producer | |
Stunts | |||
| Cort Hessler | .... | stunt coordinator (2005) | |
Camera and Electrical Department | |||
| Jan Burgess | .... | assistant camera: secont unit (season 5) | |
| Rachelle Fankhauser | .... | electrician | |
| Matthew Haskins | .... | second assistant camera: "a" and "b" camera | |
| Cara Howe | .... | assistant camera | |
| Saiyiu. Li | .... | additional camera loader | |
| Joe Mellon | .... | grip (seasons 1-2) | |
| Jason Micallef | .... | electrician | |
| Anna Novick | .... | grip | |
| Felix Teitlebaum | .... | additional second assistant camera | |
| Joshua Van Praag | .... | electrician | |
| Tom Vulliez | .... | additional dolly grip | |
Casting Department | |||
| Chris Bustard | .... | extras casting: Los Angeles | |
| Leah Kaplan | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Jennifer James | .... | wardrobe production assistant | |
| Lucia Lettini | .... | costumer | |
Editorial Department | |||
| Jonathan Brayley | .... | supervising editor | |
| Meghan Robertson | .... | post-production assistant | |
| Matthew John Smith | .... | post-production assistant | |
Music Department | |||
| Marilyn D'Amato | .... | music coach | |
| Geoff Levin | .... | composer: additional music | |
- Home Box Office (HBO) (2002) (USA) (TV)
- Grant Wilfley Casting extras casting
- New York City Mayor's Office of Film, Theater & Broadcasting, The special thanks
- People of New Jersey, The special thanks
- Temptu tattoos
Additional Details
Parents Guide:
Country:
Language:
Color:
Certification:
Filming Locations:
Company:
Did You Know?
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): Tony, Sil, Vito, and Paulie are sitting at a table inside Satriale's when Eugene Pontecorvo pulls up to the curb outside and begins beeping the car horn excessively. Paulie and Vito get up to leave and as they're saying goodbye to Tony and Sil, Tony mistakenly calls Vito "Beans". The next line of dialogue has Tony asking Sil if he "Ever talks to Beans down in Florida" so this may have caused James Gandolfini to make that mistake.See more »
Movie Connections:
References "CSI: Crime Scene Investigation" (2000)See more »
Soundtrack:
Prima DonnaSee more »
FAQ
This FAQ is empty. Add the first question.See more (2 total) »
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Calling All Cars isn't what one would conventionally describe as a great episode, especially if compared to the sheer emotional weight of the two shows preceding it, but it is an artful mood-setter, and deserves as much recognition as any other ep because of a single sequence.
The sequence in question is of course Tony's eerie dream, which features both Ralphie and Gloria, two people united by the fact that the New Jersey boss had a role in their deaths. The dream is elusive, even to the viewer, and when Tony asks Dr. Melfi for an explanation, he finds it unsatisfactory. Further disappointments are bound to follow, as his dealings with Johnny Sack and Carmine Lupertazzi don't go as expected.
There isn't much going on in this episode, perhaps because events are lining up for the imminent season finale, but the dream scene will keep everyone up for a long time: whereas all other similar moments were quite simple to interpret, the key event of Calling All Cars is shockingly beautiful for the very reason that it has no immediate significance. It's a haunting, daringly ambiguous sequence: the series in a nutshell.