I suppose I am adding this comment as counterweight to the only other existing comment about this episode of the excellent Granada Holmes series.
While not the best of the series it certainly stands out as one of the better ones and is infinitely better than some other Holmes adaptations we have been subjected to in the past decades. An original and classic Sherlock Holmes story is not so much about a detective solving a murder case. We are not talking whodunnit here. People who are looking for that sort of thing had better look out for the odd Agatha Christie movie. A Holmes story is mostly about atmosphere, be it the foggy, nostalgic, and mysterious atmosphere of Victorian London, or, in this case, the lonesome, mystic and eerie air of the Cornish countryside.
Anyone who is slightly acquainted with the canon of Sherlock Holmes stories will know that all occurrences have a scientific and logical explanation. So there is no reason to dwell unnecessarily long on the possibility of something supernatural happening. Of course the astute viewer will have identified the criminal rather early but contrary to the plots of classic whodunnits some of the best Holmes stories feature a criminal who only appears towards the end of the story and is usually some strange and outlandish character from the victim's past. In a whodunnit we would resent such a solution but in a Holmes story which is mostly about atmosphere we do not.
While not the best of the series it certainly stands out as one of the better ones and is infinitely better than some other Holmes adaptations we have been subjected to in the past decades. An original and classic Sherlock Holmes story is not so much about a detective solving a murder case. We are not talking whodunnit here. People who are looking for that sort of thing had better look out for the odd Agatha Christie movie. A Holmes story is mostly about atmosphere, be it the foggy, nostalgic, and mysterious atmosphere of Victorian London, or, in this case, the lonesome, mystic and eerie air of the Cornish countryside.
Anyone who is slightly acquainted with the canon of Sherlock Holmes stories will know that all occurrences have a scientific and logical explanation. So there is no reason to dwell unnecessarily long on the possibility of something supernatural happening. Of course the astute viewer will have identified the criminal rather early but contrary to the plots of classic whodunnits some of the best Holmes stories feature a criminal who only appears towards the end of the story and is usually some strange and outlandish character from the victim's past. In a whodunnit we would resent such a solution but in a Holmes story which is mostly about atmosphere we do not.