Tod and Linc, in Denver, Colorado, become involved in the story of an Depression Era bank robber and a pretty young woman. The robber, never caught and now an old man, has selected her to ... See full summary »
Tod and Linc, in Denver, Colorado, become involved in the story of an Depression Era bank robber and a pretty young woman. The robber, never caught and now an old man, has selected her to report his crime and collect the reward in order to give her "a fresh start". Her former "business partner" and the passing of time complicate things. Written by
This episode was advertised on CBS afternoon television on Nov. 22 1963, immediately after the first announcement by Walter Cronkite via special bulletin that President Kennedy had been gravely wounded, perhaps fatally, in Dallas. The episode aired the following week on Nov. 29. See more »
For the record, we believe you.
If you mean it, why did you have to say it? You're just dying to know who was after me and why. You know, all that time you were coming on, I was thinking, 'there's a boy who polishes his conscience every morning, so he can enjoy the shine of his own goodness'.
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In 1963 as Route 66 was approaching its end viewers did not always get the finest episodes delivered. That said, this isn't by any stretch one of the finest. What it is, however, is a memorable performance by the young Stephanie Powers. Playing a young woman who throws caution to the wind in search of something she hooks up with a conman, but she turns the table on his fixed card game absconding with $600. She's quite out of her realm it would seem as she approaches Tod and Linc for a quick getaway.
Naturally, problems ensue in the form of the con artist attempting to have her arrested for the theft of his money. As it happens an aging on-the-lam bank robber steps in as her uncle taking her by bus to Denver. Once there she hopes to hook back up with Tod and Linc - unknown to them she hid the loot inside a hubcap on their Corvette. The twist in the story is whatever she's running from can't be worse than what she is heading into. It seems she is has been picked by the aged criminal to turn him in and collect a fairly substantial reward. Does the senior bank robber seek to do one good deed in his desperation to end his painful past? Plus, there's still the question of the con-man's money as he is stalking Ms. Powers.
The story seems muddled and, put more plainly, weak. This episode isn't a stellar one except that the screen presence of Ms. Powers is such that despite the tepid story her performance actually lifts it. One could say that it largely due to her outstanding good looks, but that would be wrong as she delivers the mysteriousness of her character brilliantly. The viewer never really knows what to make of her so it is quite requisite to keep watching for answers. In the end there really is not much resolution to that, yet her performance is compelling enough to stay on board.
Route 66 is known to explore the darker side of the human condition. This episode seeks to do that in that youth can be fleeting and if one doesn't treat it as precious the regret of old-age can be very painful. The punch line is that only by losing yourself in that significant other do you find meaning for your own life. That would mean eschewing the self-centered conning of your fellowman. Does the protagonist get the message? Who knows...The story is open for interpretation. Nonetheless, this episode has its strange affection centered on Stephanie Powers.
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