| Tom Welling | ... | Clark Kent | |
| Kristin Kreuk | ... | Lana Lang | |
| Michael Rosenbaum | ... | Lex Luthor | |
| Jensen Ackles | ... | Jason Teague | |
| Allison Mack | ... | Chloe Sullivan | |
| John Glover | ... | Lionel Luthor (credit only) | |
| Annette O'Toole | ... | Martha Kent | |
| John Schneider | ... | Jonathan Kent | |
| Kyle Gallner | ... | Bart Allen | |
| Benjamin Ratner | ... | Hanison |
| Episode Crew |
Directed by | |||
| David Barrett | |||
Writing credits | ||
| Jerry Siegel | (character created by: Superman) and | |
| Joe Shuster | (character created by: Superman) | |
| Alfred Gough | (developed for television by) & | |
| Miles Millar | (developed for television by) | |
| Steven S. DeKnight | (written by) | |
| Carmine Infantino | creator: "The Flash" comic book and characters (uncredited) | |
| Tim McCanlies | concept (uncredited) | |
Produced by | |||
| Greg Beeman | .... | executive producer | |
| Joe Davola | .... | executive producer | |
| Steven S. DeKnight | .... | supervising producer | |
| Tom Flores | .... | associate producer | |
| Alfred Gough | .... | executive producer | |
| Robert Hargrove | .... | producer (as Bob Hargrove) | |
| Ken Horton | .... | executive producer | |
| Jeph Loeb | .... | supervising producer | |
| James Marshall | .... | supervising producer | |
| Miles Millar | .... | executive producer | |
| Brian Wayne Peterson | .... | producer (as Brian Peterson) | |
| Brian Robbins | .... | executive producer | |
| Tim Scanlan | .... | producer | |
| Luke Schelhaas | .... | co-producer | |
| Todd Slavkin | .... | producer | |
| Kelly Souders | .... | producer | |
| Darren Swimmer | .... | producer | |
| Michael Tollin | .... | executive producer (as Mike Tollin) | |
| Mark D. Warshaw | .... | associate producer (as Mark Warshaw) | |
Original Music by | |||
| Mark Snow | |||
Cinematography by | |||
| Glen Winter | (director of photography) | ||
Film Editing by | |||
| Andi Armaganian | |||
| David Ekstrom | |||
Production Design by | |||
| David Willson | |||
Set Decoration by | |||
| Allison Dunn | |||
Costume Design by | |||
| Caroline Cranstoun | |||
Makeup Department | |||
| Natalie Cosco | .... | key makeup artist | |
| Christine O'Connor | .... | key hairstylist | |
Production Management | |||
| Jae Marchant | .... | production manager | |
| Chad E. Beck | .... | post-production supervisor (uncredited) | |
Art Department | |||
| Mark Black | .... | assistant property master | |
| Dustin Farrell | .... | assistant art director | |
| Rob Maier | .... | construction coordinator | |
| Aleya Naiman | .... | property buyer | |
| Dylan Patti | .... | assistant props | |
| Kimberley Regent | .... | property master | |
| Les Ford | .... | playback animator (uncredited) | |
| Frank Haddad | .... | head greensman (uncredited) | |
| Peter Lieshout | .... | paint foreman (uncredited) | |
| Megan Poss | .... | set designer (uncredited) | |
Sound Department | |||
| Damon Cohoon | .... | assistant sound editor | |
| Robert Hanchar | .... | sound mixer (as Rob Hanchar) | |
| Dan Hiland | .... | re-recording mixer | |
| Michael E. Lawshe | .... | supervising sound editor (as Michael E. Lawshé) | |
| Gary D. Rogers | .... | re-recording mixer | |
| Timothy A. Cleveland | .... | sound effects editor (uncredited) | |
| Casey J. Crabtree | .... | foley artist (uncredited) | |
| Michael Crabtree | .... | foley artist (uncredited) | |
| Paul J. Diller | .... | sound effects editor (uncredited) | |
| Al Gomez | .... | foley mixer & editor (uncredited) | |
| Jessica Goodwin | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Michael Walls | .... | special effects supervisor (as Mike Walls) | |
Visual Effects by | |||
| Mat Beck | .... | visual effects producer/supervisor | |
| Todd Daugherty | .... | head of technology | |
| Trent Smith | .... | visual effects coordinator | |
| Takashi Takeoka | .... | digital compositor | |
| John C. Wash | .... | visual effects supervisor (as John Wash) | |
| Brian Harding | .... | compositor (uncredited) | |
| Janice Lee | .... | compositor (uncredited) | |
| Jack Noriaki Matsumoto | .... | 3D artist: EntityFX (uncredited) | |
Stunts | |||
| Curt Bonn | .... | stunt rigging coordinator | |
| Tony Morelli | .... | stunt coordinator | |
| Matt Thompson | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Marcus James | .... | "a" camera assistant | |
| Richard Buckmaster | .... | gaffer (uncredited) | |
| Seth Hettrick | .... | key rigging grip (uncredited) | |
| Chris McMullin | .... | steadicam operator (uncredited) | |
| Kelly Patrick Moore | .... | electrician (uncredited) | |
| Shamus Whiting-Hewlett | .... | best boy lighting (uncredited) | |
| Michael Wiebe | .... | lighting technician (uncredited) | |
Casting Department | |||
| Deedee Bradley | .... | casting: Los Angeles | |
| Heike Brandstatter | .... | casting: Vancouver | |
| Coreen Mayrs | .... | casting: Vancouver | |
Costume and Wardrobe Department | |||
| Melanie Williams | .... | assistant costume designer (uncredited) | |
| Melissa Woods | .... | costume coordinator (uncredited) | |
Editorial Department | |||
| Dan Judy | .... | colorist | |
| Michael MacDonald | .... | telecine colorist (uncredited) | |
| Cristina Verano | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Chris McGeary | .... | music editor | |
| Jennifer Pyken | .... | music supervisor | |
| Madonna Wade-Reed | .... | music supervisor | |
| Remy Zero | .... | performer: theme song "Save Me" | |
| Brandon McCulloch | .... | composer: additional music (uncredited) | |
| Lindsay Wolfington | .... | music coordinator (uncredited) | |
Other crew | |||
| David Halifax | .... | location manager | |
| Aren Ophoff | .... | second assistant production coordinator | |
| Daniel T. Thomsen | .... | script supervisor | |
| Michael J. LeGresley | .... | assistant location manager (uncredited) | |
| Dan Miller | .... | key production assistant (uncredited) | |
| Yuell Newsome | .... | stock librarian (uncredited) | |
| Trish Webster | .... | security captain (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Alfred Gough | creator | |
| Miles Millar | creator | |
Makeup Department | |||
| Kathleen P. Campbell | .... | hair stylist | |
| Joel Echallier | .... | makeup applicator | |
| Joel Echallier | .... | makeup effects supervisor | |
| Rachel Griffin | .... | special makeup effects artist | |
| Harlow MacFarlane | .... | special makeup effects artist | |
| Ryan Nicholson | .... | special makeup effects artist | |
| M. Brando Pero | .... | hair stylist | |
| Bill Terezakis | .... | special makeup effects designer | |
| Barbara J. Wozniak | .... | assistant hair stylist | |
| Vince Yoshida | .... | special makeup effects artist (uncredited) | |
Art Department | |||
| Denise Hutniak | .... | on-set dresser (2002) (2003) | |
Sound Department | |||
| Charles Bruce | .... | sound effects editor | |
| Gabrielle Gilbert Reeves | .... | dialogue editor | |
| Eric Gotthelf | .... | adr mixer | |
| David M. Horton | .... | sound effects editor | |
| Eric C. Hosmer | .... | sound effects editor | |
| Carolyn Motyer | .... | boom operator: second unit | |
| John Motyer | .... | sound mixer: second unit | |
| Rory O'Neill | .... | sound assistant: day call | |
| David Raines | .... | adr recordist | |
| Graham Timmer | .... | day call sound assistant | |
| Lisa K. Wolf | .... | assistant sound editor | |
Special Effects by | |||
| Chris Bignell | .... | on set supervisor | |
| Dan Cervin | .... | special effects first assistant | |
| Gary Heidrick | .... | special effects assistant | |
| Ian Korver | .... | special effects assistant | |
| James Kozier | .... | special effects supervisor (season 1) | |
| Tim Storvick | .... | special effects coordinator (season 1) | |
| Joel Whist | .... | special effects coordinator | |
Visual Effects by | |||
| Simon Ager | .... | digital compositing artist | |
| Brian Bell | .... | digital artist | |
| Dan Blank | .... | digital compositor | |
| Neill Blomkamp | .... | 3D animator | |
| Joseph Brattesani | .... | digital compositor | |
| Nathan Brunskill | .... | tape operator | |
| Michael Carter | .... | digital compositing artist | |
| Trevor Cawood | .... | lead 3D animator | |
| Matthew Collorafice | .... | digital compositor: EntityFX | |
| Rick Cortes | .... | digital fixes and clean-up | |
| Dominic Daigle | .... | digital artist | |
| John Decker | .... | CG supervisor: R!OT Pictures | |
| Chris Doll | .... | digital compositing artist | |
| Eyal Erez | .... | senior effects animator | |
| Reece Ewing | .... | visual effects producer: View Studios (as Larry Ewing) | |
| Ben Funk | .... | digital compositing artist | |
| Jay Grunfeld | .... | digital compositor | |
| Marlan Harris | .... | digital artist | |
| William Higgins | .... | compositor: EntityFX | |
| Yoshiko Hirata | .... | compositor: EntityFX | |
| Simon Holden | .... | digital compositor | |
| Michael Kaelin | .... | digital compositor | |
| Sara Lee | .... | visual effects | |
| John Mitchell | .... | 3D artist: EntityFX | |
| Kenneth Nakada | .... | senior matte painter: R!OT Pictures | |
| Brian Petras | .... | compositor: EntityFX | |
| Tricia Pifer | .... | visual effects coordinator: EntityFX (as Tricia Hefferman) | |
| Paul Patrick Quinn | .... | visual effects producer | |
| Diego Riestra | .... | match move artist | |
| Gregory S. Scribner | .... | digital artist | |
| Andrea Shear | .... | 3D artist: EntityFX | |
| Rick Shick | .... | digital compositor: compositing and rotoscoping | |
| Terry Shigemitsu | .... | lead animator: EntityFX | |
| Mark Spatny | .... | visual effects producer/supervisor: Modern VideoFilm | |
| Cory Strassburger | .... | digital artist: View Studio | |
| Adrian Van Der Park | .... | 3D animator | |
| Grant Viklund | .... | digital artist | |
| Jeff West | .... | storyboards | |
| Jeff Zaman | .... | digital compositor | |
Camera and Electrical Department | |||
| Aaron Haesler | .... | camera trainee (season 5) | |
| Dale H. Jahraus | .... | camera operator: "a" camera, second unit (season 5) | |
| Noah Richoz | .... | digital video assist operator (2001) | |
| Gary Stamford | .... | lamp operator (season 2) | |
Casting Department | |||
| Doreen Ferreira | .... | co-extras casting associate | |
| Sandra-Ken Freeman | .... | extras casting | |
| Marty Manifold | .... | extras casting assistant (seasons 1-2) | |
| Edward D. Rea | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lynne Maureen Curtis | .... | wardrobe supervisor | |
Editorial Department | |||
| Jim Towne | .... | assistant editor | |
Music Department | |||
| Cedric Lemoyne | .... | composer: theme song "Save Me" and "Perfect Memory" | |
| Ernie Mannix | .... | music editor | |
| Gregory Slay | .... | composer: theme song "Save Me" and "Perfect Memory" | |
| Cinjun Tate | .... | composer: theme song "Save Me" and "Perfect Memory" | |
| Shelby Tate | .... | composer: theme song "Save Me" and "Perfect Memory" | |
| Theory of a Deadman | .... | music performers: "Invisible Man" | |
| Jeffrey Cain Thompson | .... | composer: theme song "Save Me" and "Perfect Memory" (as Jeffrey Cain) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Adventure section |
| IMDb USA section |
The first DC Comics superhero besides Clark is in town in this great "Smallville" episode.
Clark and his father Jonathan are headed to the Sharks football game in Metropolis when a boy seemingly as fast as Clark steals Jonathan's wallet with the tickets, but saves him from getting hit by a car at the same time. Clark tries to discover who the boy is before they report the incident to the police. Clark finds Bart Allen, who uses his superspeed to steal others' things, including Jonathan's credit card for an apartment and living expenses. In fact, Bart has gone under other names such as Barry Allen or Wally West to conceal his thievery. Meanwhile, Lex, in his attempt to no longer be secretive but honest with Clark in an attempt to mend their friendship, shows Clark a 14th century manuscript from Russia, with in fact a map underneath that leads to an archive of unimaginable knowledge. Lex tells Clark that the Russian ruler Rasputin would spend hours looking at the manuscript, never able to find the map.
This episode is great for two reasons: first, that Clark meets another future superhero, and not just a meteor freak. Clark realizes that there are other people out there like him, and Bart's arrival reminds Clark that he does have a greater calling to to the gift of his abilities. Second, the map, containing Kryptonian symbols, leading to the mysterious archive of knowledge, is interesting.