| Jerry Seinfeld | ... | Jerry Seinfeld | |
| Julia Louis-Dreyfus | ... | Elaine Benes | |
| Michael Richards | ... | Cosmo Kramer | |
| Jason Alexander | ... | George Costanza | |
| rest of cast listed alphabetically: | |||
| Marie Barrientos | ... | The Receptionist | |
| Ashley Gardner | ... | Marion | |
| Philip Baker Hall | ... | Lt. Bookman | |
| Neal Lerner | ... | The 'Shusher' | |
| Harris Shore | ... | Mr. Lippman | |
| Cynthia Szigeti | ... | Sherry Becker | |
| Biff Yeager | ... | Heyman | |
| Episode Crew |
Directed by | |||
| Joshua White | |||
Writing credits(in alphabetical order) | ||
| Larry Charles | writer | |
| Larry David | co-creator | |
| Jerry Seinfeld | co-creator | |
Produced by | |||
| Larry Charles | .... | producer | |
| Tom Cherones | .... | supervising producer | |
| Larry David | .... | executive producer | |
| Tim Kaiser | .... | associate producer | |
| Suzy Mamann-Greenberg | .... | associate producer | |
| Elaine Pope | .... | co-producer | |
| Andrew Scheinman | .... | executive producer | |
| Jerry Seinfeld | .... | producer | |
| George Shapiro | .... | executive producer | |
| Nancy Sprow | .... | associate producer | |
| Joan Van Horn | .... | line producer | |
| Howard West | .... | executive producer | |
Cinematography by | |||
| Charles W. Short | |||
Casting by | |||
| Brian Myers | |||
Art Department | |||
| Suzanne Feller-Otto | .... | set designer | |
Camera and Electrical Department | |||
| Charles R. Young | .... | camera operator | |
Other crew | |||
| Larry Charles | .... | executive story editor | |
| Matt Goldman | .... | story editor | |
| Peggy Lane | .... | stand-in | |
| Tom Leopold | .... | story editor | |
| Peter Mehlman | .... | program consultant | |
| Peter Mehlman | .... | story editor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Directed by | |||
| Tom Cherones | (episode 4.24 "Pilot, Part 2, The") | ||
Writing credits(in alphabetical order) | ||
| Larry David | creator | |
| Jerry Seinfeld | creator | |
Produced by | |||
| Sam Henry Kass | .... | producer (1994-1996) | |
| Jeffrey Stott | .... | executive producer in charge of production | |
Film Editing by | |||
| Eric Lea | |||
| Peter Chakos | (uncredited) | ||
Set Decoration by | |||
| Laura Richarz | |||
Makeup Department | |||
| Dulcie Smith | .... | makeup artist | |
Production Management | |||
| Howard Bolter | .... | production supervisor | |
| Randy Carter | .... | unit production manager (1996-1998) | |
Art Department | |||
| George Capetanos | .... | prop assistant | |
| Glenn Forbes | .... | set dresser | |
| Drew Williams | .... | leadman | |
Sound Department | |||
| Ken Kobett | .... | sound re-recording mixer | |
| George Nemzer | .... | sound editor | |
| Otis Van Osten | .... | sound editor | |
| James D. Young | .... | sound effects editor | |
Special Effects by | |||
| Ken Speed | .... | special effects | |
Stunts | |||
| Brian Joseph Moore | .... | stunt double: Jason Alexander | |
| Michael J. Sarna | .... | stunts | |
Camera and Electrical Department | |||
| Dana Baker | .... | dolly grip | |
| Kent Baker | .... | grip | |
| James F. Cornick | .... | best boy | |
| Michael Fastoso | .... | grip | |
| George La Fountaine Jr. | .... | first assistant camera (1992-1995) | |
| Wren Maloney | .... | still photographer | |
| Michael R. Marquette | .... | first assistant camera | |
| Michael Yarish | .... | still photographer | |
Casting Department | |||
| Marc Hirschfeld | .... | casting executive | |
| Meg Liberman | .... | casting executive | |
| Lisa Ystrom | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Marie H. Burk | .... | costume supervisor | |
| Linda S. Cormany | .... | key costumer | |
| Elaine Down | .... | set costume | |
| Stephanie Kennedy | .... | key costumer (1993-1998) | |
| Gilda Texter | .... | costumer (first 13 episodes) | |
Transportation Department | |||
| Robert J. Young | .... | driver (1990) | |
Other crew | |||
| Vicki Beck | .... | production coordinator | |
| Andy Cowan | .... | program consultant | |
| Jeff Crandell | .... | location manager | |
| Ray DeVally Jr. | .... | technical coordinator | |
| George Doty IV | .... | script coordinator (1996-1998) | |
| Kim Giancaterino | .... | electronic graphic artist (as Kimberley Gunn) | |
| Kim Giancaterino | .... | title designer: end credits (as Kimberley Gunn) | |
| Jane E. Graves | .... | assistant location manager | |
| Marjorie Gross | .... | creative consultant | |
| Sam Henry Kass | .... | executive consultant (as Sam Kass) | |
| Judy Kerr | .... | dialogue coach | |
| Towanna King | .... | stand-in | |
| David Lanphier Jr. | .... | location scout: New York | |
| Matt Liston | .... | on-set assistant | |
| Scott Mislan | .... | production assistant | |
| Lesley Robins | .... | production assistant (1997-1998) | |
| Shane Stanley | .... | production assistant | |
| Fred Stoller | .... | program consultant | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
In 1990, Stephen King's Four Past Midnight hit the shelves: a collection of four tales of horror, it got particularly gruesome in the section called The Library Policeman, a wince-inducing yarn that toyed with the idea of the eponymous "law enforcer". Why am I mentioning this? Because this episode of Seinfeld provides its own take on the figure, and while it is considerably lighter in tone than King's version, it most certainly qualifies as equally smart.
The events of the show are set in motion when Jerry receives a note telling him he still hasn't returned a library book he borrowed in high school (!). Utterly convinced something is wrong, he goes to the library to complain. Two more story lines stem from here: firstly, Kramer becomes infatuated with a librarian ("She needs a bit of Kramer!" Jerry: "Yeah, and then she'll need a shot of penicillin."); secondly, George thinks a hobo sitting outside the building is actually his old gym teacher, a man who used to torment him by deliberately mispronouncing his name: Cantstandya instead of Costanza. In the end, Jerry is forced to deal with Lt. Bookman (Philip Baker Hall) himself, which means there will be a lecture on how everything gets worse, year after year.
"Yeah, '71, that was my first year on the job... bad year for libraries, bad year for America...". That's how Baker Hall, one of the greatest character actors in recent film history, introduces The Library's best scene. Remembered by most people as the sad/manipulative character in the likes of Sydney, Boogie Nights and Magnolia, he has never really hit it big with a cinematic comedy. Sure, his minor role in Bruce Almighty was fun to watch, but a bit of a wasted opportunity. Here, instead, he succeeds in comically deforming his trademark persona while retaining a sort of realistic charm, with the result of Bookman being hilarious, but still believable as a human being. In fact, after seeing this, I kind of wonder whether '91 was good or bad for libraries...