Sex and the City (1998–2004)
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Sex and the City 

Columnist Carrie Bradshaw introduces her narrative style by a short story about a British girl who thought the Manhattan manner would be the same. Characters and extras on screen do some of... See full summary »



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Episode complete credited cast:
Capote Duncan
Bruce McCarty ...
Peter Mason
Kurt Harrington
Driver (as Johnny Cenatiempo)


Columnist Carrie Bradshaw introduces her narrative style by a short story about a British girl who thought the Manhattan manner would be the same. Characters and extras on screen do some of the philosophizing about modern sex life and the life of both sexes she usually does off-screen in her column-style. Among the main cast of four best friends, PR executive Samantha bluntly stands for sex without relational crap, golden spoon-WASP Charlotte for the fairy tale-romantic ideal, while sensitive flirt Carrie herself and stuck-up pragmatic lawyer Miranda seek a middle way; meanwhile gay talent agent Stanford Blatch provides a twisted mirror image. Carrie enjoys using hunk Kurt just for her sexual gratification for a change, then the quartet jumps on the dating game carousel, which never stops in the series. Written by KGF Vissers

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Comedy | Romance


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Release Date:

6 June 1998 (USA)  »

Filming Locations:


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Technical Specs

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Aspect Ratio:

1.33 : 1
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Did You Know?


Carrie's apartment is different in this pilot than in the rest of the series. See more »


Carrie refers to Elizabeth as an "English" journalist, but as soon as the character speaks, she sounds Australian (and the actress playing her is indeed Australian). See more »


[first lines]
Carrie Bradshaw: [voiceover narration] Once upon a time an English journalist came to New York. Elizabeth was attractive and bright, and right away she hooked up with one of the city's typically eligible bachelors.
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References Breakfast at Tiffany's (1961) See more »


Sex And The City Theme
Performed by Groove Armada
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User Reviews

Great show? Abso-f*cking-lutely!
5 May 2008 | by (Italy) – See all my reviews

"Why are there so many great unmarried women, and no great unmarried men?" asks thirty-something Carrie Bradshaw (Sarah Jessica Parker), directly addressing the camera. That is one of the several questions she, as a newspaper columnist, tries to answer in the 94 episodes of one of the most fascinating TV shows of the '90s.

Her doubt stems from an encounter with a British woman (Sarah Wynter) who was inexplicably dumped by a New Yorker despite having looked at a house with him, which actually mean something in London according to her. Of course, Carrie readily informs her (and us), the same rules don't apply in New York, where romance appears to be dead. To prove her point, she interviews some of her acquaintances, dividing them in three categories: Toxic Bachelors (all the male interviewees except one), Hopeless Romantics (the guy who was left out earlier) and Unmarried Women (Carrie's best friends). It is with the latter that the protagonist subsequently has a cup of coffee, allowing the audience to know these ladies a little better: Miranda Hobbes (Cynthia Nixon) is a cynical lawyer who has lost nearly all faith in the male gender; Charlotte York (Kristin Davis), an art gallerist, shares Carrie's belief that true love does exist; and Samantha Jones (Kim Cattrall), a PR woman, is arguably the "worst" of the group, as she sleeps with a different man every night and claims women should be able to have sex like men, i.e. without any feelings involved. Carrie sets out to test this theory, eventually running into a handsome stranger known only as Mr. Big (Chris Noth)...

Based on the eponymous book by Candace Bushnell, the show also owes a lot to Jane Austen (the sharp female wit) and Woody Allen (the reflection on love in the Big Apple), combining the two aspects in a practically flawless exercise in smart comedy. If a complaint has to be made, it would be that the straight-to-camera asides (used in early episodes) come off as a little distracting from the main narrative flow, which is marvelous: dealing with a familiar yet interesting topic through the eyes of four wonderful "heroines" (all perfectly defined in less than five minutes - very remarkable), it generates 23 minutes of solid, heartfelt laughs.

The cast is quite simply astounding, especially the more pessimistic, and therefore funnier, Miranda and Samantha, with Nixon's cold intellectual ideally counterbalanced by Cattrall's feisty man-eater. Astonishingly, though, considering the latter's foul mouth in the remainder of the series, it is a bit of a surprise to find out that the pilot is the show's least profane episode, the F-word being spoken only twice: once by Nixon as the girls discuss The Last Seduction (one of the reasons they believe emotionless sex is possible), and once by the irresistibly charming Noth (the program's best male cast-member) in the last scene, which acts as the beginning of the serial's juiciest storyline. Absolutely fabulous.

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